The bard wanders into the entertainment circle

Chapter 297 Characters and Script Content

On May 5, more than ten days have passed since Chen Shuo participated in the interview for Zhang Yimou's new film.

Just when he thought that there was no hope for Zhang Yimou, he suddenly received a call asking him and Yu Bo to go to Zhang Yimou's studio tomorrow.

Early the next morning, Chen Shuo drove Wu Qi's van to pick up Yu Bo, and found Zhang Yimou's studio according to the address.

This is in an apartment building, there is only one room of tens of square meters, with four or five desks.

Posters of Zhang Yimou's works are hung all around.

When Chen Shuo and the others arrived, everyone was busy.

Zhang Yimou, on the other hand, was sitting at a conference table made of two ping-pong tables, discussing the script with Wang Bin and others.

Seeing the two coming, he waved and said, "Come!"

"Hello, Director Zhang! Hello, Director Chang! Hello, Director Gan!"

After entering, the two greeted Zhang Yimou, Chang Xiaoyang, and Gan Lu.

They also knew these three.

Zhang Yimou pointed to the stool beside him and said, "Sit down, I'm here today to confirm the roles with you."

He picked up the two scripts at hand and handed them to the two of them, saying: "Look at the script first, in which Chen Shuoyi's tentative role is Sui Feng, and Yu Bo's role is King Qi.

After reading it, you can also talk about your views on this script and the characters in it. "

Chen Shuo and the others took the script and watched it aside, while Zhang Yimou continued to discuss the script with Wang Bin and others.

The background of the story is still the Qi State during the Warring States Period.

In 294 BC, Tian Jia, an aristocrat of Qi State, hijacked King Min of Qi.

After the defeat, Yin Tianjia and Meng Changjun Tian Wensu came to make friends.

King Qi Min deposed Meng Changjun in a rage, and also eradicated his party members.

This not only led to the "hostility" between Meng Changjun and Qi State.

It also created an excellent opportunity for Su Qin to display "political deception".

This script is adapted from the history of "Tian Jia Jie Wang".

But by now, the specific content has been separated from this historical story.

The main characters are: blind girl Liu Ye, son Suifeng, father, eldest sister of Feidaomen, second sister of Feidaomen and other main characters.

At the beginning of the story, the blind girl entered the palace as a dancer to perform the first dance.

After the arrival of King Qi, the assassination will be carried out after the second dance.

But because of the attempted assassination, he was thrown into the cell and asked about the purpose of the assassination.

It is explained here that some folks are dissatisfied with King Qi's ambitions and have been preparing to rebel, and the most threatening one is Feidaomen.

And the blind girl is very likely to be a disciple of Feidaomen.

The role that replaced Su Qin's identity in history was named as father, without a specific name.

At his father's suggestion, King Qi planned to use the blind girl as a bait to lead out of Feidaomen, and then wiped her out in one fell swoop.

And it is Young Master Suifeng who performs this task.

Under the arrangement of his father, the son Suifeng pretends to be a knight who sees injustice and rescues the blind girl.

By the lake, the blind girl washed off the dust from her body, and Suifeng named her Liuye.

The two talked about their ideals and decided to walk the rivers and lakes together.

Along the way, the two experienced several chases and ambushes, and their relationship gradually produced many changes.

At the same time, it also revealed little by little the intricate life experience of the blind girl.

She was separated from her father since she was a child, and was picked up by her elder sister and brought up.

For the goal of Feidaomen, she accepted her father's employment and went to assassinate King Qi.

On the way, her father appeared to meet her, and the two were moved inexplicably.

The father danced the sword, and at the climax he drew his sword and committed suicide, leaving a suicide note.

Said that she was snatched away by the eldest sister, and now he has no face to face her and her mother, so he can only apologize with death and ask her mother for forgiveness.

Liu Ye was sad, and Suifeng and Suifeng disguised themselves and came to the Feidao Gate, ready to challenge the eldest sister.

In the woods, the eldest sister fought with Liu Ye, and Liu Ye was defeated. Sui Feng came to rescue them, and the two walked while fighting.

Just when the two thought they were out of danger, Liu Ye was taken away by the second sister and chased by the wind to the flower field.

The two fought with him and killed him, and Liu Ye was also seriously injured.

At this time, the father who had committed suicide suddenly appeared, saying that all this was a trap set by him to eradicate Feidaomen.

On the other hand, the second sister of Feidaomen is the most trusted person of the eldest sister on the surface, but in fact she is an undercover agent that her father placed next to the eldest sister very early on.

Liu Ye's assassination of King Qi was also planned by him, with the purpose of gaining King Qi's trust through this conspiracy.

Suifeng lost to his father in the battle, and Liu Ye was stabbed by his father in order to save Suifeng, dying in Suifeng's arms.

The eldest sister appeared to resolve the grievances and conflicts between her and her father.

The two were originally a pair of lovers who were in love with each other, but their ideals were different.

One chose the court, and the other chose the rivers and lakes. In the end, the two had irreconcilable conflicts and parted ways.

Liu Ye is the daughter of the two, but she was taken away by her father since she was a child, and abandoned to her eldest sister for her own purposes.

Although the elder sister didn't know that Liu Ye was her own daughter, the special connection made her treat her as her own.

Liu Ye's betrayal made her sad, but years of feelings made her deliberately release water and let Suifeng rescue Liu Ye.

It was only later that I felt something was wrong, so I turned around and happened to meet my father chasing and killing the two of them, and knew what happened.

After clarifying their grievances, the two drew their swords at the same time.

In a great battle, the two were dying, and their lives were not long.

In the end, Suifeng stuck his sword beside the two of them, hugged the willow leaves and disappeared into the sea of ​​flowers.

After Chen Shuo finished reading the script completely, he couldn't help feeling something awkward.

The characters in the play seem to be a little too childish.

However, he didn't think too much, but read it again and analyzed the character Suifeng.

Young Master Suifeng, as the son of King Qi, pretended to save the blind girl Liu Ye and escorted her back to Feidaomen in order to track down Feidaomen.

From the mutual use at the beginning, to the unswerving love until death, willing to give up their lives for each other.

Although the main perspective of the script has always followed Sui Feng and Liu Ye.

But the main content hidden behind it is the game between the father and the eldest sister.

Both of them are just pawns in the game between father and eldest sister.

Perhaps there is still a nurturing relationship between the elder sister and the blind girl.

But Suifeng is just an ignorant son who broke into the rivers and lakes suddenly and got involved in a grievance and conspiracy.

His purpose and identity are the most clear.

Judging from the content of the existing script, the role is very single, and the performance is not difficult.

Whether it's a fight show, a circus show or an emotional show, it's nothing to Chen Shuo.

On the contrary, the scene of the blind girl Liu Ye is too complicated, and he is a little worried about whether Liu Yifei can control the emotional changes involved.

As for Yu Bo's King Qi, apart from the initial appearance, there is no role in the latter part.

It can be said that it is only a small supporting role.

Compared with TV scripts, movie scripts have very little content.

Even if Chen Shuo watched each scene carefully, it would only take an hour to watch it twice.

He and Yu Bo, who had also finished watching, looked at each other, put down the script and looked at Zhang Yimou, who had stopped discussing and was in deep thought.

(End of this chapter)