pianist from the sea
Chapter 12 Full Collision
Chapter 12 Full Collision
Yu Tianyou also raised his head and looked at Fu Tiao.
There was also a trace of solemnity in the eyes of the two of them.
The top players this year are the piano princesses from Japan, Aimi Kobayashi and Kobayashi Aishi.
Following the guidance of the staff, Fu Tiao turned to the page of Kobayashi Aishi, and couldn't help but pause.
Just like what Yu Tianyou said, she who is known as the piano princess is indeed amazingly talented.
He learned piano at the age of three, and after learning for four months, he saved a set of one-hour concert works and performed on stage.
At the age of seven, he entered the finals of the Dongying Piano Teacher Competition three times, and performed with the Dongying Symphony Orchestra.
At the age of eight, he won the first place in the Peace Prize Piano Competition, at the age of nine, he won the first place in the Dongying Student Music Competition, and won the gold medal in the junior group of the Asian Youth Chopin Competition, and held concerts abroad.
The ten-year-old American Young Pianist Competition won the first place, and was invited to give a solo concert at Carnegie Hall in New York.
At the age of 14, he won the first place in the Asian Chopin Piano Competition. At the age of 15, he received a Polish special Chopin passport.
This kind of person should be recommended directly, but perhaps because she has studied at the Curtis Institute of Music in recent years, she has not won the ranking in the recent Asia-Europe Chopin International Piano Competition, so she can only follow the Participate in the qualifiers in order.
Fu Tiao turned his gaze to the judges' bench behind him, as expected.
Many of the judges felt a little relaxed. They all knew Little Amy, knew her strength very well, and knew that she would never overturn.
At least, not in the qualifiers.
Therefore, they can listen with a more relaxed attitude, instead of constantly grabbing details as before.
The stage door opened again, and a little girl about 1.6 meters in a beige dress came out from behind the door, stood in the center of the stage and bowed slightly to the crowd.
"This is Kobayashi Aishi? It looks a little better than the photo, and a little smaller." Yu Tianyou whispered while sitting next to Fu Tiao.
Fu Tiao glanced at the photo of the player roster in his hand, and nodded slightly in agreement.
But at this moment, there was a little commotion on the stage.
On the stage, five big men surrounded Kobayashi Aishi, seeming to be discussing the piano bench with her.
It seems that she is too light to get off the piano bench.
After discussing for a long time, I finally decided to change to a piano bench that is manually adjusted instead of directly pressed down by weight.
After tossing for a long time, almost two or three minutes, this matter was properly resolved.
Kobayashi Aishi also managed to sit on a piano stool that fit her height at this time.
At this time, the screen next to it displayed Kobayashi Aishi's first work.
It is exactly the same as that played by Fu Tiao, Chopin Nocturne, op27, no1.
Kobayashi Aishi sat on the piano bench and closed her eyes to breathe. After about three seconds, she lifted her hand, placed it on the keyboard of the piano, and pressed it slowly.
hum...
The sound is incomparably subtle, and gradually grows from the subtleties.
When it grew enough to almost break the tranquility of the night, her other hand raised and slowly pressed the main melody.
Ding……
The sound of the piano is soft, crisp and extremely gentle.
Such as the complaints between sympathizers.
In the night, with a little hazy.
The night, the sound of the piano, and, that her.
Every sound of the piano seems to carry endless heartfelt feelings, making it difficult to sleep.
Fu Tiao couldn't help being taken aback for a moment, feeling a little bit suspicious for a while.
The feeling of playing is different.
Obviously all the sounds are the same, and even most of the emotions are similar, but the feeling is completely different.
In Kobayashi Aishi's piano sound, there is an obvious oriental subtle taste in it.
Just like that sentence, the moonlight is so beautiful tonight.
What is beautiful is not the moonlight, but I want to share with you what I have seen, all the beauty.
Every sentence is hazy, and every sentence does not express everything, but all interpretations are full of love.
This feeling is hazy and unpredictable, but the more you think about it, the more interesting it becomes.
And this is not all about her. In her music, Fu Tiao can clearly hear a feeling, an inexplicable and unpredictable feeling.
What exactly is this feeling?
Fu Tiao thought about it for a long time, but he couldn't find a definite feeling.
Fu Tiao slightly raised his head to look around, and found that there were not many people around like him, who were concerned about that inexplicable feeling, but smiled all over their faces.
seems very satisfied.
There are two possibilities, one is that they didn't hear that feeling at all, and the other is... this feeling is taken for granted, it seems to be a necessary feeling in Chopin's music?
The first one is almost completely impossible, no matter how much Fu Tiao thinks he is strong, it is impossible to think that everyone present is deaf, they cannot hear the feeling in the music.
Not everyone can shout that everyone is drunk and I am sober!
Then there is only the last possibility, that is, everyone has become accustomed to this feeling.
Fu Tiao leaned his body towards the back of the chair, stretched out his hand to stroke his chin, and narrowed his eyes slightly.
He is listening.
How did you get the strange feeling in listening to Kobayashi Aishi's music?
Classical music is completely different from jazz music.
Jazz music requires more improvisation, while classical music requires depth in the music.
The darker, the better.
After listening to a work for the first time, Fu Diao can basically reproduce everything he heard perfectly, basically reaching the extreme in terms of chords, melody, and rhythm.
But this, in classical music, is not strong enough.
In classical music, everyone plays the same note, and even the rhythm speed is similar, so how to judge that you play better than others?
Obviously, work on mood, detail, and musicality.
It's like singing, why doesn't Maiba in ktv sing as well as those singers?Obviously, the ears of ordinary people seem to be similar?
The reason is there, very simple, because of the details, the mood, and the musicality.
Kobayashi Aishi's performance on the stage became more and more emotional, and everything was integrated into her music, especially the unexplainable feeling.
That kind of feeling makes the interpretation of Kobayashi Aishi's work more beautiful and perfect.
The eyes of other people around her could not help but shine because of her performance.
When her last note fell, the entire concert hall fell into silence for an instant.
Yu Tianyou sat on the side, his expression extremely surprised, obviously he did not expect Kobayashi Aishi to behave like this at all.
Played, so beautiful!I really wish she could play it again, the appearance of those timbres is simply invincible!
Not only him, but almost everyone in the concert hall thought so.
Including those judges behind.
Fu Tiao silently recorded her performance in his heart, and planned to ask Argerich tomorrow when he met.
But the next second.
"Chopin etudes: op25-11, op10-4"
Fu Tiao raised his head abruptly, looking at Kobayashi Aishi on the stage.
The three works that have been released so far, the etude and the nocturne, all crashed!
(End of this chapter)
Yu Tianyou also raised his head and looked at Fu Tiao.
There was also a trace of solemnity in the eyes of the two of them.
The top players this year are the piano princesses from Japan, Aimi Kobayashi and Kobayashi Aishi.
Following the guidance of the staff, Fu Tiao turned to the page of Kobayashi Aishi, and couldn't help but pause.
Just like what Yu Tianyou said, she who is known as the piano princess is indeed amazingly talented.
He learned piano at the age of three, and after learning for four months, he saved a set of one-hour concert works and performed on stage.
At the age of seven, he entered the finals of the Dongying Piano Teacher Competition three times, and performed with the Dongying Symphony Orchestra.
At the age of eight, he won the first place in the Peace Prize Piano Competition, at the age of nine, he won the first place in the Dongying Student Music Competition, and won the gold medal in the junior group of the Asian Youth Chopin Competition, and held concerts abroad.
The ten-year-old American Young Pianist Competition won the first place, and was invited to give a solo concert at Carnegie Hall in New York.
At the age of 14, he won the first place in the Asian Chopin Piano Competition. At the age of 15, he received a Polish special Chopin passport.
This kind of person should be recommended directly, but perhaps because she has studied at the Curtis Institute of Music in recent years, she has not won the ranking in the recent Asia-Europe Chopin International Piano Competition, so she can only follow the Participate in the qualifiers in order.
Fu Tiao turned his gaze to the judges' bench behind him, as expected.
Many of the judges felt a little relaxed. They all knew Little Amy, knew her strength very well, and knew that she would never overturn.
At least, not in the qualifiers.
Therefore, they can listen with a more relaxed attitude, instead of constantly grabbing details as before.
The stage door opened again, and a little girl about 1.6 meters in a beige dress came out from behind the door, stood in the center of the stage and bowed slightly to the crowd.
"This is Kobayashi Aishi? It looks a little better than the photo, and a little smaller." Yu Tianyou whispered while sitting next to Fu Tiao.
Fu Tiao glanced at the photo of the player roster in his hand, and nodded slightly in agreement.
But at this moment, there was a little commotion on the stage.
On the stage, five big men surrounded Kobayashi Aishi, seeming to be discussing the piano bench with her.
It seems that she is too light to get off the piano bench.
After discussing for a long time, I finally decided to change to a piano bench that is manually adjusted instead of directly pressed down by weight.
After tossing for a long time, almost two or three minutes, this matter was properly resolved.
Kobayashi Aishi also managed to sit on a piano stool that fit her height at this time.
At this time, the screen next to it displayed Kobayashi Aishi's first work.
It is exactly the same as that played by Fu Tiao, Chopin Nocturne, op27, no1.
Kobayashi Aishi sat on the piano bench and closed her eyes to breathe. After about three seconds, she lifted her hand, placed it on the keyboard of the piano, and pressed it slowly.
hum...
The sound is incomparably subtle, and gradually grows from the subtleties.
When it grew enough to almost break the tranquility of the night, her other hand raised and slowly pressed the main melody.
Ding……
The sound of the piano is soft, crisp and extremely gentle.
Such as the complaints between sympathizers.
In the night, with a little hazy.
The night, the sound of the piano, and, that her.
Every sound of the piano seems to carry endless heartfelt feelings, making it difficult to sleep.
Fu Tiao couldn't help being taken aback for a moment, feeling a little bit suspicious for a while.
The feeling of playing is different.
Obviously all the sounds are the same, and even most of the emotions are similar, but the feeling is completely different.
In Kobayashi Aishi's piano sound, there is an obvious oriental subtle taste in it.
Just like that sentence, the moonlight is so beautiful tonight.
What is beautiful is not the moonlight, but I want to share with you what I have seen, all the beauty.
Every sentence is hazy, and every sentence does not express everything, but all interpretations are full of love.
This feeling is hazy and unpredictable, but the more you think about it, the more interesting it becomes.
And this is not all about her. In her music, Fu Tiao can clearly hear a feeling, an inexplicable and unpredictable feeling.
What exactly is this feeling?
Fu Tiao thought about it for a long time, but he couldn't find a definite feeling.
Fu Tiao slightly raised his head to look around, and found that there were not many people around like him, who were concerned about that inexplicable feeling, but smiled all over their faces.
seems very satisfied.
There are two possibilities, one is that they didn't hear that feeling at all, and the other is... this feeling is taken for granted, it seems to be a necessary feeling in Chopin's music?
The first one is almost completely impossible, no matter how much Fu Tiao thinks he is strong, it is impossible to think that everyone present is deaf, they cannot hear the feeling in the music.
Not everyone can shout that everyone is drunk and I am sober!
Then there is only the last possibility, that is, everyone has become accustomed to this feeling.
Fu Tiao leaned his body towards the back of the chair, stretched out his hand to stroke his chin, and narrowed his eyes slightly.
He is listening.
How did you get the strange feeling in listening to Kobayashi Aishi's music?
Classical music is completely different from jazz music.
Jazz music requires more improvisation, while classical music requires depth in the music.
The darker, the better.
After listening to a work for the first time, Fu Diao can basically reproduce everything he heard perfectly, basically reaching the extreme in terms of chords, melody, and rhythm.
But this, in classical music, is not strong enough.
In classical music, everyone plays the same note, and even the rhythm speed is similar, so how to judge that you play better than others?
Obviously, work on mood, detail, and musicality.
It's like singing, why doesn't Maiba in ktv sing as well as those singers?Obviously, the ears of ordinary people seem to be similar?
The reason is there, very simple, because of the details, the mood, and the musicality.
Kobayashi Aishi's performance on the stage became more and more emotional, and everything was integrated into her music, especially the unexplainable feeling.
That kind of feeling makes the interpretation of Kobayashi Aishi's work more beautiful and perfect.
The eyes of other people around her could not help but shine because of her performance.
When her last note fell, the entire concert hall fell into silence for an instant.
Yu Tianyou sat on the side, his expression extremely surprised, obviously he did not expect Kobayashi Aishi to behave like this at all.
Played, so beautiful!I really wish she could play it again, the appearance of those timbres is simply invincible!
Not only him, but almost everyone in the concert hall thought so.
Including those judges behind.
Fu Tiao silently recorded her performance in his heart, and planned to ask Argerich tomorrow when he met.
But the next second.
"Chopin etudes: op25-11, op10-4"
Fu Tiao raised his head abruptly, looking at Kobayashi Aishi on the stage.
The three works that have been released so far, the etude and the nocturne, all crashed!
(End of this chapter)
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