My system is not decent

Chapter 1931 Use static to set off dynamic, echoing each other

By comparing the above porcelain embroidered piers with various decoration techniques and different shapes and sizes, we can briefly understand the differences in shapes of porcelain embroidered piers in the late Ming and Qing Dynasties.

The top surface of the porcelain embroidered pier in the late Ming Dynasty is mostly raised upwards to varying degrees.

However, the pier surface of the Qing Dynasty was flat or slightly concave;

The porcelain embroidered pier in the late Ming Dynasty is slender and has soft lines.

In the early Qing Dynasty, it was more refined, elegant, delicate and compact.

Developed to the middle and late Qing Dynasty, it began to become tall, solid and thick, and its lines became tough.

These exquisite porcelain embroidered piers are not only practical, but also ornamental and decorative. They are the embodiment of the perfect blend of porcelain making skills and seat culture in the Ming and Qing Dynasties.

Among woodenware, embroidered pier is only a trivial item.

However, this is a commonly used object. After careful study and making some, whether it is a porcelain pier or a wooden embroidered pier, it can add some interest to life.

Especially the porcelain pier among the porcelain, which Chen Wenzhe had never seen before, nor had he ever thought of it.

And as long as it is porcelain that he has seen or seen, there is nothing Chen Wenzhe can't make.

Now that he has encountered something he has never seen before, and he has never done it before, he is naturally a little delighted to see it.

"The imitation of porcelain piers is the first choice, and then I will create them myself!"

Soon, Chen Wenzhe returned to Dahai City, and came to a factory he newly opened.

This is a woodwork factory, and there are also some small porcelain kilns here. After all, this factory was built according to his requirements.

Of course, there are not only porcelain kilns here, but also a small foundry inside, which is prepared for casting bronze wares.

Now a large number of precious hardwoods and tree roots have been collected here, and a large number of other strange stones and precious stones have also been purchased.

Of course, making these needs to be learned from scratch, so Chen Wenzhe plans to make a batch of porcelain piers first, then play with wood carvings, and finally stone carvings and bronze wares.

Porcelain pier, which can be briefly described as a stool made of porcelain, is a living utensil for the ancients, also known as a cool stool.

Because it is mostly drum-shaped, it is also known as drum stool and porcelain drum.

Now we can see it in ancient costume movies, usually under the body of a lady, delicate and elegant.

If it appears in the palace, its appearance is even more exquisite and unique.

Porcelain pier is a kind of utensil with national characteristics that Chinese people create in real life according to their needs.

In the beginning, people did not have stools and chairs in their lives, but used the ground as a mat, at most padding with cattail grass and pieces of animal skin.

Later, perhaps in order to straighten the spine, stubborn people molded clay into stools and fired them with fire, thus making porcelain piers.

Then draw some interesting patterns to make it both practical and ornamental.

From ancient times to the present, people always strive to make their lives more comfortable.

Even sitting, from the ground to the stool, from the stool to the chair, from the chair to the sofa, is becoming more and more thoughtful with the changes of the times.

Archaeological excavations have discovered fragments of green-glazed drum-shaped piers in the Song Dynasty, decorated with drum nails and bright colors, which proves the existence of porcelain drum piers in the Song Dynasty.

It is said that as early as the Sui Dynasty, there was already a porcelain pier, which was called a small celadon porcelain pier.

That should have happened around 600 A.D., far enough away from today.

Evolving in this way until the Song and Yuan dynasties, the variety of designs and colors of porcelain piers gradually increased.

By the Jiaqing and Wanli years of the Ming Dynasty, it was the prosperous period of porcelain piers, and both the style and decoration had reached a certain height.

In the Qing Dynasty, it was further promoted, creating a glorious peak after the Porcelain Pier.

There is a significant difference between the porcelain piers of the Ming and Qing dynasties. The pier surfaces of the Ming Dynasty are generally raised, while those of the Qing Dynasty are mostly flat.

This difference is a bit abrupt, and I don't know whether it is comfortable to sit on the raised pier.

Later generations also used the shape of the pier surface as the dating of the porcelain pier of the Qing Dynasty, and believed that the porcelain pier of the Kangxi Dynasty was an arched surface, the Yongzheng Dynasty porcelain pier was a concave surface, and the Qianlong Dynasty porcelain pier was a flat surface.

Exactly or not, opinions vary.

No matter what the difference is, anyway, porcelain embroidered piers were more popular in Ming and Qing Dynasties, and there were many kilns for production, so it is certain that the production volume was relatively large.

Most of the existing porcelain embroidered piers are also from the Ming and Qing Dynasties, and rare in the Song and Yuan Dynasties.

Porcelain piers became popular rapidly during the Ming and Qing Dynasties, but the number of porcelain embroidered piers decreased rapidly after the end of the Qing Dynasty.

The development and evolution of Xiudun also reflects the social politics, economy and culture at that time to a certain extent.

Porcelain pier, as a common furniture in Ming and Qing Dynasties, not only has a large number, but also has a wide range of popular areas, rich types, gorgeous and exquisite decoration.

Moreover, it occupies a unique position in the history of ceramic development and furniture development, so it has certain research significance.

The shape and decoration of porcelain piers contain rich cultural information, and different patterns represent different cultural connotations.

The craftsmanship of porcelain pier condenses the essence of ancient porcelain making art.

Chen Wenzhe naturally had to study such an elite work.

The porcelain piers of all dynasties are hollow.

It is said that the porcelain pier originated from the imitation of the smoked cage, and the smoked cage must be leaky, so is the porcelain pier.

This finding was initially surprising and then unsurprising.

Once two unrelated things are matched together, it is unknown what will happen.

For example, if the porcelain pier is supplemented with colorful brocade mats, and a dressing table is set next to it, it is clear that the beauty is still warm after leaving.

For example, leaning the porcelain pier against the edge of the Kang, and snuggling two pairs of dragon and phoenix shoes under the pier, it will brew a burst of tenderness and sweetness.

The long-standing traditional culture can always give people a classic expression that is unexpected but intended.

Now there is a porcelain pier in front of Chen Wenzhe. It was originally a pair, and it was the seat of the pavilion in the ancient courtyard.

Compared with the indoor porcelain pier, it looks a little thinner.

The pier is 30 cm high, the abdominal circumference is 126 cm, the surface diameter is 35 cm, and the abdomen is slightly bulging.

It belongs to the sauce glaze of the cylinder body, with a circle of milk nails carved on the upper and lower sides of the abdomen, arranged in an orderly manner, and the grains are full.

There are two large peonies in full bloom in the relief in the middle of the pier wall. The lines are dense and dense, and the color is full and soft.

There are hands digging and hollowing out on both sides, and they are piled up to look like lion heads bowing their heads, looking majestic and majestic. This is a decoration technique that follows the Ming Dynasty.

The abdominal wall is also carved with the back character pattern, which makes the whole picture move with a static background and echo each other. It not only conveys the meaning of prosperity and wealth, high officials and generous salary, but also alludes to the kingly consciousness of self-importance.

In addition to porcelain, there are embroidered pier and rattan pier in our country, but they can't take away the beauty of porcelain pier.

Porcelain is one of the representatives of Chinese culture. my country is known as the country of porcelain, and the English word China has the meaning of ceramics.

There are three most common categories of porcelain in my country: one is food and daily utensils, such as plates, plates, pots, pots, cups, as well as pillows, porcelain piers, etc.;

The second is to display ornamental objects, such as various appreciation bottles, flower pots, snuff bottles, figures, Buddha statues, etc.

The third is stationery, such as pen holders, brush washers, water bowls, pen holders, etc.

(End of this chapter)