Riding the wind of rebirth

The first thing is that Hanwen's large font project has passed the overall acceptance. The three phases of the font library include a total of 103654 characters including Chinese characters, Korean Chinese characters, Japanese Chinese characters, as well as the roots of the Three Kingdoms scripts, special ideographic symbols and other characters.

At the same time, as one of the subsidiary results of the Hanwen Large Character Database Project, the "Chinese Character Ocean" compiled by Leng Yulong and Wei Yixin also completed the digitization work simultaneously.

This is actually an attempt. The Chinese characters added to the three-phase font database mainly come from this work of two senior brothers. The two senior brothers selflessly donated the character card files of "Chinese Character Ocean", allowing the Hanwen large font project to be advanced ahead of schedule. Completed, the project team also released "Chinese Character Ocean" as the first book to be digitized by Hanwen Library.

There is no doubt that the upgraded version of Han character library has passed the national acceptance, marking the official completion of the perfect standard for Chinese information processing. From now on, the Chinese environment around the world will be aligned with this character library. Chinese has achieved complete perfection in the information world. Unified, the Chinese information world in the future will no longer have the chaos that Zhou Zhi experienced in his past life.

This alone can save the entire Chinese information environment in the future, at least tens of billions.

This is the first "great" achievement Zhou Zhi has made for the country using his own influence and ability. Zhou Zhi is filled with a sense of honor and pride.

Of course, the country did not treat its meritorious heroes lightly, and various commendations and awards came one after another. Hanwen Font Library successively won the three highest awards this year: the National Science and Technology Award, the National Technology Invention Award, and the International Science and Technology Cooperation Award.

Even Matsui Zo and Kim Chunyi received corresponding awards.

The second great event is that the new Shu University Museum, a major construction project after the official merger of campuses, was officially opened.

The first batch of people allowed to visit during the trial opening period were, of course, the teachers and students of the school who had just completed their exams.

The museum has a total construction area of ​​20,000 square meters. The exhibition halls are divided into four floors. There are permanent natural exhibition halls, archeology exhibition halls, stone carving art exhibition halls, folklore exhibition halls, ethnology exhibition halls, ancient porcelain halls, and ancient costume art halls. There are several basic exhibition halls such as the Calligraphy and Painting Art Hall, with a long-term exhibition area of ​​7,000 square meters, and more than 2,000 cultural relics on permanent display.

In addition to the animal and plant fossils and specimens displayed in the nature museum, the stone carving art exhibition hall in the long-term exhibition area mainly displays the Buddhist stone carving statues of Longxing Temple in the Tang Dynasty, displaying the stone carving art of the Han and Tang Dynasties.

The Archaeological Exhibition Hall mainly displays the Bashu civilization, including the Baodun Cultural Site, early jade and stone tools unearthed from the Sanxingdui Site, and pre-Qin Bashu bronzes.

The Folklore Exhibition Hall mainly displays folk cultural relics of the late Qing Dynasty and the Republic of China. It was originally planned to include four themes: marriage, art, books, and movies.

After Zhou Zhi donated Ouyang Youhe's "private wardrobe", the folk museum directly added the theme of "drama".

The Ethnology Exhibition Hall focuses on the ethnic customs of southwestern China, especially the cultural relics of the Sichuan Snowy Area, Yi Area, and Qiang people. It is a very unique exhibition hall across the country.

The Calligraphy and Painting Art Hall was the focus of the work during the Zhou Zhi period. It mainly displays calligraphy and painting from the Ming and Qing dynasties, rare books and tablet rubbings since the Song Dynasty.

The Ancient Costume Art Hall mainly displays traditional costumes from the Qing Dynasty to the Republic of China and costumes of southwest ethnic minorities. Zhou Zhi also donated two boxes of women's clothing collected by Ouyang Youhe to the school, and also persuaded Master Yang to donate a batch of Shu brocade and Shu embroidery collections, which greatly enriched the museum's furnishings.

The ancient porcelain hall contains fine products from famous kilns of the Song, Yuan, Ming and Qing dynasties. The most special ones are the porcelains from the famous kilns in central Sichuan - Qiong Kiln, Longchang Kiln and Dayi Kiln - which were identified by Zhou Zhi. They have also become the largest museum of Sichuan in China. A very unique topic. In addition to these exhibition halls, Sichuan University also held a special exhibition this time - an exhibition of works by contributors and scholars of Sichuan University Museum.

This special museum displays figures who have made significant contributions to the museum since the establishment of Shu University, historical photos, introductory texts, donated collections, as well as calligraphy and painting works created by previous professors, scholars and even classmates of the school.

It includes an introduction to the deeds of successive curators such as Ge Weihan, Zheng Dekun, Wen You, Cheng Enyuan, Liang Zhaotao, and Tong Enzheng, as well as a brief introduction to the deeds of donors and researchers such as Li Yimeng, Feng Hanji, and Lin Mingjun.

The scholars' works exhibition includes works by many celebrities, artists, and calligraphers who have worked and studied at Shu University. Even Zhou Zhi's line of calligraphy and couplets imitating the style of Gu Gu's calligraphy has been selected for inclusion:

The ink of Qintai is on the happy road, and the name of Tianfu is powerful in the heart.

This exhibition is undoubtedly very successful, especially in the calligraphy and painting museum. For the first time, Sichuan University has exhibited the paintings and calligraphy of the Song, Yuan, Ming and Qing dynasties that are usually collected at the same time. This is not only a major event for Sichuan University, but also a major event for Sichuan University. It is also a very influential exhibition in Sichuan Cultural Expo and even in the whole country.

After passing this village, there will be no such store in the future. For the purpose of protecting calligraphy and paintings, these collections will only be exhibited in rotation, or even only replicas, and the originals will be rare to see.

The calligraphy and painting hall is undoubtedly the most important place to open this time. Among them are the scrolls of Buddhist statues from the Song Dynasty, Huang Gongwang and Wang Meng's "Spring Mountain Yin Oh" scroll, "Baiyang Baiyang Shitao Calligraphy and Painting Album" donated by Li Yimeng, Shen Zhou's "After Ni Yunlin" Paintings from the Song and Ming dynasties such as "Scroll of Brushwork", Wen Zhengming's "Scroll of Landscape Drawing Imitation of Wang Meng's Brushwork", Liu Rushi's "Album of Grass and Insects", have undoubtedly become exhibits that shocked the whole country.

People are shocked not only by the sophistication and preciousness of these paintings, but also by the craftsmanship of their restoration.

The pictures of these ancient paintings are still full of ancient charm, but no traces of repairs can be seen. The pictures are clean and ethereal, with continuous strokes of brush and ink, and elegant and clear colors. It is hard to tell where the repairs have been made. It seems that they have been repaired since the completion of the creation. Since then, it has been carefully collected and kept in the best preservation environment until it was opened for the first time during this exhibition.

Only the calligraphy and painting restoration team that has gone through these two months of hard work can understand the efforts and hardships everyone has put in.

The rest range from Lu Zhi and Zhou Zhimian of the "Wu School" to Dong Qichang, Chen Jiru, Zhou Tianqiu and Li Rihua of the "Wu School";

From the "Four Monks" Zhu Da, Shi Tao and Hongren in the Qing Dynasty to the "Four Kings" Wang Shimin, Wang Jian, Wang Hui and Wang Yuanqi in the Qing Dynasty;

Another example is Fan Yi, Zou Zhe, Wu Dan and Wang Gai of the "Jinling School", Dai Benxiao of the "Huangshan School", Yun Shouping of the "Changzhou School", Wang Shishen, Zheng Xie, Gao Xiang and Jin of the "Yangzhou School". Nong, Li Yi, Huang Shen, Li Fangying.

Another example is the famous modern calligraphers and painters Zhao Yong, Chen Hongshou, Wei Zhike, Fang Yizhi, Gao Qipei, Gao Fenghan, Li Shizhuo, Deng Shiru, Wu Changshuo, Zhang Daqian, Xu Beihong, etc.

This time the Shu Museum displayed them all, shocking the people across the country.

A university museum has collected so many important collections and preserved them so well!

Visitors and interviewers from all walks of life came in droves, making the Shu University campus lively before the holidays. (End of chapter)