My system is not decent

Chapter 1854 Contrast appraisal, there should be no big mistake

Therefore, the emergence of underglaze multicolored porcelain in the Yuan Dynasty was supported by materials and technology, so the emergence of underglaze multicolored porcelain in the Yuan Dynasty is not surprising.

In fact, it is impossible for anything to appear out of thin air. For example, red and green colored porcelain should be the predecessor of Wucai.

The origin of red and green colored porcelain should be as far back as the red and green colored porcelain of Cizhou Kiln in the Jin Dynasty.

However, the carcass of the Cizhou kiln wares of the Jin Dynasty is relatively rough, not as clean and flawless as the Jingzhen porcelain of the Yuan Dynasty, and it is necessary to use makeup soil to cover the flaws and grayness of the carcass.

Therefore, it can only exist in the form of folk art, and cannot enter the elegant hall of the national court.

The red and green colored porcelain that appeared in the Yuan Dynasty belongs to the truly mature painted porcelain on glaze.

The red and green colored porcelain of the Yuan Dynasty created a precedent for the colorful porcelain of later generations, and undoubtedly has an extremely lofty status in the history of Chinese ceramic art.

Of course, the red and green colored porcelain of the Yuan Dynasty must also belong to the colorful porcelain.

Since there is no record of unearthed complete utensils in China for the five-color porcelain of the Yuan Dynasty, the identification is inevitably criticized.

However, what Chen Wenzhe had in front of him could not be faked, such as the two Yuan Dynasty red and green bowls in front of him.

Chen Wenzhe believes that there will never be more than 10 ceramic collectors he has met.

And these ten people must be half-baked, not real professionals.

From these two pieces of porcelain, it can be seen that the shape and decoration of Yuan red and green colored wares are almost completely similar to Yuan blue and white porcelain.

If there is suspected Yuan red and green colored porcelain, you can compare and identify it with the identification method of Yuan blue and white patterned glaze, and there should be no major mistakes.

The color of yuan red and green color porcelain also belongs to low temperature color, red is alum red, which is the hair color of iron, and green color is the hair color of copper.

Because this kind of color is sintered on the porcelain glaze at a temperature of about 800 degrees, it is easy to peel off and is called overglaze color.

All overglaze porcelain needs to be painted on white porcelain, which belongs to the secondary creation of porcelain, and its value is definitely higher than that of plain white porcelain in the same sense.

Therefore, in later generations, there is a practice of adding color to plain white porcelain and falsifying it to increase economic value.

The Jingzhen kiln of the Yuan Dynasty basically continued the style of "red and green" porcelain of the Cizhou kiln of the Jin Dynasty, and also applied red, green and yellow three colors on plain porcelain.

The slight difference is that there are three kinds of glazes applied to bisque: blue and white glaze, egg white glaze and white glaze.

However, the so-called "five colors" does not mean that there are only five kinds of painted colors on porcelain, in fact, there are only three kinds in most cases.

"Five colors" just means that there are more colors in the painting.

In the Yuan Dynasty, the gold-plated five-color painting was very famous, and the painting method of the five-color porcelain was mainly to draw lines and fill in colors.

This is influenced by the court painting school from the Five Dynasties to the Northern Song Dynasty. Generally, the outline of the pattern is outlined with red, and three colors of red, green, and yellow are filled in the outline.

It should be noted here that there is a little difference between the five colors in the Yuan Dynasty and the red and green colors.

Yuan red and green color is a variety of overglaze color porcelain.

It is painted and decorated with red and green colored materials on the finished white glazed porcelain that has been fired, and then baked at a low temperature of about 800°C after entering the kiln again. This is a typical secondary fired product.

Different from the five-color porcelain on glaze produced in the north during the Jin and Yuan Dynasties, the red and green colored porcelain fired in Jingzhen in the Yuan Dynasty did not use yellow color.

Therefore, the red and green colors are slightly different from the traditional five colors, and belong to a derivative of "five colors".

The overglaze colored porcelain fired in Jingzhen kiln can be traced back to the late Yuan Dynasty according to the material data.

The red and green color was a new variety created at that time, so it is not an exaggeration to call it "Jingzhen's early five colors".

Ancient ceramic scholars at home and abroad in the last century knew little about the origin of Jingzhen kiln firing red and green colored porcelain.

The lack of historical documents and real objects handed down from generation to generation has made the study of early colorful colors in Jingzhen a vague marginal topic for a long time.

Since the red and green colored porcelain was a special type produced by the Jingzhen kiln industry in the Yuan Dynasty, the "History of Huaxia Ceramics" published by the Dahai Silicate Society in the 80s did not make any mention of the colored porcelain of this period, which is rare. The situation can be imagined.

In recent years, with the emergence of Yuanhong and green colored porcelain in folk collections, the study of red and green colored porcelain has been made, which has laid a solid foundation for the study of Yuanhong and green colored porcelain.

Just like the red and green plum vase in front of Chen Wenzhe, it is 31cm high, 15cm in diameter, 20cm in belly diameter and 10.5cm in bottom diameter.

It has a small mouth, narrow neck, sloping shoulders, bulging abdomen and drooping, glazed spots on the sandy bottom of shallow circle feet, and auxiliary heads.

The neck of the utensil is decorated with banana leaf patterns, and the bottom is decorated with a circle of covered lotus petal patterns.

The main body is decorated with mandarin ducks and lotus patterns, which is a very typical pattern in Yuan Dynasty porcelain.

The decoration of this vessel is outlined with red color, the brush is skillful, the twists and turns are natural and smooth, and the interior is filled with green color, with appropriate shades.

The whole picture is red and green, green like emerald, red like morning glow, bright and agile yet elegant and dignified.

This kind of red and green color in the Yuan Dynasty was influenced by the red and green color ware of the Cizhou Kiln in the north, and a new red and green color craft was produced, which is very small in existence.

Among them, the type of neck tie, ring foot, and belly drum is very rare, and it is one of the rare complete red and green color vessels in the world, which is very precious.

"Huh? This one doesn't seem to be from the Yuan Dynasty."

While carefully examining these multicolored porcelains one by one, Chen Wenzhe found that one of them was a bit strange. It didn't seem to be porcelain from the Yuan Dynasty, but from the Song Dynasty.

They are all red and green, and ordinary people can't find any abnormalities, but judging from the decoration, glaze, and shape of the vessel, they can definitely find that this plate is obviously not from the Yuan Dynasty, because it does not have the characteristics of the Yuan Dynasty, but has a strong flavor. Song Dynasty characteristics.

"Could it be Song Wucai? Or Song Ru Kiln Wucai?"

Chen Wenzhe was full of surprises when he thought of the five-color porcelain from Ru Kiln in the Song Dynasty.

The characteristics of the plate in front of me are obviously five-color porcelain, but it is not the five-color porcelain of the Yuan Dynasty, so we have to put a question mark.

Because Chen Wenzhe knew that the colorful flag ware should have been produced in the late Northern Song Dynasty at the earliest.

During that period, when improving the Ru kiln, five colors were successfully created and fired on the egg white Ru kiln.

Ru kiln five colors for gold painting, Ru kiln five colors for printing, Ru kiln five colors for decals, Ru kiln carved and scratched flowers five colors, and plain five colors for Ru kiln. Its abbreviation is the famous Song five colors in history, also known as Ru kiln five colors.

Judging from many utensils, its techniques are quite mature, and it is the orthodox representative porcelain of the peak period in the history of the porcelain industry.

The basic colors are mainly red, yellow, green, blue and purple.

It is applied on the glaze of the porcelain according to the needs of the pattern, and then put into the furnace for the second time and fired at a high temperature of 700-800 degrees Celsius for the second time.

It is characterized by the decoration method of overglaze color, and its surviving utensils are rarer and rarer.

The five colors of Ru Kiln in the Northern Song Dynasty are very rare even in the late Northern Song Dynasty.

White porcelain wucai and Ru kiln wucai large plates in the late Northern Song Dynasty. This kind of Song wucai was fired in the middle of the twelfth century and was first exported to Western Europe.

Its exquisite realistic meticulous painting makes it known as the ancestor of European enamels in the fifteenth century and the ancestors of Qing enamels in the seventeenth century. In fact, it is not too much.

This kind of multicolored color is the upper multicolored color, which is different from the printed multicolored color of Song Baici.

The pattern highlights the characteristics of Sanhua in the Northern Song Dynasty, which is the main representative porcelain used by the people of the Song Dynasty, that is, Song porcelain.

(End of this chapter)