My system is not decent

Chapter 998 Rolling road consecration, the icing on the cake
Why did Chen Wenzhe mention Kangxi pastels earlier?Still want to study Yongzheng famille rose?
It is mainly the famille rose porcelain of the Qianlong period, which must be the master of the three dynasties of the Qing Dynasty.

This is not to brag about each other, but Qianlong pastels have made new breakthroughs on the basis of Yongzheng porcelain.

A part of Qianlong pastels inherited the characteristics of bright and colorful patterns painted on rich white glaze during the Yongzheng period.

Such as the common broken branch flower plates, bowls, small bottles, basins, character pen holders and large utensils such as deer head statues.

Secondly, in terms of decoration methods, various colors of "consecration" pastels, such as red, yellow, blue, green, purple and other colors, are used to roll out continuous stretches of honeysuckle or vine grass with very fine tools. It is often used together with consecration, which is called rolling consecration.

The emergence of this craft pushed famille rose to a richer and more prosperous peak, which lasted until the Republic of China.

A variety of colored glazes are used as the ground, up to more than ten kinds, some of which are painted with Western-style twisted flowers on the colored ground, and some are borrowed from the rolling process of enamel color on the colored ground, using a sharp metal tool , Carved out fine phoenix tail lines.

This is the so-called "icing on the cake".

Inside the consecration, there are pictures of flowers and birds, pictures of landscapes and figures, and poems inscribed by Emperor Qianlong in ink calligraphy.

This kind of color-ground pastel is delicate and complicated, which is unprecedented, and it is also the most abundant among Qianlong pastels.

In addition to these, Qianlong famille rose also has a unique feature, that is, the mouth and bottom of the utensils are all covered with turquoise green glaze, and the glaze often has small patterns.

Moreover, most of the porcelain is dominated by famille rose, and furnishings, stationery utensils, daily utensils, five offerings (composed of two incense jars, two flower graspers and one incense burner) and ritual utensils are all common.

This time, Chen Wenzhe can be said to have studied pastel porcelain thoroughly.

He started from Kangxi pastels, Yongzheng pastels, and then Qianlong pastels, and finally couldn't hold back. He also made some Jiaqing pastels and Cixi pastels.

Not to mention Cixi, as mentioned earlier, Jiaqing famille rose can be said to be the last glory in the history of Manchu porcelain.

The common decorations of Jiaqing famille rose porcelain include flowers, eight treasures, cloud dragons, arhats, baby plays, pomegranates, etc.

The types of utensils include bottles, pen holders, washers, plates, bowls, teapots, halberd ear bottles and so on.

It is worth mentioning the turquoise green glaze, which was very light and smooth during the Jiaqing period, and the glaze surface was like porridge skin.

Because it is a kind of low-temperature colored glaze, the glaze often has tiny grains.

This feature first appeared in the Qianlong period and was used until the late Qing Dynasty.

At the same time, the porcelain of the Qianlong period often used twining flowers as the main body, with dragons, phoenixes, bats or tassels, eight auspicious signs, etc., to form various patterns of auspiciousness, auspiciousness, good intentions and longevity.

It can be said that during the Qianlong period of the Qing Dynasty, the artistic achievements in porcelain had reached their peak.

It inherited all the essence of the Song, Yuan and Ming Dynasties, and finally achieved the reputation of the Qing Dynasty.

This time, Chen Wenzhe has mastered all the skills, and he has integrated and mastered all the porcelain making techniques he knows.

After making all kinds of porcelain, pick out some large plates, soup bowls, and salad plates, which are used for delivery.

Other porcelains are his collection, and if there is a suitable opportunity, it is not impossible to enter the market.

Of course, at this point, there is actually the last step, recognition!

Qianlong pastel official kiln porcelain, most of them are written with six characters in seal script "Made in Qianlong Year of Qing Dynasty", and a few are written with four characters in seal script "made in Qianlong Year of Qing Dynasty".

There are also six-character inscriptions and four-character seal script inscriptions on folk kiln pastel ware, but the inscriptions are extremely irregular.

Chen Wenzhe's first painted porcelain must have been the most produced tea bowl, such as the tea bowl with famille rose flower pattern in the Qianlong period of the Qing Dynasty.

Many others are written: the year of Qianlong in the Qing Dynasty, the six-character inscription in seal script, and the four-character regular script inscription "in the year of Qianlong"
Busy and busy, another half month passed, and on this day, Chen Wenzhe had already finished all the porcelain.

Not only custom-made porcelain that needs to be delivered, but also a large number of classic porcelain made by himself out of hobbies.

After all, when making porcelain, various variants will be extended as you do it.

Let’s talk about the pastel decorations of the Qianlong official kiln. Porcelain of this grade is generally a pattern sent by the “Da Nei”, and the theme decorations are strictly regulated according to different seasons.

In addition to pastel painting, paint color, gold color or black color is often added, or mixed with blue and white, five colors, and fighting colors.

This kind of Qianlong famille rose painted with multiple colors on one object, or made with various painting techniques at the same time, is really not uncommon.

However, it is absolutely impossible for you to see a few pieces in the market, because this kind of porcelain can be said to be a collection of various ceramic crafts, and it is a masterpiece of porcelain making crafts in the Qianlong Dynasty.

There are not many, or even very rare, such pastel porcelains from the Qianlong official kiln of the Qing Dynasty handed down from generation to generation.

And the rare ones are either in the hands of big collectors or in museums in some countries, which are difficult for ordinary people to see.

Such porcelain generally combines the porcelain-making techniques of the Kangxi and Yongzheng dynasties, and after further development, many novel pastel porcelains of the Qianlong period were created.

Naturally, Chen Wenzhe would not let this fine porcelain go.

Now that we have reached the threshold, we have already met, so how can we not do a few?

Even if he wanted to try his own craftsmanship, Chen Wenzhe would definitely do it. You must know that this represents the pinnacle of famille rose porcelain in modern times.

As for the works, it is also very simple, just follow the records of the Qing Palace Internal Affairs Office.

In the records of the Qianlong period, there are many historical facts about the Jingzhen imperial factory making porcelain for the court during the Qianlong period.

As long as it is based on this file, it is absolutely impossible to make mistakes, because there are detailed records in it, and there are even drawings and molds.

Among them, Emperor Qianlong often had imperial edicts on the use, shape, and pattern of some famille rose wares. Before production, there must be drawing or wood samples, and only after review can they be officially fired.

Whether there are inscriptions on the utensils or not, what kind of inscriptions are written, and the poems that match the decorations, etc., must be approved by Emperor Qianlong.

In addition, there are detailed records in the archives that the rough porcelain making does not meet the requirements, and compensation is required.

Tang Ying, the kiln supervisor at that time, on the one hand, made exquisite court porcelain according to the emperor's will.

On the other hand, on the basis of retaining the essence of the previous generation, it also absorbed some western craftsmanship and created many novel famille rose porcelains.

Chen Wenzhe made some classics, of course, such as Qing Qianlong famille rose vase with wrapped branches and flowers pattern holding the moon.

This bottle has a small mouth, a straight neck, symmetrical Kuilong ears on both sides of the neck, round shoulders, and a flat belly, shaped like a full moon.

The whole body of the bottle is decorated with twining patterns, the bottom of fine sand, the texture of the tire is fine, the glaze is bright and smooth, and the shape is neat.

After the bottle was fired, the whole body was decorated with pure and delicate flower patterns, the hair color deliberately imitated the effect of Qianlong pastels, and the brushwork still had the bold and vigorous feeling of the Qianlong period, and the composition was clear and lively. It is a fine product of the Qianlong period.

(End of this chapter)