The King of Huayu Science Fiction

Chapter 532 Don't try to think about it, feel it!
The male protagonist opened his eyes. He came back from the matrix, and reached out to hold the knife that was stabbed in the chest by the awakened person who was "robbed" by the man in black who broke into the room!

Then the two wrestled and entangled together.

At the same time, the "disaster of the men in black" in the matrix also spread to the watchman's territory. This is also an important reason why the watchman finally compromised and released the trapped savior after fighting with Da Luo, the heroine and the captain. .

The saint's guard Da Luo and the watchman, the two opponents who had just finished fighting, began to join forces against the man in black this time.

When the male protagonist left the deep tunnel and drove out of the tunnel entrance—a symbol of entering the matrix system—he left the matrix independently and returned to reality.

The hostess and the captain continued to take the train to the watchman's site. They entered the matrix only through a brain-computer interface. invasion.

Da Luo covered the two of them and resisted the man in black.

Just as the hostess and the captain rushed to the telephone-style information transmission docking station arranged in advance in a room, the door opened, and the man in black walked in.

"You go first!" The captain turned around and shouted to the heroine, and then the scene shifted to the real Huaxu Kingdom. Wind and steampunk style buildings entangled inside.

"No way……"

Many viewers, including Wu Heng, had an ominous premonition in their hearts.

It is completely different from the superman-like battle between the male protagonist and the man in black in the matrix in the first two films. In this place full of futuristic wasteland mechanical style, the two scuffle together like street gangsters.

Coupled with the intense artillery fire rumbling outside, a strong contrast emerges spontaneously.

But in the end, the male protagonist narrowly won, and pushed the awakened man who had seized the house under the steel bridge, and fell into the bottom of the atrium of the huge cylindrical building constructed by machinery.

A few footsteps came in a hurry, and two figures rushed over. When the male protagonist was about to explain to the people who rushed over, he suddenly froze.

The two strangers who rushed over looked indifferent, with terrible danger lurking in their eyes.

"Fuck! Nima is here again!"

"What do you mean? Are they men in black too?"

Amidst the surprise and suspicion of the audience, the male protagonist once again wrestled with the two strangers who rushed over.

It turns out that there is not only one awakened person who "seizes the home" of the man in black, and of course there will not be many of them. It is easy to assimilate humans in the matrix, but there are very few cases where there is a signal transmitter nearby to allow them to come to reality, because reality The human side will also interrupt the work of the signal transmitter in time.

No matter how powerful the hero is in the matrix, he is still a mortal in reality, so he is no match for two enemies.

But at the critical moment, the captain rushed over, followed by the heroine.

The two of them broke away from the Matrix.

But Wu Heng was not relieved because of this, on the contrary, his nerves were even more tense, because in the matrix, facing the man in black who arrived suddenly, the captain left a sentence to the heroine: "You go first", although the screen changed afterwards. Back to reality, but what does this mean?

The captain may also be assimilated and swallowed by the man in black...

But in the next second, the captain threw down one of the men who attacked the male protagonist, and after Wu Heng relaxed a little, he was still a little puzzled. Could it be that the captain successfully got rid of the man in black in the matrix?

It's just that the tense plot left him no time to worry about this question.

After a fierce short and thrilling fight, the captain paid the price of his injuries and defeated the two Awakened men in black with the hero.

But before the audience could catch their breath, a sudden change happened again.

The captain looked back at the heroine behind him in disbelief, a knife was pierced through his back!

Then fell off the steel bridge and fell into darkness.

"What the hell?!"

"No!"

"It was too sudden."

Both Wu Heng and Martian sat up straight and stared at the big screen in disbelief.

At this moment, his mind was full of confusion, and he didn't know whether to be shocked by such an important role as the captain, such a decisive and lightning-fast post, or by this series of reversals.

Sure enough, what the captain said was a cover-up.

In front of the raiding men in black, the three words "you go first" said by the captain even directly deceived Wu Heng and Martian, who watched a lot of movies, and made them subconsciously point their suspicions at the captain.

After the captain threw down the awakened man who took over the house of the man in black and rescued the heroine, Wu Heng was supposed to turn his suspicious eyes on the heroine, but he was distracted by the intense and thrilling fight and had no time to think about it. .

Then the plot immediately reversed without giving the audience any time to think.

This is indeed Chen Jingxing's style, dragging the audience's thinking with dense information and fast rhythm, making people overwhelmed and can only passively accept the plot.

People who try to think while watching the movie can only give up thinking and choose to lie down and feel.

Don't try to think about it, feel it!
This is Wu Heng's summary of "Inception", and it is also a description of this classic Chen's style that is becoming more and more mature.

The "Matrix" series has always followed this style, but this feeling is stronger in "Matrix III".

The serial reversal here is decisive and sharp without being sloppy.

Therefore, after the heroine suddenly backstabs the captain, she does not focus on depicting the shocking feedback of the protagonist like in many movies, giving the audience time to digest, but in the next second, the heroine pounces on the hero!
The screams echoed throughout the theater.

The man in black who "snatched" the body of the heroine burned his eyes blind with cables, and his eyes were blurred with blood.

The hostess and the captain took the train to pick up the host. Because of the urgent time, the couple had no time to talk to each other. They thought that everyone would see each other in reality soon.

Unexpectedly, it was only a short period of time, the captain and the heroine both received their lunch boxes, and the man in black used the heroine's body to kill the captain, and then burned and blinded the hero's eyes during the fight with the heroine. and tried to kill him.

This tragic plot development really left most of the audience dumbfounded.

For "Matrix III", Wu Heng is mentally prepared for the main character to receive a lunch box. After all, it is the final chapter of the series. Sadness is often an important component of this kind of final chapter of the series. If no one sacrifices, it seems to be thick. Missing, not sublimated enough.

But even if he scratched his head, he would never have imagined such a method of giving out boxed meals.

And the director didn't give the audience time to digest the shock.

The male protagonist did not lose his ability to resist after being blind in both eyes, and was killed by the "female protagonist".

On the contrary, the loss of vision makes him seem to have gained a higher perception, and any movement of the "heroine" can be perceived by him in advance.

He no longer cared about the body of the "hostess", because in his conscious perception, the "hostess" had become the form of a man in black exuding flames.

The endless men in black that filled the city in the matrix seemed to have sensed the changes in reality. They all turned their heads and seemed to be able to see the real male protagonist through the sunglasses reflecting the reflection of the scene.

The two matrix systems that exist simultaneously in the virtual world and the existence in the real world look at each other.

This also made Wu Heng once again affirm his guess when the hero woke up in the recycle bin of the matrix.

Both the male protagonist and the man in black are already half-human and half-machine at this time. The male protagonist is the human consciousness upload matrix implanted with the savior program, while the black-clothed man is the program in the matrix that assimilated and devoured the female protagonist’s body. Consciousness infiltrates back into reality.

One part of them exists in the matrix, and the other part exists in reality.

This is also the reason why the male protagonist was able to enter the machine network connected to the matrix through the matrix at the end of the last part, and control and destroy the machine squid through the wifi of the machine network.

The loss of the male protagonist's visual sense is a bit like the so-called "enlightenment" process of Zen Buddhism.

Losing the important senses of the real world seems to mean breaking through the barriers of the real body to the male protagonist, who is essentially a human-machine duality, allowing him to truly stand in the same position as the man in black and gain some kind of wake up.

"See you in the matrix."

Seeing the hero awakening again, it is no longer possible in reality that thousands of men in black in the matrix system of the hero say this sentence at the same time, and in reality the "female protagonist" also said this to the hero at the same time This sentence.

Then he was absolutely killed by the male lead.

And when the brain of the "heroine" died, the consciousness of the man in black dissipated, and he "changed" back to the heroine again in the male protagonist's super-perceptual perspective.

Only this time it was a corpse.

The bloody and tearful male protagonist hugs his lover's body, which complements the montage of the tragic battle between humans and robots.

A strong sense of sadness hits the screen from the screen.

In the second part, in the matrix, the male protagonist makes a choice under the showdown of the main god, riding the wind and fire to rescue the female protagonist who was shot and died.

But this time, the hero couldn't replicate the miracle of the matrix, and couldn't bring the real mortal body back to life.

Finally, after this tense, thrilling and successively reversed plot, the audience got a respite, and could taste everything that just happened like the hero, the death of lovers, best friends, and partners.

If it is said that the lightning-fast delivery of the boxed lunch just now brought the shock to the audience that it was too late to think and react, then it is the stamina and aftertaste of the tragic death of an important character at this time.

The human beings in the Huaxu Kingdom outside paid a heavy price of casualties and were still suppressed by the endless robot army. They fell into a disadvantage, and the battle situation entered an irreversible track of failure.

Even though human beings swear to the death to defend their civilization, their homeland, without fear of sacrifice, and the battle is horrific, the continuous, seemingly endless army of robots mocks human resistance like a ruthless universe.

No tricks needed, no tricks needed.

The silent army of robots is overwhelming people, making people desperate.

Make any sacrifices made by humans seem meaningless.

In the matrix, people in black spread to more and more cities, assimilating and devouring more and more human consciousness. In reality, there are huge petri dish bases one after another, and the sleeping naked human lives are unscrupulously destroyed as if the lights are extinguished. harvest.

Whether it is the awakened human beings in the Huaxu Kingdom who are no longer enslaved by the matrix, or the human beings who are sleeping in petri dishes, the human beings imprisoned in the matrix have all fallen into the most desperate situation at the same time.

Free and unfree humans face yet another extinction.

The savior who lost his eyes, lost his friends, and lost his lover hugged the body of the heroine alone.

The most desperate and darkest moment since the three "Matrix" movies has finally arrived.

The abyss of despair and tragedy also made the audience feel the suffocating pressure.

Even film critics like Wu Heng and The Martian have to lament that "Matrix III" is indeed worthy of the final chapter of the entire series. The clues and emotions accumulated in the three films have laid out an unprecedented plot tension here.

(End of this chapter)