My system is not decent

Chapter 1853 Regardless of size, [-] pieces

Not to mention the blue and white flowers of the Yuan Dynasty, but to talk about the previous gold ware, it is definitely not simple.

In the "Tao Ji" by Jiang Qi of the Yuan Dynasty, it was mentioned that the porcelain decoration techniques at that time "printing, painting, and carving have their own skills";
In "Ge Gu Yao Lun" in the early Ming Dynasty, there is a saying that "blue flowers, five-color flowers, and gold".

There is a pile of flowers and a gold bowl in the collection of the Haihai Museum, which shows the unprecedented special decoration method of the Yuan Dynasty.

In the tombs of the Yuan Dynasty in Shendu and the utensils unearthed in the cellars of the Yuan Dynasty, there are specimens of decorative patterns of this stacking method.

According to Mr. Huang Yunpeng's book "Huangyao Shuo Porcelain", gold-finishing, that is, gold foil pasting, is the application of the gold-finishing process of lacquerware to porcelain.

In the Yuan Dynasty, gold was mostly used on blue glaze and egg white glaze.

Today's imitators often use a brush dipped in the principal powder to draw patterns, which is easy to distinguish authenticity.

It is also because of this that Chen Wenzhe can recognize Jinjin porcelain at a glance.

It is a pity that he did not find the gold-plated wares made on the blue-glazed porcelain of the Yuan Dynasty.

If one can be found, it is obviously more precious.

However, it is not without opportunities in the future. After all, the great voyage that started in the Yuan Dynasty is still very famous.

As early as 1975, the "Xin'an shipwreck" of my country's Yuan Dynasty was discovered in the waters of South Korea. The ship contained more than 1 pieces of porcelain.

Most of them are Longquan kiln products, which shows the scale of export porcelain in Yuan Dynasty, and its export has spread all over the southeast coast.

For this reason, there are also specimens of Yuan Dynasty multicolored porcelain in foreign museums, for example, two pieces of Yuan Dynasty multicolored porcelain in the Neon Matsuoka Art Museum.

In "Daoyi Zhilue" written by Wang Dayuan, a navigator of the Yuan Dynasty, the export situation of Yuan porcelain is recorded in detail.

The main trading countries for the export of Yuan porcelain are Nihong, North Korea, Vietnam, South Vietnam, and Malay Southeast Asian countries.

There are also some countries in North Africa, such as Egypt and so on.

In addition, there are countries in Central Asia and West Asia, and then Europe.

With such a large scope of trade, shipwrecks are bound to happen.

In the future, Chen Wenzhe really needs to study the sea routes of the Yuan Dynasty carefully. When he finds a few sunken ships of the Yuan Dynasty, he may be able to discover the five-color porcelain of the Yuan Dynasty, the blue and white flowers of the Yuan Dynasty, and the gold wares of the Yuan Dynasty.

It's a pity that five colors in the Yuan Dynasty were still rare, because people in the Yuan Dynasty didn't like them very much.

Historically, under the influence of the Yuan Dynasty's "national customs favoring white, and white is auspicious", the production of multicolored porcelain on glaze was limited.

Due to the scarcity of handed down objects and the lack of reliable historical documents and archaeological materials, many people are not very clear about the production status of multicolored porcelain in the Yuan Dynasty and even the early Ming Dynasty.

In particular, there is a lack of research on the real objects from the end of Yuan Dynasty and the beginning of Ming Dynasty, otherwise Chen Wenzhe really couldn't miss it this time.

"Regardless of size, [-] pieces, otherwise I will continue to collect these things."

Seeing Chen Wenzhe's eyes shine, I really like it!

Therefore, the young boss doesn't mind the lion opening his mouth.

Seeing that this guy was actually proud, Chen Wenzhe didn't know what to say.

Are the multicolored flags of the Yuan Dynasty valuable?Definitely worth the money.

The colorful porcelain of the Yuan Dynasty is a very precious cultural relic, with a market value of between 50 and 100 million.

Of course, it depends on the integrity of the artifact and whether it is an official kiln to determine its actual value.

However, as long as it is an official kiln, it is very valuable.

Of course, the official kiln was a false proposition in the Yuan Dynasty, but whether the official kiln was linked to the production process.

As long as the craftsmanship is good and the things are good, it can be identified as an official kiln of the Yuan Dynasty.

It would be even better if there were inscriptions.

Because no matter when, the cost of good things is very high, and ordinary people are not qualified to make them.

Like the multicolored porcelain in front of Chen Wenzhe, that one was made at a very high cost in ancient times.

If you don't have power and money, you can't even touch the color materials used on it. How can such things be fired by ordinary folk kilns?

And if these are porcelains used by high-ranking nobles in the Yuan Dynasty, then according to the description in the "Ming and Qing Porcelain Appraisal", the porcelain bodies must be the plain bodies fired for the Yuan Palace;

The celadon glaze of the official kiln must be applied, with red, purple, yellow, blue, white, green or peacock green colors.

Use the technique of stacking flowers and standing powder for decoration, and then add color to the outline and add gold flakes.

The decorations are the royal traditional cloud dragon pattern, miscellaneous treasures, ruyi, twining flowers, and Buddhist meanings of lotus petals, eight treasures, and Sanskrit.

In fact, as long as you know the five colors of the Yuan Dynasty, the five-color porcelain of the Yuan Dynasty is also very easy to identify.

Chen Wenzhe picked up a gourd bottle, which was an eight-edged gourd bottle with blue and white multicolored printing of flowers and birds in the Yuan Dynasty.

It can be seen from this piece of porcelain that the porcelain printing process of the Yuan Dynasty was also very powerful.

Of course, it must involve the porcelain color of the Yuan Dynasty, that is, the five-color craft.

The five-color underglaze porcelain of the Yuan Dynasty is vividly expressed on this piece of porcelain.

There are red, yellow, green, blue, purple and other colored materials on it. The conventional method of use is to set the color according to the pattern on the porcelain, and select the color for the decoration.

The existence of five colors is divided into underglaze five colors and overglaze five colors, and the distinction standard is very simple.

The five colors on the transparent glaze are the five colors on the glaze, which can be touched by hand;

Transparent underglaze five colors are underglaze five colors, which cannot be felt by hand;
There is no need to repeat the point of view that the five-color porcelain was not created in the Xuande period of the Ming Dynasty, but that the firing technology of the five-color porcelain was mature in the Yuan Dynasty.

Mr. Geng Baochang, who is the master of my country's porcelain research, has long held high opinions.

In fact, if you really want to count, the five-color underglaze porcelain was not created and fired in Liling by the "Nanhu Porcelain Company" in the early [-]th century.

This can be said to have been misunderstood for 100 years. The biggest evidence is the plum vase with underglaze multicolored figures of the Yuan Dynasty in front of Chen Wenzhe.

This plum vase is obviously a product of the Yuan Dynasty, because the vase is a popular plum vase in the Yuan Dynasty.

This vessel is bluish-white in color, with a bright glaze surface, cracks, glaze shrinkage and brown eyes can be seen on the surface.There are many layers of patterns, which are usually unique to the pattern design of the Yuan Dynasty.

Its whole body is decorated from top to bottom, with curly grass pattern, interior miscellaneous treasures facing down lotus pattern, twining peony pattern, character story pattern, and interior flower upturning lotus pattern.

Among them, the character story pattern is the theme picture, and each layer of pattern is separated by blue and white double solid circles.

This resulted in clear and orderly layers of patterns on the whole vessel, simple and smooth lines of decorative patterns painted on the screen, character portrayals in the style of the Yuan Dynasty, and the characteristics of the era of decorative patterns are very obvious.

Based on the appearance of the bottom of this bottle and other aspects, it is in line with the basic elements of Yuan Dynasty porcelain, so it is dated that this bottle is a product of Yuan Dynasty porcelain.

In addition, it is particularly worth noting that all the pattern decorations on this bottle are depicted in yellow, green, and red colors, and the pattern frame is outlined with blue and white circles.

The painted patterns are all under the transparent glaze, so it is called underglaze five colors.

At present, from the physical collection of Yuan Dynasty porcelain that has been mastered today, several viewpoints can be deduced.

First, underglaze five-color porcelain in Yuan Dynasty was developed from overglaze red and green porcelain in Yuan Dynasty, which has its foundation of porcelain color;

Second, the successful firing of blue and white porcelain in the Yuan Dynasty also provided valuable experience for the creation and firing of underglaze multicolored porcelain.

(End of this chapter)