My system is not decent

Chapter 582
The "Longquan kiln celadon halberd flower goblet" from the late Ming Dynasty can be said to be the leader of the unearthed wine cup cultural relics. It has a white body and an open shape with a large capacity.

Porcelain wine-making utensils in the Qing Dynasty, with the characteristics of the Qing Dynasty, there are falangcai, plain three-color, blue and white exquisite porcelain, and various antique porcelain.

The "Bronze Beast-Mask Flower Goblet" in the Guanfu Museum is a distinctive wine cup in the Qing Dynasty.

It is an open shape, the overall figure is very slender, looks tall and thin, with a big head and a thin body, it can be said to be very beautiful!
In the history of our country, there are still some wine vessels with unique materials or unique shapes. Although they are not very popular, they have high appreciation value, such as wine vessels made of gold, silver, ivory, jade, cloisonne and other materials.

It can be said that Chen Wenzhe has studied wine vessels for a long time, and he also has various skills in making wine vessels.

Since it is produced, it must not produce a few pieces, and since it is produced in large quantities, it must be a series.

Therefore, Chen Wenzhe intends to imitate the earliest wine vessels, such as Zun!
For Zun, Chen Wenzhe can be said to be very familiar with it, because he once used Zun to initiate an independent inheritance, which was the Four Ram Fang Zun.

This is one of the pictographic statues. Others include elephant statues, rhinoceros statues, ox statues, and tiger statues.

Of course, He Zun among the national treasures is also a wine utensil, strictly speaking, a wine container.

The wine pot we traditionally refer to is a wine container, while wine cups and wine bowls are wine drinking vessels.

It turns out that the beauty holding pot made by Chen Wenzhe is a wine container, and he has never made a drinking container.

Starting to make it now, it is definitely not a drinking vessel, just like tea sets, teapots and tea bowls, teapots are definitely more important.

He was just thinking about starting work, but unexpectedly, he heard Chen Xingchen shouting.

With his demonstration just now, Chen Xingchen felt very satisfied with the latest teapot.

Chen Wenzhe took a look, a beauty pot, also called a Xi Shi pot!

Well, to be more precise, this should be called an inverted Xi Shi pot.

This can be said to be a classic among purple sand teapots, after all, a thousand-year-old Xi Shi is a beauty in a teapot.

Xishi teapot is like a graceful beauty Xishi, and it is one of the most classic, traditional and popular among the many styles of purple sand teapots.

The lid and body of the Xishi pot are combined into a spherical body. The lid is set off by a spherical knob, coupled with a special inverted handle and a small spout. It is said to be a must-have pot for purple sand lovers.

The Xi Shi Pot was created by Master Xu Youquan, a disciple of Shi Dabin, whose inspiration comes from Xi Shi.

Wu Meiding, who once wrote "Yangxian Tea Pot Fu", gave Master Xu Youquan a very high evaluation, saying, "If the husband combines the past and the present, he can change from the heart, and the skill is close to the Tao. His friend is Xu Zi."

The original name of Xishi pot is also called "Wendan pot". According to Wu Meiding's "Yangxian Minghu Fu" mentioned that "Yundi Meiren (beauty shoulder), Gegao Xizi (Xishi lamp)", the shape of the pot is like the beauty of Xishi. Lamp, round and plump, graceful and moving.

Later generations felt that "Xi Shi lamp" was indecent, so it was renamed "Dumping Xi Shi pot".

Having said that, the appearance of a Xi Shi pot should come to mind, right?
So, literati and poets, sometimes they are really coquettish!

This also created the Xi Shi pot - everyone's classic name!

The historical records of Xu Youquan's creation of the Xishi pot are only limited to words, and there are no pictures to test today.

The contemporary Xishi pots are mainly based on the Xishi pots made by two masters, Wang Yinchun and Gu Jingzhou.

Therefore, Chen Wenzhe still knows this kind of pot very well, because among the pot-making crafts he inherited from Master Wang Yinchun, there is the system of Xi Shi pot.

It's just that he is still young, even though he sometimes thought about making one, he still didn't make it.

This time, he didn't expect that Chen Xingchen was really a man, he directly made a full-shaped inverted Xishi pot.

The styles of Xi Shi pots are generally similar, either delicate or plump.

The five major styling elements of Xishi pots, the inverted handle (called anti-handle in ancient times), short vertebral flow, lamp-shaped lid plus body tube, cut-off lid, and lamp-shaped pot button, are the same for Wang style and Gu style.

Artists after Wang and Gu basically followed this style in making Xishi pots.

There is a saying in the circle of purple sand: Xishi pots are extremely beautiful in shape and have a heart-pounding charm. One is Gu Jingzhou’s Xishi pot, which is graceful and luxurious; the other is Wang Yinchun’s Xishi pot, which is petite and exquisite.

Therefore, as Xi Shi teapots made their debut at auctions one after another, the auction prices continued to maintain a high temperature.

Looking at the plump Xi Shi pot, Chen Wenzhe didn't say a word, he was tasting the teapot.

If it can be done beautifully, it is a level [-] craftsmanship, and if it has a unique charm, it must be a level [-] or above craftsmanship.

Although this teapot still has some problems, you can see its plump beauty just by looking at it, and that's enough.

Therefore, this is a Xi Shi pot with at least a fifth-level craftsmanship, which can be called stunning beauty!

I thought so in my heart, and Chen Wenzhe did the same.

So he picked up a carving knife, and carved the four characters of stunning beauty on the teapot, which was regarded as a compliment to Chen Wenzhe and others.

"This teapot can be sold for [-] yuan, you can share it, and take half of the profit!"

"This can be divided? Even if we share collectively, it would be great!" Chen Xingchen was already smiling.

In fact, he doesn't care at all whether he gets a share or not. What he cares about is this kind of achievement.

He also didn't expect that they could make such a beautiful fifth-level handicraft by combining the strengths of everyone.

"There are still many flaws. The fit between the lid and the body of the pot is not the best. Although the shape of the pot is good, the decoration is not gorgeous enough. You have seen the final craftsmanship of the horizontal pot I made earlier. Why? No retouching?
Even if it can't reach my level, but if I do it again, this one can at least reach the sixth level of craftsmanship, and now it can barely reach the fifth level. As for the price that can be sold at the sixth level of craftsmanship, it is because of this The pot shape should be liked by many people. "

When Chen Wenzhe said this, all the students with artistic backgrounds were fascinated.

What kind of feeling does it feel to burn such a teapot and hold it in your hand?
Having said that, Chen Wenzhe doesn't want to continue to criticize, he should encourage.

After all, the level of his classmates is improving at a speed visible to the naked eye, which is already very rare.

Therefore, Chen Wenzhe just thought about it for a while and asked everyone to stop, but he got busy.

You can make wine vessels at any time, but making money is only a matter of time.

He didn't see the opportunity to make money just now, but now there is an opportunity for others to help him make a lot of money, how could he not grasp it?

Therefore, Chen Wenzhe became a good teacher.

(End of this chapter)