My system is not decent

Chapter 996 Meticulously Crafted, Falsifying the Real

Chen Wenzhe easily imitated a pair of famille rose bowls with double swallows and peach patterns, which can be regarded as a typical type of Kangxi utensils.

Looking at the simple shape of the utensil, it is not easy to actually make it. Let alone Shuangyan, especially the peach blossoms on it, it is not easy to make it well.

It's just that Chen Wenzhe had a precedent for making peach blossoms with water dots, which is a top-level craftsmanship among pastels.

Therefore, the peach blossom bowl he made is still very interesting.

The shape of the bowl is too simple, and there is not much difficulty. The most difficult thing is the jar.

Chen Wenzhe also made a large jar, a peony jar, which he is more good at.

It's just that this time he used heavy makeup, that is to say, the peony on the big pot is more gorgeous, so foreigners like it.

However, it seems that Lafayette also likes this type of pastel.

Among the many Qing palace pastel porcelains, Cixi pastel is simple and straightforward, rich and luxurious and unique.

Therefore, Chen Wenzhe painted red birds and peonies on the big pot in front of him, and it became a rich pot with red bird and peonies.

There is Kangxi's and Cixi's, and Chen Wenzhe simply plans to imitate it slowly from Yongzheng to Qianlong.

Anyway, there were quite a few ready-made cups, so Chen Wenzhe picked up two cups at random and made a pair of pastel chrysanthemum and bee cups.

If such two cups have any characteristics, they should be beautiful and elegant.

Because Qianlong's pastel is not as beautiful and elegant as Yongzheng's, but presents a graceful, luxurious, exquisite and exquisite style.

Obviously, beauty and elegance are the characteristics of Yongzheng famille rose porcelain.

Compared with Yongzheng pastels, Qianlong porcelain is changeable.

The pattern of Qianlong pastel decoration pursues a gorgeous and complicated style.

The themes are extensive. On the basis of traditional flowers, birds, landscapes, and figures, a lot of content is added to imply blessings, wealth, longevity, peace and prosperity, ethics and morality. Many patterns use homonyms to express auspicious wishes. Such Porcelain is also more popular.

Therefore, in the collection of porcelain, famille rose porcelain is a variety that cannot be avoided.

Simply looking at the production process, pastel is one of the varieties of overglaze color, also known as soft color.

Washing and dyeing in the decorative painting method of famille rose porcelain absorbs the nutrients in the art of the sisters, and adopts the techniques of dot dyeing and color registration, so that the objects to be depicted, no matter figures, landscapes, flowers, birds and insects, appear strong in texture and clear in light and shade. ,Structured.

There are a certain number of official kiln pastel porcelain handed down from generation to generation, but there are also more and more imitations, some with prominent signs of aging, and they are very bright if they are not aged.

In order to show that it is an old thing, some taupe mud is smeared on the bottom of the utensil or the mouth of the pot.

Chen Wenzhe is a good hand at making old ones, so he knows where to look for faults in the identification of Qianlong pastels.

He avoided all the pitfalls according to what he knew, and finally made the old one perfectly, that is a real fine imitation.

The first is the shape of the utensils. Qianlong famille roses are rich and varied in shape, especially all kinds of large utensils used for display.

Such as revolving neck bottle, revolving heart bottle, celestial ball bottle, flat bottle, polygonal bottle, etc. are very popular.

The proportions of the overall structure of the shape are not coordinated. Although the height or diameter is the same as the size in the book, the arc of the abdomen of the utensil is not accurate, either expanding or shrinking.

This is also the case on the large plate, or on the large soup basin.

Of course, compared to all kinds of hard-to-make swivel bottles, it is much easier to make a big plate.

He only needs to strictly follow the prescribed size, such as thirteen inches, twelve inches, eight inches and other specifications.

This is not difficult for Chen Wenzhe. In fact, the rare thing is not the size, but the thickness of the carcass.

Chen Wenzhe has seen quite a few Qianlong famille rose imitations, and one of the big flaws is the carcass.

Some pastel carcasses are too light and some are too thick.

But in terms of the quality of the body, the quality of the body of famille rose is whiter and more delicate, which can be seen in the exquisite pastel porcelain produced in Jingzhen.

The base of famille rose is glass white, and the color can be seen to be over-rendered from thick to light, so the flowers and leaves painted on famille rose will be thick or light, which is especially suitable for rendering.

Chen Wenzhe used to be a fine imitation of Yuan blue and white, and his grasp of the carcass cannot be said to be unparalleled, but it is not difficult to make qualified Qianlong pastel porcelain embryos.

After the shape, size, and carcass of the vessel are finished, it is the turn of the glaze.

Qianlong glaze requires special preparation, which requires a unique formula, and more importantly, a unique ore.

No matter which one it is, there is definitely no place in Nanyue, let alone various materials suitable for imitating Qianlong porcelain.

Fortunately, these Chen Wenzhe had already prepared, and he had already imported a batch of glazes from China, otherwise nothing could be imitated now.

Now Chen Wenzhe handles all kinds of porcelain materials in the Qing Dynasty.

To be honest, he would also like to thank Wu Er. Without him ordering in large quantities, he really wouldn't be able to start this business.

It is only after actually starting this business and entering the industry that we can truly understand how huge the demand for domestic top blue and white materials, pastel materials, and even porcelain clay, porcelain stone and other raw materials is.

The country of porcelain has not been boasted until now.

That is to say, in the past hundred years, the construction of porcelain brands in China has not been paid much attention to, so that foreign countries, such as Neon, Nanyue, France, Germany, and even England, have a bright future.

Now domestic manufacturers should have woken up and started building various brands.

However, perhaps because the domestic porcelain-making technology is too strong, no one will accept anyone, so it is still a chaotic war.

Shaking his head, Chen Wenzhe didn't think too much, he should seriously imitate Qianlong pastel porcelain!
It is still not easy to imitate Qianlong porcelain. It is still the most basic porcelain body, the thickness must be grasped, and the essence must be grasped.

What is the essence?After all, it is the porcelain itself.

In addition to the decoration and glaze color of a piece of porcelain, the most important thing is the embryo.

The body of early Qianlong porcelain still maintains the fine and moist characteristics of Yongzheng.

In the late period, due to the ineffectiveness of the pottery supervisor and economic reasons, the fetal quality was not as good as that of the early and middle period of Tang Ying's pottery supervisor, but it was better than that of the late Qing Dynasty.

The enamel in the early period is bright and smooth, which is not much different from that of Yongzheng, but it gradually becomes rough in the late period.

No matter what, all the official kiln wares produced during the Qianlong period were very delicate pastel porcelain.

The most basic feature of this kind of official kiln is that the glaze surface is firm, as fine and smooth as fat and jade, smooth and flawless.

Generally, the glaze surface of famille rose porcelain is shiny or not clean enough, and the glaze surface often has small even ripple-like wrinkles, which are most obvious in ceramic prints, but they are not as serious as the uneven glaze surface of the late Qing Dynasty.

For imitation, the most important thing is to understand the object of imitation. The more you know, the more you can avoid pitfalls, so that the imitation is lifelike, and even the fake one can be confused with the real one.

There is no problem with the sensor tires, and the last part is the most important painting part.

(End of this chapter)