My system is not decent

Chapter 1849 A little bit of blue, antique

The cost of imitating a piece of work is more than [-], so will anyone sell it for [-] or [-]?

Certainly not, so why is this garlic bottle with fish and algae pattern not recognized?After all, it still has the inscription Shufu on it!
Now let’s talk about the multicolored garlic vase with fish and algae patterns, because this kind of thing is generally considered to be an innovative porcelain in the Ming Dynasty.

That is to say, large-scale colored porcelain such as fish and algae-patterned garlic bottles are all newly created by Wanli.

This is recognized by many people now, so if the word "Private House" appears on it, it is not a bonus item, but it makes people think it is a substandard imitation.

This is why the garlic bottle was not taken out at the beginning, right?
Of course, the three pieces of egg-white glazed porcelain of the Yuan Dynasty sold for 30 yuan, and there may also be reasons for this.

In fact, people in the antique shop are afraid of this kind of half bottle of vinegar. If you say he doesn't understand, he really understands a lot.

However, if you want to say that he is proficient, he is really not good.

Just like now, Chen Wenzhe missed out on half of what he learned.

Only those who are really proficient in learning will know that in addition to those decorated with fish and algae patterns, there are also those decorated with mandarin duck and lotus patterns and dragon wear patterns.

This fish and algae-patterned multicolored garlic bottle from the Yuan Dynasty has nothing to do with the Wanli blue and white multicolored style of the Ming Dynasty.

Even if it is different from the early five colors, it is quite different.

The color used in the former has a strong decorative effect, and the colors are mostly saturated colors such as red, yellow, green, purple, etc., instead of light intermediate colors, and red, thick and green are used to win.

The painting brushes are bold and uninhibited, and the lines are strong and powerful.

For such a bottle, an increase of 10 yuan is a huge profit.

"It's beautiful, okay, I'll keep my word, it's only 30."

The young boss was happy, and Chen Wenzhe couldn't let people say anything, so he agreed to pay 30 very happily.

For him now, 30 is not much different from thirty cents.

As long as he can buy what he likes, how much it costs is not a problem at all.

Not to mention anything else, but the small bowl that Chen Wenzhe saw first, if he was willing to send it up for auction, he would be able to sell it for 8000-[-] million.

A bowl is worth more than 7000 million sky-high prices?In addition to some enamel colors and large-scale porcelain in the Ming and Qing Dynasties, who else is there in other dynasties?
Is it also the Chenghua Doucai of the Ming Dynasty?Now there is one more.

In the Yuan Dynasty, in addition to the blue and white flowers of the Yuan Dynasty, an egg white glaze and gold craft porcelain was added.

After all, this kind of porcelain was only seen in historical records before, and the real product has never been seen.

Of course, there must not be any of them now, because they have been auctioned before.

It was in October 14, the "Yuan Dynasty egg white glaze dark engraved multicolored golden bowl" sold in Shendu for 10 million yuan.

The one in Chen Wenzhe's hands has a slightly different style, but he still suspects that the two are of the same type.

Although Chen Wenzhe had never seen the auction item, his bowl should be similar to the sky-high price bowl in terms of workmanship and shape.

His small bowl is shaped like a squatting structure, and the glaze is egg white.

Careful observation has a little bit of cyan, antique.

The most striking thing is that its surface is decorated with a large number of raised golden and green patterns, which are magnificent.

The price of such a small bowl itself is not low. If there are other similar types that have been auctioned for sky-high prices, then the price of his small bowl cannot be lowered.

The price of this kind of thing will not drop just because there is one more surviving one. After all, even if there is one more, there are only two in the world.

Also, with the addition of another stem cup and garlic bottle, if a complete set is auctioned, the price may be higher. After all, they are different types of utensils, but the craftsmanship is the same.

With such a big harvest, Chen Wenzhe paid the money very happily.

However, after the transfer was successful, he was a little dumbfounded when he saw the young boss's flamboyant operation.

Because in the blink of an eye, the boss brought two large multi-colored pots and put them in front of Chen Wenzhe's eyes.

"Boss, I see that you are an expert. How about you, let's take a look at these two colorful pots?"

Looking at the two colorful pots, Chen Wenzhe was a little silent.

The style of these two pieces is somewhat similar to that of the Ming Dynasty, but they are definitely not the five colors of the Ming Dynasty, but the five colors of the Yuan Dynasty.

The five colors of the Yuan Dynasty certainly cannot be compared with the Ming Dynasty in terms of craftsmanship.

The most important thing is that these two large jars did not use gold-finishing techniques, so they are not as magnificent as the small gold-finishing bowls.

However, he knew the five colors of the Yuan Dynasty, but this kind of thing seemed to be very rare, after all, this kind of porcelain was not very brilliant in the Yuan Dynasty.

Of course, that is relative to Yuan blue and white, Yuan Dynasty underglaze red and Yuan blue and white underglaze red.

As I said before, it turns out that people generally believe that multicolored porcelain was only created and fired by Wanli in the Ming Dynasty.

In fact, this kind of statement is not uniform in the first place. Some people also believed that the five-color porcelain of Jingzhen kiln in the Ming Dynasty was first fired in the Xuande Dynasty.

Some people still believe that in the early Ming Dynasty, there was a small amount of firing in the middle of the Ming Dynasty, and it was very popular in the late Jiajing, Longqing, and Wanli dynasties.

It can also be said that the multicolored porcelain in the Wanli period of the Ming Dynasty is the most famous.

In fact, the development of multicolored porcelain was very early, not to mention the Yuan Dynasty, it existed in the Jin Dynasty.

The determination of the five-color porcelain in the Jin Dynasty provided complete conditions for the selection of color materials, firing technology and firing process for the development of the five-color porcelain in the Yuan Dynasty.

At present, the ancient texts about firing red and green colored porcelain in the Jingzhen area of ​​the Yuan Dynasty can be found, only in the entry "Ancient Rao Ware" in Cao Zhao's "Ge Gu Yao Lun" in the early Ming Dynasty.

Among them, there is such a description: "The ones burning small feet in the Yuan Dynasty were taller than the ones with Shufu characters inside. The new ones were big enough, and the plain ones were not moist. There were blue and five-color flowers, and they were very vulgar."

The discovery and proposal of multicolored porcelain in the Yuan Dynasty, as far as China is concerned, started in recent years.

The colorful porcelain produced in Jingzhen during the Yuan Dynasty has been discovered and recognized by some domestic and foreign experts who specialize in the study of ancient ceramics and a few people in the industry who collect ancient porcelain.

Ye Peilan, a research librarian of the Palace Museum and an expert on porcelain, pointed out in the book "Famous Colorful Porcelain" that the study of five-color porcelain on glaze in the Yuan Dynasty is a new topic in the academic circle.

From the excavation of the Dadu site in the Yuan Dynasty, among the porcelains in the Yuan cellar, there are very few traces of glazed five-color porcelain.

In the book, Ye Lao narrates that he came across multicolored porcelain in the Yuan Dynasty when he was among the people.

At the same time, see the expositions in Ye Zhemin's "Outline of the History of Chinese Ceramics" and Jiang Qi's "Tao Ji".

It is concluded that on the basis of the five-color porcelain of the Jin Dynasty, the Yuan Dynasty has developed more exquisite five-color porcelain than the previous generation.

According to archaeological discoveries in recent years, shipwreck salvage, and examples of Yuan Dynasty multicolored porcelain collected in museums at home and abroad, the industry agrees that Jingzhen Kiln fired overglaze multicolored porcelain from the Yuan Dynasty.

However, there have been no research results on the historical situation of multicolored porcelain products in the Yuan Dynasty.

Therefore, there are different opinions in the industry, and there is no consistent appraisal opinion on archaeological specimens and handed down products.

(End of this chapter)