Artists of the national tradition start from the puppet show

Chapter 24 Is the Yang School the Orthodoxy of Peking Opera Veterans? (For collection, for recommendation)

That night, the top three on the hot search list were all "cruel bite" news.

#“精神一叮”live broadcast accident, the champion Li Wenlong is furious about the shady scene of the program group#
#“精神一叮”The identity of the new Ding King’s challenger is revealed#
#“Cruel One Ding” hardcore director bans Li Wenlong#
After the show ended, Chen Siyuan greeted Lin Mu and left in a hurry!
Although this live broadcast accident was resolved very well, there are still many things that Chen Siyuan needs to deal with in person!

After Lin Mu returned home, seeing the bustling appearance in his live broadcast room, he couldn't help but start the broadcast directly.

No one would have thought that Lin Mu would start the broadcast at this time, and all the water friends in the live broadcast room were excited.

"Hello, everyone, I just got home. I wonder if everyone went to see 'Cruel One Ding' just now?"

Looking at the uniform "watching" in the live broadcast room, Lin Mu said with a smile, "I think everyone has seen the farce just now!"

"Actually, I'm still confused. I don't know what that Li Wenlong was thinking. How could he come out and say that I was the person the program team hired to target him? I can only say that some people's persecution paranoia is real. It's terrible!"

A wry smile appeared on Lin Mu's face.

"There will be no live broadcast tonight. I just saw that there are so many water friends in the live broadcast room. Come up to say hello to everyone. We will live broadcast on time at [-] o'clock tomorrow night. At that time, I will show you another of my majors. Skills are Peking Opera!"

"I think there are only two kinds of people in this world. One kind of people like Peking Opera, and the other kind of people don't know that they like Peking Opera. I hope that everyone will gather in my live broadcast room at [-] o'clock tomorrow night and listen to me sing for you. !"

After finishing speaking, Lin Mu closed the live broadcast room.

Lin Mu opened his system space, looked at "Peking Opera master Yang Baosen's tutoring course (2 hours)", and the expression on his face became serious.

"Start learning!"

Lin Mu felt a heavy drowsiness hit him, so he lay down on the bed and fell into a deep sleep.

In his sleep, Lin Mu discovered that he had come to a theater building in the old society, and he was sitting under the stage, watching the high-spirited veteran actor on the stage, performing word by word.

Yang Baosen!
Lin Mu, as the successor of Yang School, is still very familiar with Yang Baosen's appearance.

Yang Baosen's family is a serious family of Peking Opera.

Since his great-grandfather, he has been a well-known Peking Opera Dao Ma Dan actor.

His grandfather was from the same era as Mr. Tan Xinpei, but his grandfather studied danjiao and was the head of the "Sixi Class".

His father studied martial arts, but left the stage due to illness in middle age.

And Yang Baosen has been fond of old-fashioned jobs since he was a child. At that time, all old-school actors had only one way to get enlightened, and that was to learn from Tan School.

The saying that there is no life, no story, was well known in those days!
Later, Yang Baosen started to learn the amateur school, and he was known as "Little Yu Shuyan" at the beginning.

After the age of 30, Yang Baosen's voice changed, and he began to slowly jump out of the "Yu School", absorbing the essence of other schools, and finally created a unique "Yang School of Art". In the late 20s, and Ma Lianliang, Tan Fuying, and Xi Xiaobo are collectively known as the "Four Great Xusheng".

Compared with the other three, Yang Baosen's voice condition does not have any advantage, but his advantage is purely in charm.

His voice is broad and deep, his timbre is not bright enough, and his range is not wide enough, so it is not suitable for a passionate and high-pitched singing.

Therefore, Yang Baosen avoids Yu School's upright tone and back-of-the-head singing method, and replaces it with his own vibrato and vibrato, and uses the resonance of lower parts such as the throat and chest to make his voice deep and vigorous, and strives to be steady and vigorous in his accent and articulation. Not floating or floating, just like the pen of writing.

Yang Baosen's singing is simple and generous, although there are few large ups and downs, it embodies rich melody in the subtleties, delicate and not trivial.

There is a saying in the modern Beijing opera circle of old students, ten out of ten, nine Yang, that is to say, most of the old students are actually the Yang School of Zong.

Many radical people in the Peking Opera circle expressed that this situation is not a good thing.

Because in their opinion, the reason why the Yang school will become the genre chosen by more veteran actors is mainly because the Yang school is "too simple".

Just like singing, as long as your voice is fine, you can sing popular songs, but if you want to sing folk songs or bel canto, sorry, it requires some talent!

In the eyes of many people, Yang Pai is a popular song in the Peking Opera circle.

And Mr. Yu Zhikui, the representative of the Yang School, is often ridiculed to sing not Beijing opera, but Beijing song!

Lin Mu also deliberately asked his teacher, Mr. Yu Zhikui, this question.

Yu Zhikui said with a smile at the beginning that the main reason why most veteran actors are enlightened by the Yang School and even learn the art of the Yang School is because the Yang School is the "orthodoxy" in the Peking Opera world!
When Lin Mu heard this, he was also surprised. The Yang school is the orthodox in the Beijing opera world. Where did this statement come from?
Looking at the development history of the Peking Opera circle for more than 200 years, some people believe that the development of old-fashioned Peking Opera circles should be "various genres".

After all, in the profession of old students, there are ten schools with names and surnames, and naturally there are many who have disappeared in the long river of history.

But Yu Zhikui said that, in fact, the development of Peking Opera veterans is a spiral development from diversion to unification, and then diversion and reunification.

It was also the first time Lin Mu heard this statement, so he asked curiously.

Yu Zhikui continued to say that the birth of the first three tripods of Peking Opera can be regarded as the first peak of Peking Opera veterans.

Cheng Changgeng, Zhang Erkui, Yu Sansheng, these three people have different singing and articulation.

And their successors, Hou Sanding Jia, Tan Xinpei, Wang Guifen, and Sun Juxian all imitated the predecessors and were different from each other.

Later, the Wang faction and the Sun faction withered gradually, and finally became extinct.

Tan Xinpei, on the other hand, collected from many schools, got the most out of three victories, and almost completely followed the pronunciation of the characters, which established the normative status of Huguangyin and Tanqiang in one fell swoop, and eventually became the situation of "everything is born without Tan" after the Republic of China.

Yu Zhikui asked back then, is it because Wang and Sun's art is not good enough?
Or was it because the Peking opera at that time was not as good as that of the Three Tripod Jia period?

Then shouldn't people at that time also lament that "everything is born and nothing can happen" is a abnormal situation?

Lin Mu suddenly felt enlightened, and he suddenly became enlightened!
Yu Zhikui went on to say that after Tan Xinpei, and then diverted to various schools, not only the two heirs of the Yu School and the Yan School refused to give in to each other, even when Mr. Ma Lianliang was in his early 20s, the sign hanging in Shanghai was still "Tan Pai Xu". pregnancy"!
Among the top four, Xu Sheng, Yu Shuyan, Gao Qingkui, Yan Jupeng, and Ma Lianliang, except Gao Qingkui who learned from Zhang Erkui's "Kui School", the other three are all descendants of the Tan School!

(End of this chapter)