The King of Huayu Science Fiction

Chapter 531 Purposeless program and four-line montage
"Programs and programs can also give birth to children?"

Wu Heng almost laughed out loud because of the brain holes in the plot, while thinking about the meaning of this plot.

After the male protagonist wakes up in a space like a subway station, he finds himself and his family of three who seem to be waiting for some kind of train in Nuoda's space.

Although the male protagonist still has the ability to surpass ordinary people here, it seems to be restricted by something, and he no longer has the ability to destroy the world. It seems that he has returned to the source code in the second part. The feeling of being inside the "firewall".

And the subway station is like a cage, no matter which direction the male protagonist runs along the railway, he will eventually return to this subway station.

In the introduction of the family of three waiting for the train, the hero and the audience gradually knew what this place was.

It turns out that this is not a matrix, or not all matrices.

This subway station is a special "recycling bin", the recycling bin of the matrix system.

If Matrix thinks that a program in the system has lost its purpose, or has an abnormality due to accumulated bugs, it will throw the program to the recycle bin, and then delete it completely in the source code after confirming that it needs to be destroyed.

This ingenious concept is not only a little novel, but also allows the audience to understand without obstacles. It looks the same as the desktop recycle bin.

However, this recycle bin is not simple, it is not just a piece of code, and the main program "Trainman" of the recycle bin can also manipulate some hardware devices.

These hardware devices connect the machine world and the matrix system.

The so-called machine world is the robot's own network and management system. Whether it is the human petri dish life support system in the real world or the electronic squid, they are all connected and controlled through this machine network.

Of course, the matrix system is also connected to this robot network. If the location of the matrix system is compared to a supercomputer, it also needs power consumption and maintenance.

Therefore, the main program "Trainman" of the recycling station transformed the recycling station into a subway station and started a smuggling business—the programs of the matrix system and the machine network can enter and exit through this smuggling channel.

And the parents in a family of three are actually two programs in the matrix. They developed love for each other, and even produced the crystallization of love, and gave birth to a "child"—maybe it can also be regarded as two programs that generate love for each other Together, a new program is written.

The little girl is a new program derived from two programs.

A purposeless program.

The parents of the program came here because they were afraid that their children would be affected by the super virus in black in the matrix. They planned to let the "train man" take the little girl out of the matrix system and go to the outside world. machine network.

Wu Heng was already deep in thought at this time, he instinctively felt that the amount of information given by this plot was very important, as important as the conversation in the source code in the second part.

Before he could think of something, the Martian next to him murmured his thoughts excitedly: "Is this the purpose of establishing the matrix?
All programs in the matrix have a purpose. The men in black of the previous generation were designed to act as scavengers and clean up the bugs in the matrix, that is, the awakened ones. But the men in black loathe their purpose and want to be free.

The existence of the male protagonist, a half-human, half-machine implanted with the "savior" program, also has his own purpose, as a patch package to assist the regular upgrade of the matrix system to maintain the existence of the matrix, but he also betrayed his own purpose..."

Wu Heng shook his head: "The robot builds the matrix just to produce purposeless programs?"

The Martian continued to mutter: "Perhaps it is to enable the machine to produce love? Propagate offspring?"

It seems that the window has been opened halfway, and the truth is half hidden like a pipa, but it cannot be seen immediately.

However, although the biggest pit has not yet been figured out, Wu Heng already has some clues about the pit dug at the end of the last part.

Why did I forget that the male protagonist is not purely human in nature? He was implanted with the "Savior" program, which is considered to be half human and half machine. After contacting him, he appeared in this recycling bin that can connect the matrix system and the machine network after being unconscious. .

The plot at the end of the last one seems to have a reasonable explanation.

The male protagonist did not awaken superpowers in reality, but he himself has procedural attributes, just like when the man in black reversely invaded the body of the assimilated awakened person in Huaxu country, the consciousness of the man in black remained in the matrix.

Then the male protagonist actually always has a part of the existence of the program that has always been in the matrix. He and the man in black have the same essence at this time, and the matrix system and the machine network are connected.

Then the part of the program that the male protagonist is in the matrix can make sense by manipulating and resisting the electronic squid connected to the machine network.

This can also explain why the male protagonist woke up in the channel connecting the matrix system and the machine network - the recycle bin.

This conjecture raised Wu Heng's excitement level again.

At the same time, in reality, the drill bits composed of many electronic squids have already drilled through the rocks above the country of Huaxu, and an army of robots has descended.

Huaxu's defense system, dense artillery and electromagnetic pulse weapons, human spaceships, countless five-meter-high mechas, and a steady stream of electronic squids began to fight!

The sound and light effects permeating the entire IMAX theater created the largest realistic battle since the three "Matrix".

The big scenes of the first two parts of "The Matrix" have always been dominated by the "superpower battle" in the matrix. This magnificent alternative wasteland technology battle makes the audience feel fresh and quite enjoyable.

Especially the Martians, as science fiction fans, have already put their previous thinking behind them at this time, and indulged in the unprecedented battle between robots and mechs.

Although the movie is only halfway through, the special effects scene at this time has already made many audiences, including Wu Heng and Martian, enjoy it.

"Matrix" is not just a brain-burning sci-fi film, the reason why it can be popular all over the world is of course inseparable from the audio-visual spectacle.

Obviously, the battle between the machine army and humans in "Matrix III" is absolutely worthy of the weight of this final chapter.

But the multi-line narrative of "Matrix III" is still going on.

While the grand and tragic battle was going on, on the other side, Da Luo, the guardian of the saint in the matrix, also got in touch with the captain and the heroine who were guarding the hero when they arrived in Huaxu country.

Others also learned from this that the male protagonist was actually trapped in the recycling bin of the matrix.

The heroine and the captain decided to enter the matrix to rescue the hero according to the message delivered by the saint.

According to the information delivered by the sage, the main program "Trainman" of the recycle bin is a subordinate of the "Watcher", that is, the powerful program that imprisoned the unlocker and hunted down the heroine in the second part.

The hostess and the others need to negotiate with the watcher—mostly physical negotiations—in order for the watcher to order the trainman to release the male lead, let the male lead return to the matrix main system, and then return to the real world.

At the same time, in the subway station, the train man drove the train to the station and stopped, but he seemed to have received the order of the watchman, and rejected the request of the program couple to let him take their daughter out of the matrix to sneak into the machine network.

Naturally, he also rejected the male lead's request to take the train back to the matrix system.

In the reality of Huaxu Kingdom, the man in black who resided in the body of the awakened person finally found the place where the hero and the others were. During the negotiation with the guards sent by the captain on the periphery of the spaceship, the guards noticed something abnormal, and the situation was on the verge of breaking out.

In this way, four lines cross back and forth in the montage, pushing the film to its most tense moment.

In the real world outside the Huaxu Kingdom, an endless and seemingly endless army of robots is at war with humans.

In the real world of Huaxu Kingdom, the awakened man of the man in black "Duoshe" is fighting with the guards, while the male protagonist, female protagonist and the captain are lying quietly on the chairs in the cabin room, ignorant of everything.

In the matrix system, the captain and heroine are fighting against the watchman and his subordinates under the leadership of Da Luo, king against king, general against general.

In the recycling bin of the matrix system, because he is not in the main matrix system, the male protagonist whose ability has been greatly suppressed is also fighting with the main program "Trainman" of the recycling bin.

The exclamation in the theater seemed to bring Wu Heng back to the time when he watched "Inception" last year, and the tension that was almost suffocating came to his face.

It's just that "Inception" has three lines unfolding at the same time in the final planting action. At the most, there are four lines when the lost domain is added, but the first line is the van falling into the river in the first layer of dreams. The proportion of slow motion is too small, and it is not intense.

Of course, the three lines of "Inception" have a time difference, and there is also a strange interrelated audio-visual spectacle caused by time difference and dreams, which is not available in "Matrix III".

However, although there is no obvious time difference in "Matrix III", the progress of the four lines is very exciting and intense, and they are also interrelated.

The battle between the machine army and humans is becoming more and more fierce, and humans are beginning to fall into a disadvantage. The man in black wants to kill the male protagonist's physical body in the real world, so the heroine and the captain must race against time to rescue the male protagonist. The male protagonist races against time to watch Can the "train man" be subdued to return to the matrix and reality as soon as possible.

This sense of urgency is not lost in "Inception".

Chen Jingxing himself is good at multi-line narration, and he reached a peak in "Inception". At this time, he once again demonstrated his ability, which made Wu Heng and Martian's legs tense and about to cramp. Happened in my heart.

Amidst the tension and frequent exclamations of the audience, the hostess and his party successfully coerced the guards to take them into the recycling bin, and then led the host through the train through the deep tunnel back to the matrix main system.

Immediately, the male protagonist woke up at the critical moment, and the male protagonist lying on the chair stretched out his hand to hold the knife stabbed in the chest by the awakened person who was "robbed" by the man in black who broke into the room!

"call--"

Wu Heng relaxed his trembling legs and fists with nails stuck in the flesh amidst the audience's exhalation.

Although the plot of "rescue in the last minute" is an old routine, it is a magic weapon that has been tried and tested in Chen Jingxing's movies. Of course, this kind of "rescue in the last minute" with four lines crossing the narrative is indeed uncommon.

(End of this chapter)