China Entertainment Zero Two Ordinary Actor

Chapter 408 Dimensionality Reduction Strike
It may be due to some cultural development reasons. The martial arts scenes in the original Xiangjiang movies were more often adapted to the opera scenes. More than a dozen actions such as somersaults, flower spears, and sword and flower dances were combined together to present a spectacle. It was not until the emergence of Yuan Heping's father, the famous martial arts instructor Yuan Xiaotian, and the generation of martial arts film master Master Liu Jialiang that traditional martial arts were integrated into movies. Representative movies include:

"Drunken Master", "Snake Shaped Trickster", "South Dragon and North Phoenix", "Ma Yongzhen", "Shaolin 36 Rooms", etc.

Movies like this have one thing in common.

Kind of like turn-based combat that sped up the combat.

For example, if I step on you, you hide, if you hit me, I will dodge.

Each action requires waiting for the opponent's reaction for a moment before making the next move.

This kind of fighting is actually more in line with the situation in real life when traditional martial arts use force to make friends, such as "The Master" starring Liao Fan, and "Archer Liu Baiyuan" starring the generation of mantis sword master Yu Chenghui. This kind of expression technique, which can be collectively called Hong Kong-style new martial arts films, is presented to the audience.

Approximately several decades have passed.

Later, Hong Jinbao was born, who had been wandering in various slums since he was a child. He relied on his weight to fight with various people every day.

Hong Jinbao believes that fighting should be about boxing. No matter what your moves are, if you kick me, I should just pull your legs and give you a split. If you duck down, I should give you an uppercut. Fly, instead of making a very awkward action that is not suitable for fighting.

Hong Jinbao changed the status quo of "turn-based" fighting, and gave birth to modern martial arts dramas in which fighting becomes faster and faster, so fast that the camera can hardly capture it.

There are many representative figures of this type. Donnie Yen, Cheng Long, Jet Li, and Zhao Minzhuo can all be regarded as stars of this type of movie.

Chinese-language films produced Hung Kam-bo, which changed the look and feel of less-than-perfect martial arts scenes, but Hollywood films did not have such good luck.

All along, no matter what Hollywood blockbuster it is, the fight scenes are definitely the weakest part.

Even in the masterpiece "Star Wars" in the hearts of many movie fans, the fight scenes in the show look like children's play house. Compared with Hong Kong movies, it's like Chow Chow meets Jay Chou, Mini World meets me. In this world, a small witch meets a big witch, South Korea meets China, and a son meets his father.

The reason why Hollywood fight scenes are weak may be due to the innate influence of cowboy showdowns in Western movies.

A fight in a Western movie, to put it bluntly, is when two gunmen prepare for a long time, turn around and shoot American-style Iai, and instantly finish off their opponent.

This kind of duel is not only commonly used in western movies, but also later used in WWE programs. Not to mention the turn system, there is also a one-minute brewing of the ultimate move. In this way, many viewers thought it was a real fight, until WWE A "snake-like trickster" appeared on the field.
Although the showdown techniques in western movies are fast and neat, the thrill is definitely not as effective as a hearty fight in Hong Kong movies. Most of the time, Hollywood movies prefer to use absolute power to crush the opponent, and the victory or defeat is often decided in an instant. , so the plot needs to be strengthened.

In terms of plot, Chenglong-style movies are slightly lacking. When filming in a family class, they usually first think of an action that their peers can't do, and then extend the plot because of this action scene. Chenglong doesn't like the scripts of foreign language films. , instead became his better work in terms of plot, his masterpieces: Rush Hour and The Showdown between England.

The first formal collision between Chinese martial arts films and Hollywood movies can be traced back to the 1999 release of "The Matrix" with action direction by Yuan Heping, and his first entry into Hollywood, playing the villain in "Lethal Weapon 4" Li Lianjie.

When these Hollywood filmmakers saw Jet Li's nimble skills, you can imagine their expressions.
Everyone was fascinated and couldn't control it. When the movie was released, a bunch of directors were vying to find Jet Li to film.

With his yellow face, it was extremely rare for him to be able to carve out a world of his own in Hollywood at that time.The biggest change after Fang Yu joined Marvel movies may be his performance in action scenes.

When Chris Hemsworth, who played Thor, was still swinging a hammer in a very primitive way, Fang Yu did a somersault, drew a bow in the air, fell to the ground and shot an arrow, then stood up and pulled out a dagger, killing three conveniences with six consecutive chops. After adding special effects to the extra actors in green clothes, the expressions of all the staff were wonderful!
When have they ever seen an actor acting like this?After this scene was filmed, it was hard to tell who the protagonist was. The movie could have just been renamed Hawkeye, why not Thor?

Four characters.

Dimensionality reduction strike.

Fang Yu's martial arts performance makes the character of Hawkeye more "real".

Also, if you don't have such good skills, why would you be able to gain a foothold in a team of heroes full of "supermen".

"Oh cool! Yu Tsai! I still need you, these guys don't understand martial arts at all!" Yuan Bin Fang Yushu, who met Yuan Bin in "Dragon Movie" and later worked with the crew of "Big Brother" Thumbs up in praise.

Yuan Bin was specially called by Fang Yu from Xiangjiang to be responsible for the guidance of the action scene design of "Thor". After the filming of the past few days, Yuan Bin's experience was very bad. These old beauties could not do this or that. Yes, it is still interesting to design martial arts dramas for compatriots like Fang Yu.

Yuan Bin is an old colleague who has seen Fang Yu's good skills. The other foreigners who have never seen Fang Yu's action scenes all have their mouths open and don't know how to express their current feelings.

However, my cultural level is low and I can only express my mood at this moment with "omg". Anyone who has learned Chinese can also shout "I am Cao! Niubi!" which is more suitable for my inner thoughts at this time.

Chris Hemsworth, who plays Thor, touched the hammer on his waist and smiled bitterly.
He once had a part-time working experience as a construction worker in Australia, and he was quite good at using hammers, but in the end he just used a sledgehammer to smash things.

How can this compare to the gorgeous and eye-catching bow and arrow in Fang Yu’s hand?
Thinking that his leading role could not be snatched away by producer Stephen Fang, Brother Zhui immediately stepped forward and said, "Yuan, can you also design some such actions for me? I mean such gorgeous ones, like It’s the same thing as Stephen.”

Motobin wanted to roll his eyes at Brother Zhui.

It's not that he can't design, the question is whether you can do it after designing it. You know, Fang Yu has acrobatics foundation. If these foreigners can do the same movements, it will be considered a success if they don't flash their waist.

"There's no need for that role of yours."

Fang Yu replied with a smile, "The God of Thunder is extremely powerful. When he has divine power, he can kill the enemy with just one blow. When he loses his divine power, the weaker he is, the more dramatic the contrast becomes. Even an ordinary agent cannot defeat him." Make his mentality change."

"Okay, you're right. But can I add a somersault? Like you just did?"

Fang Yu spread his hands, "If you can do it, do whatever you want~"

(End of this chapter)