pianist from the sea

Chapter 11 Dongying, Amy
The two judges confronted each other, and no one would let the other.

No one in the room dared to speak, even Yu Tianyou, who kept joking and complaining, shut up.

Who dares to speak now?

Leaving aside their identities as judges, they are all the top pianists, and any one of them is a top tycoon who tours the world and is sought after by thousands of people.

Who do you send it to?Are you going to talk?Are you qualified enough?You are also worthy of participating in the conflicts between big bosses.

Yu Tianyou's cold sweat broke down instantly.

The expression of the person who dropped the pen changed for a long time, but in the end he didn't say anything. He just took a deep breath, flicked his sleeves and turned to leave.

The person who knocked on the table also didn't say anything more, just looked at the host on the stage, and said coldly.

"What are you waiting for? Waiting for him to come back?"

"Feel sorry……"

The host bowed and apologized on the stage, got up and picked up the teleprompter and spoke to the crowd.

"The next player is from Poland, ukasz Piotr Byrdy, please turn to page 37 for the repertoire, the repertoire is..."

Fu Tiao thought for a while, raised his head and looked around, took advantage of no one's attention, reached out to pick up the booklet on the judge's table, and threw it to Yu Tianyou.

Yu Tianyou was completely dumbfounded. He held the booklet in his hand: "Wait? You?"

"This is the list of players. All the players today will be recorded on it, and their works will also be recorded on it."

"I know this is the roster, but you..."

"What's wrong with me?"

"You are stealing!"

"Who owns this booklet?"

"I……"

"What does that have to do with me?"

"?"

Yu Tianyou's mind was full of question marks, but he had already got the manual, and there was no other way.

Moreover, after hearing what Fu Tiao said, he was indeed a little curious.

Yu Tianyou opened the booklet in his hand, and before he could do anything, Fu Diao helped him directly to the front.

There, he found his name.

I don’t know who the judge is, but that person circled his name with a black marker pen about 1mm, especially his first work, Chopin’s Ballad for Piano No. 27, and his last work, Chopin’s Nocturne op1 -[-].

It's fine if it's just circled, he seems to have written some handwriting on it, a lot of messy characters put together, no matter how he looks at it, Fu Diao can't understand what he wrote.

German maybe?Or Spanish?Or, Polish?
Anyway, it is definitely not Chinese, Neon, Persian, which can be recognized at a glance.

Yu Tianyou looked helplessly at Fu Tiao flipping through the roster in his hand, not knowing what to say.

But Fu Tiao frowned and studied for a long time but couldn't figure out what language it was. It was not in his language library at all. He could only roughly guess that this person was very interested in his slow-moving works, or had something to say. a little thought.

Satisfied with his slow movements, or not?

I have no clue at all, I can only see excitement from the handwriting, and I can't see anything else.

Now that the performance is about to start on the stage, it is not easy to take out the phone to find an interpreter.

But all in all, there is definitely something wrong with the slow movement.

So... what's the problem?Can people have a different attitude towards their fast movements and slow movements?

Fu Tiao rubbed his chin, couldn't help frowning, lost in thought.

Why would he have an idea for his own slow movement?Could it be because I played this piece very slowly?Or is it emotional?

Or, is there a clear contrast between the slow movement and other fast movements that are not circled?

Where is the contrast?

Fu Tiao knew nothing about it.

In fact, it's very simple. Fu Tiao doesn't know what Chopin's feeling is at all now.

Fu Diao is actually not that proficient in Chopin's performance, or in classical music performance.

If you use martial arts as a metaphor, it is actually very clear.

Fu Tiao is now the kind of martial arts style, breaking ten thousand spells with one force, breaking the sky with one punch, I don't care about you.

I can achieve and complete all the techniques, techniques, and musicality.

Not to mention being number one in the world, at least they can be regarded as the world's first-class performers.

However, the current competition is not simply a competition of external strength, but a competition of internal strength.

Competitions such as the Chopin International Piano Competition are actually a little simpler. This kind of competition only requires you to play Chopin's feeling, and you can interpret Chopin's feeling vividly, and it is best to have a little bit of your own ideas.

The feeling of this composer is internal strength and exercises. If you have the right way, then even if you only have six percent of external strength, you can still exert eight percent of your strength.

But Fu Tiao used a lot of external force in this kind of competition, showing eight points of strength.

Then other comprehensive competitions, are they simpler and more suitable for Fu Tiao?

Actually not.

Other comprehensive competitions, such as the Van Cliburn International Piano Competition, which is as famous as the Chopin International Piano Competition.

Although this competition is not as commercialized and famous as the Chopin International Piano Competition, the players in it are definitely not bad.

This competition is mainly created to commemorate the beautiful Chinese pianist Van Cliburn. In this competition, the works you need to play are very complicated. You need to be able to master the works of various pianists. And also need to be able to deal with a variety of subjects.

The organizing committee will give you a piece of work and only have one week for you to solve it. After one week, you will directly play a brand new piece of work.

Not only do you need to play the whole piece at the original speed, but you also need to play the composer's feeling.

The required internal force is even more complicated, and it is even said that you must be able to learn from the strengths of a hundred schools of thought.

Fu Tiao can forcefully crush some works through his own technology, but after all, he has no way to fight against those players who have learned and understood the composer's own style.

Too bad!
And to put it bluntly, modern piano education has been developed for hundreds of years, and the evolution of education methods is completely different from that of more than 100 years ago. era.

If Fu Tiao wants to win the Chopin International Piano Competition with his current level, it is basically tantamount to nonsense.

Even if you want to enter the third round in the second round, it will be very difficult.

At that time, it will not be the [-]-point contestants who will play the [-]-point works, but the [-]-point players will play the [-]-point works!
Even if you can crush it with various levels of strength, what's the use?
Eighty out of one hundred, no matter how you calculate it, it is impossible to be higher than ninety.

It's just a pity that Fu Tiao still doesn't know this at all.

A field that you can never think of, no matter how much you struggle, you will never get anything.

At present, he just feels that he is missing something, and he has no idea what is missing.

This state made Fu Tiao extremely uncomfortable.

Fu Tiao pondered and sat back in his seat.

What is it that is missing?

Seeing Fu Tiao sitting back, Yu Tianyou breathed a sigh of relief, and searched for his favorite contestant.

The players on the stage finished playing, and the host came on stage again.

"The next contestant is from Japan, Aimi, Kobayashi, please turn to page 38, the song is..."

Fu Tiao raised his head slowly, he heard a familiar name.

The one that Yu Tianyou mentioned earlier, Dongying Piano Princess, Little Amy?
(End of this chapter)