Artists of the national tradition start from the puppet show

Chapter 25 Jinghu Sage Wang Wenhe (please collect, please recommend)
Lin Mu listened carefully, and Yu Zhikui was also happy to tell him the anecdotes of the Beijing opera world.

Yu Zhikui suddenly asked a very interesting question.

"Lin Mu, tell me, what school should be used to teach people enlightenment?"

This question immediately stopped Lin Mu.

After all, he has only studied Peking Opera for more than two years, and he doesn't know much about other genres of Peking Opera.

Seeing that Lin Mu couldn't answer, Yu Zhikui didn't continue to ask questions, but said to himself,

"From Sanding Jia to Tan Xinpei, and then to Yu Shuyan, there are fewer and fewer straight tunes in singing, and more and more carvings. But to enlighten people, you must first teach the most standardized and generous singing style, and as for saying The skills can be slowly practiced and explored in future stage performances."

"After the Tan School, the Yu School has inherited the most. The Yu School can be said to be the direct descendant of the Tan School. Compared with Tan Fuying's New Tan School, it is more authentic."

"However, the Yu School, the Horse School, the Yan School, the Xintan School, and the Xi School, these schools have too many skills and too much refinement, so they are not suitable for enlightening students."

"That's why our Yang faction has the status it has today, because our singing is suitable for enlightening most veteran actors!"

"As for why I say that the Yang school is the orthodox of Peking opera old students, it is because the old Peking opera students have gone from the former Sanding Jia to the latter Sanding Jia. After Tan Xinpei unified the old students, the Yu school is his direct descendant, and the school that inherits the most. It's our Yang faction!"

After Lin Mu heard this, he was a little dazed.

It is true that Yang Baosen is indeed a remnant sect of the sect, but Yu Shuyan did not accept Yang Baosen as a disciple. This theory of inheritance is somewhat out of date!
Yu Zhikui laughed loudly, and said, "Although Mr. Yu Shuyan did not accept Mr. Yang Baosen as his apprentice, let me tell you two details, and you will know why I said that the Yang School is the school that has inherited the most from the Yu School!"

"First, after Mr. Yu Shuyan retired from the stage, the radio station at home played Beijing opera, only listening to Donghuang and Yang Baosen, and Yu Zi didn't care about it. This shows Yu Shuyan's admiration for Yang Baosen!"

"Secondly, Mr. Yang Baosen went to Hong Kong in 1950. At that time, Mr. Yang Sanye had a great voice, capital and strength, and left a batch of recordings. They are really high-quality products, almost the same as those of the Yu School. It can be seen that Yang Sanye How much thought did the master spend on Yu Pai!"

Finally, Yu Kuizhi said with a serious face, "May I ask the third master to follow Tan Yu's line of progress meticulously, and those who are young and needy students, can they not pursue it?"

"Up to now, most of the old students learn Yang School. Although there is a factor in Yang School's low voice requirements, isn't it because the third master's things are the most regular and generous?"

"After the end of those ten years, the traditional opera revived, and after the four major Xusheng all rode cranes, how many descendants of them are there?"

"Besides his own family, there are only a few members of Gao Baoxian in the Tan faction, and there are only a few left in the Ma faction, Zhang Xuejin and An Yunwu, who were brought out by Mr. Ma Wenru when he was the principal of the BJ drama school, and the Xi faction also falls into the Li Bopei and Ouyang Zhongshi who is not an actor."

"Compared with these three factions, our Yang faction naturally exploded due to its influence among the younger generations and gained an overwhelming position. This is also the inevitable result of Tan Yu's development all the way to the Yang faction."

After Mr. Yu Zhikui's incisive analysis, Lin Mu suddenly realized.

This is the inevitable result of the development of Peking Opera.

Although Mr. Yu Zhikui intends to elevate the Yang faction on purpose, there is no doubt that the Yang faction is currently the dominant family.

In Lin Mu's sleep, he not only listened to several classic arias by Mr. Yang Baosen, but also was taught some of Yang's private skills by Mr. Yang Baosen. These things should have been lost long ago!

That night, Lin Mu slept very soundly!

Early the next morning, Lin Mu's biological clock woke him up on time.

Sitting on the bed, Lin Mu carefully recalled the teachings of his patriarch Yang Baosen in his sleep last night, feeling that he really benefited a lot.

In the past, Mr. Yang Baosen guided Lin Mu very carefully in some key points in singing.

Even Yang Baosen's apprentices may not be able to have such an honor for this kind of intimate one-on-one professional counseling.

Putting on clean clothes, Lin Mu left the rental house and rushed towards the school.

Huaxia Academy of Chinese Opera is the first opera school in China, and the only university in the country that has an independent system to train senior professionals in opera art so far. It is the highest institution of Chinese opera education.

Lin Mu's Department of Peking Opera is the largest department of Huaxia Academy of Chinese Opera.

One year ago, Mr. Yu Zhikui was invited to come to Huaxia Academy of Traditional Chinese Opera and served as the director of Huaxia Academy of Traditional Chinese Opera and the head of Peking Opera Department.

It was also at that time that Lin Mu entered Mr. Yu Zhikui's eyes and became his registered disciple.

After Lin Mu arrived at the school, he rushed directly to the practice room.

Walking into the practice room, Lin Mu only saw an old man with gray hair sitting on a chair, seriously playing with the huqin in his hand.

Lin Mu hurried over and said with a smile, "Old Wang, good morning!"

Wang Wenhe looked up at Lin Mu, with a smile on his face, and said, "Lin Mu, you are the first to arrive every time!"

Lin Mu said with a smile, "By the way, Mr. Wang, before they come, help me adjust my voice!"

Wang Wenhe nodded and said, "Okay, is it still the old rules?"

Lin Mu nodded.

Wang Wenhe took out a piece of felt from the piano box on the side, put it on his lap, and then put the qin tube of the Huqin on it, held the strings with his left hand, and pulled the bow with his right hand a few times to finish the tuning. The sound of the piano, nodded to Lin Mu.

A section of the piano sounded from the guide, Lin Mu put on a posture and sang,
"In the past, there were three great sages..."

"Liu Guan and Zhang Jieyi are in Taoyuan..."

"Brothers in Xuzhou were separated..."

"Meeting and reunion in the ancient city..."

The "Three Great Sages" in "Zhulian Village" is one of Lin Mu's favorite arias. Every time he hangs his voice, he must sing this in the first verse.

Because in this section, there are guide boards, original version, and flowing water, it is catchy to sing and it is very suitable for opening the voice.

Wang Wenhe, as a veteran qin teacher of the Peking Opera Department, would come to play the piano and sing for the students of the Peking Opera Department every morning. For Lin Mu, he really liked the kid from the bottom of his heart.

Because Wang Wenhe's master's name is Yang Baozhong.

Yang Baozhong is a famous Jinghu sage, and he is also the cousin of Yang Baosen, the founder of the Yang School.

When Wang Wenhe was 18 years old, he had already become the youngest Jinghu, Jingerhu and singing teacher at Huaxia Peking Opera Academy.

Now 80-year-old Wang Wenhe still comes here every day to play the piano and sing for the students of the Peking Opera Department.

(End of this chapter)