My system is not decent

Chapter 1930 Delicate and gentle, touch it like jade

"Dream of Red Mansions" No.30 eight chapters "Lin Xiaoxiang won the chrysanthemum poem Xue Hengwu satire and crab chant" has such a description.

Jiamu, Xiangyun, Baochai, Lin Daiyu and other sisters tasted wine and recited poems in the Grand View Garden.

Because Lin Daiyu doesn't drink much and doesn't eat crabs, she asks people to build an embroidered pier, sits leaning on the railing, and fishes with a fishing rod.

It can be seen that the embroidered pier is a seat without a backrest. It does not need to be relied on and can be placed wherever it is needed, which is very convenient.

In Chapter 80 of "Dream of Red Mansions" No. [-], "Jia Cunzhou Baosheng Langzhong Ren Xue Wenqi was exiled again", there is also a description of Xiudun.

Then Jia Amnesty and others withdrew reverently and respectfully. King Beijing ordered the eunuch to wait for the old relatives to entertain them well, but Baoyu was left here to talk and sat down again.

Baoyu kowtowed to thank him again, sat sideways on the embroidered pier next to the door, and talked about reading and composition.

The king of Beijing Jing cherished it very much and gave him tea again.

The embroidered pier was an important seat in the Ming and Qing Dynasties, which can be seen from this.

Of course, the embroidered piers of this period also absorbed many foreign technologies.

During the late Ming and early Qing Dynasties, Western techniques of architecture, sculpture, and painting were gradually applied in our country.

During the Kangxi period, a large number of Western art craftsmen were used in the court.

From Yongzheng to Qianlong and Jiaqing, imitation of Western-style architecture flourished.

For example, in the Old Summer Palace, there are many buildings in Western style from form to interior decoration.

The red sandalwood consecrated fancao pattern embroidered pier is a combination of Chinese and Western furniture made to cater to the royal taste.

The passionflower pattern embossed on the embroidered pier is a representative of Western ornamentation.

In the West, this kind of decoration is just like the peony in our country, and it is loved by people.

In terms of sculpture, it has greater deformation randomness than peony, so it was favored by the royal family of Qing Dynasty.

According to relevant historical records, pear red sandalwood tables and chairs similar to this style were made during the Qianlong period of the Qing Dynasty.

These furniture can still be seen in the Palace Museum in Shendu today, but the embroidered piers with passionflower patterns in relief are extremely rare.

In the Ming and Qing Dynasties, there were still many such embroidered piers, including many classics.

For example, the embroidered pier with blue and white clouds and dragons in the Ming Dynasty has a top diameter of 25 cm, a belly diameter of 33 cm, and a height of 42 cm.

Drum-shaped, hollow, the carcass is firm and thick, and the outer wall is piled up with two circles of raised drum nails.

A lion-shaped auxiliary head is embossed on both sides of the pier body, which is easy to grasp when carrying it, which increases the sense of majesty of the whole utensil.

The outer wall of the pier is decorated with blue and white flowers. Looking at its hair color, the blue is slightly purple, giving people a bright and quiet feeling.

The overall pattern layout is full, forming an auspicious and auspicious picture implying happiness and longevity.

There is also a pier embroidered with blue and white lion and peony patterns in the Ming Dynasty, with a top diameter of 26, a belly diameter of 32, and a height of 44 cm.

The device is drum-shaped, with a tight carcass and a hollow abdomen, and a circle of drum nails is piled up on the top and bottom of the pier as decoration.

There is a majestic and solemn lion-shaped auxiliary head on each side, which is easy to carry.

Looking at its blue-and-white hair color, blue with purple in it, the thick part is gorgeous, and the thin part is light, it should be a work of the late Ming Dynasty.

Porcelain piers like this were made in some porcelain kilns in the Ming Dynasty.

For example, the Longquan kiln celadon embroidered pier with dark engraved peony patterns in the Ming Dynasty has a top diameter of 30, a belly diameter of 36, and a height of 39 centimeters.

The pier is drum-shaped, with a thick carcass, and the top of the pier is slightly arched upwards.

There are seams on the shoulders, and the seams are surrounded by piles of plastic drum nails, just like a piece of brocade covering the pouf.

The whole body is opened, and is secretly engraved with peony patterns.

The shape of the whole device is simple and simple, giving people a sense of stability and solidity.

In the Qing Dynasty, all kinds of embroidered piers increased.

Among them, there are many classics, such as the six-edged embroidered pier with Taotie pattern in Qing Dynasty, with a top diameter of 23, a belly diameter of 27, and a height of 38 cm.

The device is hexagonal in shape, the middle part of the pier is bulging, the carcass is firm and delicate, and the body is delicate and small.

This embroidered pier is regular in shape, simple and elegant, full of literati atmosphere, and the fetal glaze is delicate and moist, touching it like jade.

The most important thing is that the blue and white hair color is clear and bright, delicate and elegant, and has a smudged effect.

It can be said that this embroidered pier exudes a strong imitation of the green material "Sumaliqing" imported from Xuande in the Ming Dynasty, which is extremely elegant and beautiful.

This classic embroidered pier in the Qing Dynasty also has a blue-and-white gluttonous six-edged embroidered pier, which has a top diameter of 20, a belly diameter of 24, and a height of 23 cm.

Its carcass is thick and compact, shaped like a drum, and hollow.

There is a ring of drum nails on the upper and lower sides of the outer wall of the pier, and the whole is decorated with blue and white patterns.

The top of the pier is flat, with a coin pattern hollowed out in the center, and surrounded by a common pattern on porcelain - the lotus pattern with twining branches.

The layout of the entire outer wall of this pier is reasonable, with clear layers, and the blue and white hair color is thick and gorgeous.

Although there are many small dots in the lines that are intentionally rendered with a brush, like the characteristics of the imported "Suniboqing" cobalt material in the Yongxuan period, they do not have the uneven feeling of Xuande blue and white.

The size of this embroidered pier is half smaller than that of ordinary embroidered pier. The exquisite and unique shape and decorative painting style reflect the characteristics of blue and white porcelain in the Qianlong period of the Qing Dynasty.

The classic embroidered pier in the Qing Dynasty also has a blue and white hexagonal embroidered pier with twining branches and lotus patterns. Its top surface diameter is 26.5, its abdominal diameter is 33, and its height is 47 cm.

The pier is in the shape of hexagons, small at the top and bottom, and bulging in the middle. There are a circle of drum nails piled up on the outer wall of the pier, and the whole is decorated with blue and white.

Looking at its blue and white hair color, it should be a work in the middle of Qing Dynasty.

These are considered to be blue and white, which are quite satisfactory. If we say that they are more beautiful, we should look at pastels.

The embroidered pier with phoenix wearing peony pattern in Qing Dynasty is one of the classics.

This Qing famille rose phoenix wears a peony pattern embroidered pier, with a top diameter of 29, a belly diameter of 36, and a height of 46 cm.

The vessel is drum-shaped, with a hollow arc belly, and the body of the pier is decorated with pastel patterns, which are colorful.

This embroidered pier is regular and dignified, generous and elegant, and its gorgeous pastel hair color is considered to be a good product in the middle of Qing Dynasty.

There are also many famille rose porcelain piers like this, such as Qing famille rose pierced piers with Shou character patterns.

Qing famille rose embroidered pier with Shou characters, with a top diameter of 29, a belly diameter of 36, and a height of 46 cm.

The pier is drum-shaped, with a hollow arc belly. The pier feet are unglazed and rounded inwards. The whole body is decorated with pastels and colorful.

Since the Shang and Zhou dynasties, people have liked to use symbols, homonyms and other techniques to put all kinds of beautiful things together.

In this way, auspicious patterns with certain beautiful meanings are formed to pray for "blessing, prosperity, longevity, happiness and wealth".

By the Qing Dynasty, it was almost to the point that "pictures must be intentional, and intentions must be auspicious".

A variety of auspicious patterns in this mound decoration are assembled together, and matched with bright and harmonious colors, the whole body presents an auspicious, beautiful and festive atmosphere, and it is rare to keep them in pairs. This pair of embroidered piers is Works of the late Qing Dynasty.

In addition, there is a clear pastel embroidered pier with lotus patterns, with a top diameter of 28, a belly diameter of 35, and a height of 47 cm.

It is drum-shaped, with a hollow arc belly, and the pier feet are unglazed and rounded inward. The whole body is decorated with pastels, and the color is bright.

The surface of the pier is flat, and the center is decorated with hollow money patterns, surrounded by four bats, implying "blessing is in front of you".

The shape of the whole device is round and full, the composition is dense and dense, and the color is bright and clean.

This clearly reflects the aesthetic taste of advocating nature in ancient my country, and this pier is a work of the late Qing Dynasty.

(End of this chapter)