Chapter 557 Epiphany
Heavenly Palace,

Under the phoenix tree.

The rich spiritual energy of heaven and earth has turned into a heavy fog, covering this small world. Looking from a distance, only the brilliance of the sycamore fairy tree is still as bright as ever.
And with each breath, the tide of inspiration rolls up, over and over again.

In the state of retreat, the passage of time has been forgotten.

I don't know how much time has passed, but the pure spiritual energy surges suddenly. The surging power even makes the impact of the sycamore immortal plant 'squeak', and the complaints of children's voices can be vaguely heard.

But the man sleeping under the tree didn't care about these, and even just turned over and ignored them.

The only thing that changed was that the aura on his body was no longer covered, and the mana fluctuations in the Yangshen realm were fully exposed, but at this time, it had already climbed to another level.

Yangshen middle stage!

However, compared to his Immortal cultivation, he actually moves faster and more violently in the martial arts. The unity of Gang and Sha has been polished to an almost perfect state, which is a sign of the late stage of the first-level martial arts.

Almost instinctively, when swallowing and swallowing, a large amount of wood attribute spiritual energy was discharged, and the speed of martial arts cultivation began to slow down.

The waves caused by the magic power of the Immortal Way are becoming more and more vast and magnificent. The layers of spiritual energy have formed a wave of tens of meters high and begun to affect the movement of the clouds in the sky.

As for the 'mana restlessness' after the small realm is improved, it does not exist.

What are the bottlenecks and burnout in cultivation?
What is relaxation and relaxation?
It was completely unnecessary. After a cup of tea, the man just found a more comfortable posture, and his breathing found a rhythm and stabilized again.

The only thing that changed was that an even greater tide of spiritual intelligence swept through the entire Heavenly Palace.

What also fell from his hand was a 'jade slip' that was as big as an adult's fist and glowed with a pale golden light.

It just fell to the ground, and no one seemed to care or care about it, but who would have thought that what was stored in it was a theory that could change the future of immortality.

Of course, right here and now, none of that matters.

The important thing is that when the "Spiritual Son Theory" was completely formed, Mo Chengjun spent hundreds of years to finally complete the three questions of the soul in cultivating immortality.

What is the inspiration?
Where does the idea come from?

Where is the inspiration going?
These seem to be just the basics, but when the logic is self-consistent, it brings insight and clarity to everything.

As a result, Mo Chengjun entered a state of 'enlightenment', or in scientific terms, this is 'flow'!
At this moment, there were countless questions and confusions rolling through his mind, but there were also countless inspirations and countless answers.

At this moment, he truly realized the wonder of 'mysterious yet mysterious, the door to all mysteries'.

When you realize heaven and earth, everything in heaven and earth seems to have a context, a source, a past, and a future in your eyes.

It turns out that brilliant immortals really don't need to go through the "Four Steps of Creation" to see the truth through numerous illusions.

It turns out that even the immortal cultivators in this world have their own theoretical basis for their creations and understandings, rather than being completely fabricated out of thin air.

At this moment, Mo Chengjun was immersed in this state, and even began to believe in these mysterious thoughts and thoughts, and then extended in the direction of 'creating laws'.

As a result, he began to think about the way of kendo, and the four styles of kendo became omissions and contradictions in his eyes.

Then, he began to re-build the structure, fill in the content, bloom its power, and imbue it with a murderous aura.

Therefore, "one sword move, yin and yang are divided" was completed. When the sword comes out, it cuts off the five senses, separates yin and yang, and cuts off the enemy's head and destroys his soul between day and night.

"Second Sword Style, Space Split" is completed, and when the sword comes out, the space is split, and everything within sight is shattered and torn apart.

There is "Three Sword Styles, the Long River Rises", which uses the "sword light differentiation" to start the long river, the "sword to form silk" to transform the river water, the "sword to play the sky and the earth" to turn the swimming fish, and the "sword to thunder sound" to decorate the river waves. .

At this point, all the basic swordsmanship and magical powers were integrated into one furnace, creating this vast river of sword energy.

There is also 'Four Sword Styles, Breaking Time'. As the name suggests, it breaks years, time, all tangible and intangible things, and the enemy's head.

The four styles of swordsmanship have now all advanced to the next level, and they have smashed through the threshold. They all have the name of "Supreme" and the power of "Supreme".

At this point, it can be called the supreme supernatural power.

But do you think this is the end?
Of course not yet.

So, there is the "Five Sword Styles, Cause and Effect Cut", all cause and effect, inverse effects are causes, cause and effect are connected, never ending.

Since the sword comes out and the cause and effect are resolved, people, demons, monsters, immortals and gods can all die.

There is also "Six Styles of Sword, Destiny is entangled". When the sword is out, destiny is entangled, and you can't escape, avoid, give in, or get away.

As long as the sword is there, fate is entangled, and there is no end.

There is also "Seven Styles of Sword, the Future is Unlimited", the past is determined, and the future is unlimited.

However, even the future is also limited by cause and effect. In this way, when the sword comes out, it will move in search of cause and effect, and kill thousands of future bodies.

If you deserve to die, you will die. As I said, even the Buddhas and demons in the heavens will not be able to keep you.

After completing the seventh sword posture, his inspiration was exhausted. Mo Chengjun did not bother with it, but his thoughts changed and he thought of his own pupil technique, "The Golden Eyes of Breaking the Illusion"!
The secret biography of Butian Sect, "The Golden Eyes of Breaking the Illusion" has the ability to "look at the stars from above and the nine underworlds from below".

Speaking of the effect, it is pretty good. The power of 'Seeing Heaven and Earth' has played a great role in Mo Chengjun's many studies.

But this is not enough, far from enough!

This time, he first merged the "Golden Eye of Destruction" and the power of "Seeing Heaven and Earth" into one, which is equivalent to directly opening the power of "Seeing Heaven and Earth" when using the pupil technique in the future.

It was also given the ability to see the flow of spiritual particles, the willpower of mortals, and the lines of rules.

But this is not over yet. Since we have gone through the long river of time, we naturally need to have the ability to discern light, shadow, time, and space changes. And through cause and effect, we must also have the ability to trace the past, cause and effect, and destiny.

Up to this point, it is enough. It is really enough, and the ability cannot be more.

As for the name, Mo Chengjun doesn’t want to change it, let’s stick to “The Golden Eyes of Breaking the Illusion”!

Even though the level of this secret technique is a bit high, it is even worse than the so-called supreme magical power.

But it is also tailor-made, so no one else can learn this pupil technique except him.

After that, Mo Chengjun put his thoughts on "Speech and Dharma Sui".

This supreme magical power still has great potential that can be tapped, especially now that he knows the origin of the spiritual particles, he has more ideas.

To be honest, he has not yet figured out what the Shinto authority of the co-lord of Heaven is, but the underlying logic of the spiritual particles must have started from him.

From this, the power of "seeing heaven and earth" controls the spiritual machinery of heaven and earth, and the control shown in "Yu Shu Fa Sui" is actually the same principle.

I am the true creator of the healing nanorobot, the writer of the underlying logic, and the master of half of the clever particles.

Rounding things off, isn’t he the master of the entire spiritual particle?
What's wrong with giving an order?
I opened my mouth, how dare you little ones not move?
Well, thinking about it this way, everything seems to make sense!
Of course, this is just talk. In Mo Chengjun's case, there still has to be a clear process of observation, conjecture, hypothesis and verification.

For example, his control and control of spiritual particles actually have a limit, but if there is too strong interference, it will be useless.

Typical examples include the mana wrapped in 'Jing Qi Shen', the mana constrained by the formation, or the inspiration flowing in the magic weapon, which cannot be manipulated by him.

For another example, there is part of the inert dark energy in the spirit machine particles, which is the fundamental support for the existence and activity of the spirit machine, and is not driven by Mo Chengjun.

In other words, even if Mo Chengjun wanted to use this part of dark energy, he would have to use strong emotions to drive it, such as sword intent, and he would have to learn it!
Of course, even so, this magical power still has unparalleled power.

In particular, its form of expression is strange and unpredictable, invisible and traceless. It is most useful during a battle of wits.

But this time, what Mo Chengjun wanted to do was to go one step further.For example, it is no longer limited to short-term driving and control, but long-term, even permanent endowment.

Or to put it another way, directly add some new attributes to the clever particles.

This may sound unbelievable, but from Mo Chengjun's perspective, it's really not impossible.

For example, start directly from the underlying logic of the nanorobot, change or add some programs, and thereby change its external characteristics.

It doesn’t need to be too much, even if it’s just a slight change, such as affinity to the living body, adaptation to the meridians and acupoints, the release threshold of one’s own dark energy, the carrying of emotions...

As long as there is a slight change in all of these, when magnified, it will be a huge shock to the entire practice system.

To be honest, if Mo Chengjun could really master the ability to change the basic rules of spiritual particles, he would not be described as awesome, but truly invincible.

By that time, the so-called "Speaking of the Dharma" was no longer appropriate, and "The Heavenly Constitution in the Mouth" was his portrayal.

One word for life or one word for death, it all depends on his mood.

Of course, Mo Chengjun also knew clearly how dangerous it was.

The combination of original spores and healing nanobots is already full of coincidences.

If he accidentally fails, it will be equivalent to cutting off Blue Star's path to immortality with his own hands, and it will be the true end of the Dharma era.

Therefore, you can try, but you must be fully prepared. If you are not [-]% sure, you must not use it indiscriminately.

Well, it was also because of this that Mo Chengjun found enough inspiration during his 'enlightenment', designed experiments, and made plans...

In the end, he stuffed all of this into another 'jade slip', waiting to try it again later when he had time.

After that, Mo Chengjun began to turn his attention to the "Eight-Nine Thunder Tribulation" in an attempt to go further.

However, as far as the 'Thunder Tribulation' was concerned, it had really been deduced to the limit at this stage. He really couldn't find any good inspiration, so he let it go.

Then, he turned his thoughts to martial arts fighting methods.

He has no shortage of inspiration in this regard. First, he optimized the magical power of "Shaking the Sky and the Earth" based on his current understanding.

Then, by combining the "Moving the Sky and Shaking the Earth", the method of transformation of the demon clan and the "Twelve Methods of Jingzhe", he completely condensed the magical power of physical transformation belonging to the human race, "Three Heads and Six Arms".

This "Three Heads and Six Arms" does not mean that you have grown two more heads or four pairs of arms, but that the two heads represent two independent thoughts, and the four arms can independently use magic weapons.

When fighting begins, you can take care of all directions, heaven and earth, without any gaps.

And as long as all three heads are not smashed, there is the ability to be reborn and immortal.

If paired with Mo Chengjun's version of "Fa Tian Xiang Di", he would dare to touch even the complete version of the Demon Lord.

Of course, this still failed to meet Mo Chengjun's standards.

His final inspiration was actually to completely integrate "Dharma, Heaven, Elephant and Earth" into his own body, so that the physical body is the Dharma and the Dharma is the physical body.

At this point, infinite power has returned to oneself. This is the true "immortal to all tribulations and indestructible" physical body that has been sanctified. It is the highest state of "Eight-Nine Mysterious Skills".

Of course, when I think about it, the distance is still a bit far away. The direction Mo Chengjun is working hard now is "Dharma, Heaven, Elephant and Earth" written by Queen Become an Immortal!
In addition, Mo Chengjun also carefully recalled Zulong's teachings.

For example, in the "Three Examinations of My Body Positioning Method", he analyzed it again based on cause and effect and destiny. Although he did not introduce anything new, his understanding was a little deeper.

Another example is the magical powers of "Catching Breath and Expelling Qi" and "Destroying Demons". These two are actually aimed at the devil.

The reason why Mo Chengjun created Sword Five, Sword Six, and Sword Seven was to target them.

Of course, what Mo Chengjun cares about most is Zulong's method of crossing endless time and space.

On the long river of time, position yourself, catch the target, reverse time and space, and arrive in an instant.

This kind of speed is the necessary means to travel in the boundless universe and galaxies, and it is also what Mo Chengjun must master.

But he was very ambitious, but such a superficial application really did not meet his needs.

He needs a magical power that is faster and more convenient for entering and exiting the long river of time. It is best to have a portable cave that can be carried at any time.

This cave doesn't need to be big, as long as it can be filled with millions of heavenly soldiers and generals, or dark soldiers and ghost armies, supplemented by powerful generals.

When needed, he can take these soldiers and cross the river of time to enter the opponent's territory.

Either implementing a beheading strategy or causing havoc on the opponent's territory, they can completely change the current situation and even directly reap the fruits of victory.

Well, this is a great idea, but it is still difficult to implement it.

Well, it should be extremely difficult!
You don't have to think about it. It's really simple. Zulong and the Demon Lord of the Desire Realm are not fools, so they can't honestly fight a positional war for a full 3000 years.

But Mo Chengjun didn't give up easily.

For the purpose of research, he, who was in the process of breaking through in seclusion, put together the methods of moving through the netherworld and the method of moving through the void in this world, hoping to gain inspiration through horizontal comparison.

Well, his understanding has deepened, and he has actually gained something, but it is not what he wanted.

Mo Chengjun had to admit that he knew very little about both the underworld in the two-dimensional world and the long river of time in the four-dimensional world.

If you really want to make any breakthrough progress, you still need enough accumulation.

On the contrary, in this world, he realized a way to physically cross the void.

In the present world, there are almost ubiquitous magnetic fields among the planets, and the human body is actually a life magnetic field, but it is much smaller than the magnetic field of the planets.

But when your strength reaches the immortal level, this life magnetic field is no longer weak.

Through the repulsion and attraction of the magnetic field, high-speed movement between the two planets can be achieved.

In terms of speed, it is still inferior to the ultra-long distance void moving formation.

But void moving formations of that level are not always available.

You see, the Butian Sect doesn't have many arrangements. It's not that they don't want to, but because there are too many restrictions.

On the one hand, there is a limit to distance, but there are also preliminary steps, subsequent maintenance, replacement of materials, and the loss every time it is opened...

They cannot afford these, which determines the impracticality of the void moving formation.

Comparatively speaking, the cost-effectiveness of this method of physically crossing the void is much higher. At least, it is much faster than ordinary flying in the clouds and mist.

Mo Chengjun did not give this method a new name. It directly replaced the "Long Earth Golden Light" among the 36 methods of Tiangang. It can be regarded as another update.

Time has no concept in the 'Sudden Enlightenment'. Mo Chengjun is not sure how much time has passed in the outside world.

All he knew was that at some point, the aura in his body began to surge, rise, contract, and fall. The realm of the middle stage of Yang Shen had already been completed, and he took a step forward without hesitation.

At this point, the late stage of Yang Shen has been achieved!

 It has been modified, and you can download it again.

  The coding was not going smoothly today, my ideas were stuck, I finally got enough words, but I didn’t have enough time to revise!
  
 
(End of this chapter)

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