Actor: My Entertainment Era
Chapter 74
Chapter 74
Wang Luoyong's "Broadway Chinese No. 1" is actually quite watery.
There are indeed not many Chinese Americans on Broadway, but in terms of achievements, the playwright David Henry Hwang, whose "M. Butterfly" is a world-renowned classic play.
If the scope of selection is narrowed down and only actors are selected, Huang Rongliang won the Broadway Grand Slam, and Zun Long's acting achievements are also greater than Wang Luoyong.
It is said that he resolutely returned to China after becoming famous in 01, but the actual reason is that in 01 Broadway had no place for Chinese Americans.
At that time, only "The King and I" and "Miss Saigon" could be used on Broadway. The former stopped in 96, and the latter, sorry, happened to stop in 01.
Chinese people will be used in the future. "Pacific Overture" was restarted in 04, and "Q Avenue" came out in 03.
But it cannot be said that Wang Luoyong is a parallel importer. He is really capable, otherwise he would not be able to perform 6 performances of "Miss Saigon" on Broadway in 2478 years.
Title marketing, I understand.
Zhang Yuanjun had a good impression of this senior before, and his drama was really good, thinking that as a junior, he had to humbly ask the senior for advice.
But after filming together for a period of time, Zhang Yuanjun changed his opinion: not all seniors are kind-hearted, and not all seniors are willing to teach juniors.
When Wang Luoyong was on the set and chatting among his colleagues, he was really easy to get along with, talking and laughing without any airs.
But when it comes to business, most of the crew of "Sculpture of the Gods" are newcomers, and mistakes are inevitable, Wang Luoyong will have no good face.
If there are too many NGs, he will obviously show his dissatisfaction on his face, thinking that you are wasting his time.
He is also willing to teach young actors, but he is not patient enough.
Liu Yifei couldn't read the lines several times, and if she took the initiative to ask him for advice, he would say impatiently: "Oh, why can't it be so simple? How did your film school teach it?"
After reading it by myself, let Liu Yifei go to the side to practice by herself, leaving her alone.
Zhang Yuanjun followed and whispered to Liu Yifei, "I told you not to recruit him."
Zhang Yuanjun had also been rejected by Wang Luoyong before.
Maybe it's because he's used to being a teacher, or maybe he has a Broadway aura. He sees young students always bossing around from top to bottom, which makes Zhang Yuanjun very uncomfortable. After asking for advice twice, Zhang Yuanjun doesn't communicate with him too much.
"I just want to ask him, why is he so mean to me." Although Liu Yifei didn't take it to heart, she couldn't help being a little emotional when someone said that.
Zhang Yuanjun looked around, the staff were busy, and there was no one around them, so he said softly: "Although he is a senior, why should he teach you? If you think about it this way, anyone's skills are learned through blood and sweat. When we touch our red lips and white teeth, we want others to teach us. Is there such a good thing?"
Liu Yifei's current thinking is still a typical "student thinking", and she feels that if she is not ashamed to ask, others will tirelessly teach others.
But what Zhang Yuanjun said, and I don’t owe you anything, why should he teach you the skills?
But on the set, it is indeed a good learning opportunity.
Zhang Yuanjun taught her a method: "If he doesn't want to teach, you won't steal it?"
"Steal?" Liu Yifei asked suspiciously.
"Look at how other people act, you just think about it, you have to be cheeky and put your face on someone's cold ass?" Zhang Yuanjun stole many of his skills in this way.
In terms of acting skills, in fact, whether it is the three major colleges, or domestic and foreign, the training methods are not bad, but they are divided into different factions, except for British drama education.
Zhang Yuanjun and Liu Yifei are serious apprentices of Steiner's experience school, but the school also teaches method school and expression school.
When it comes to acting skills, the first is to be proficient in method, and the second is to have a deep comprehension. If you get one of the two, you will have good results.
method, the academy taught.
Comprehension, one look at the talent of the actor himself, good talent, one point is enough; second look at the encounters of the actor the day after tomorrow, with more experience and rich experience, he can comprehend life, comprehend drama, comprehend expression, and acting skills will naturally improve.
Gentlemen are not different, they are good at things.
How to fake things?
Zhang Yuanjun's point of view is: a good scholar is also good at stealing.
You have to watch what others do, "steal" other people's good things and turn them into your own.
If he doesn't teach, I can't watch it?
"That's why I say you still don't watch too much." Zhang Yuanjun criticized Liu Yifei.
"It's really disgusting for you to talk like that." It's obviously a classmate, obviously only 2 years older than me, but he looks like a good teacher, really annoying.
Zhang Yuanjun was speechless, and said with a smile: "You don't know what's good, tell you the truth, and you're putting on face for me like this."
"Okay, okay," Liu Yifei coaxed, "I won't show my face, Mr. Zhang, please continue."
"What did I say? Let me tell you. I've finished talking. It's all there. If I don't tell you, don't you understand?"
"Okay, okay, from today onwards, I will play movies and learn from other people's good performances. I will definitely live up to Teacher Zhang's earnest teaching."
"If you know how to write the four words 'Zhengzhu', I will count you as this." Zhang Yuanjun gave a thumbs up.
"You are so annoying, go away." Liu Yifei pushed Zhang Yuanjun away.
Except for Liu Yifei who fell into the water and was almost washed away, other wading scenes in "Sculpture of God" are not considered dangerous, and most of them are only shot in the shallows.
But the weather is cold, the water is cold, and there are too many water scenes, people are particularly prone to accidents.
Xiaolongnv and Guo Fu, two weak girls, fainted twice from the cold water. Sometimes the medical staff on the scene couldn't move their hands, and the car couldn't get in. Zhang Yuanjun carried them down the mountain for medical treatment.
These small visible accidents are relatively easy to deal with, but the difficulty lies in some invisible accidents.
For example, girls have problems with their menstrual period. At this time, it is too unkind to ask people to go into the freezing water.
But this kind of problem is not easy to communicate between the crew and the actors. Anyway, as far as Zhang Yuanjun knows, no actress has raised this issue with the crew. Every time they go into the water, the actors and actresses do not hesitate.
In addition to the menstrual period problem, there is also the invisible otitis media problem.
Unfortunately, when Zhang Yuanjun was in Jiuzhaigou, his right ear became inflamed because of soaking in too much water.
Zhang Yuanjun's symptoms are relatively mild and do not affect his daily life and work, but he always feels that there is something in his ear, which is just uncomfortable.
Fortunately, my assistant has experience in this area. I bought him two bags of normal saline to wash his ears at the pharmacy at the foot of the mountain, and then applied ointment for dermatitis and ringworm.
Xiao Zhao told him that otitis media is easy to relapse, and he often goes into the water for filming, so normal saline and dermatitis ointment should always be prepared.
This is why Zhang Yuanjun will treat Liu Yifei's otitis media now.
write something like this
(End of this chapter)
Wang Luoyong's "Broadway Chinese No. 1" is actually quite watery.
There are indeed not many Chinese Americans on Broadway, but in terms of achievements, the playwright David Henry Hwang, whose "M. Butterfly" is a world-renowned classic play.
If the scope of selection is narrowed down and only actors are selected, Huang Rongliang won the Broadway Grand Slam, and Zun Long's acting achievements are also greater than Wang Luoyong.
It is said that he resolutely returned to China after becoming famous in 01, but the actual reason is that in 01 Broadway had no place for Chinese Americans.
At that time, only "The King and I" and "Miss Saigon" could be used on Broadway. The former stopped in 96, and the latter, sorry, happened to stop in 01.
Chinese people will be used in the future. "Pacific Overture" was restarted in 04, and "Q Avenue" came out in 03.
But it cannot be said that Wang Luoyong is a parallel importer. He is really capable, otherwise he would not be able to perform 6 performances of "Miss Saigon" on Broadway in 2478 years.
Title marketing, I understand.
Zhang Yuanjun had a good impression of this senior before, and his drama was really good, thinking that as a junior, he had to humbly ask the senior for advice.
But after filming together for a period of time, Zhang Yuanjun changed his opinion: not all seniors are kind-hearted, and not all seniors are willing to teach juniors.
When Wang Luoyong was on the set and chatting among his colleagues, he was really easy to get along with, talking and laughing without any airs.
But when it comes to business, most of the crew of "Sculpture of the Gods" are newcomers, and mistakes are inevitable, Wang Luoyong will have no good face.
If there are too many NGs, he will obviously show his dissatisfaction on his face, thinking that you are wasting his time.
He is also willing to teach young actors, but he is not patient enough.
Liu Yifei couldn't read the lines several times, and if she took the initiative to ask him for advice, he would say impatiently: "Oh, why can't it be so simple? How did your film school teach it?"
After reading it by myself, let Liu Yifei go to the side to practice by herself, leaving her alone.
Zhang Yuanjun followed and whispered to Liu Yifei, "I told you not to recruit him."
Zhang Yuanjun had also been rejected by Wang Luoyong before.
Maybe it's because he's used to being a teacher, or maybe he has a Broadway aura. He sees young students always bossing around from top to bottom, which makes Zhang Yuanjun very uncomfortable. After asking for advice twice, Zhang Yuanjun doesn't communicate with him too much.
"I just want to ask him, why is he so mean to me." Although Liu Yifei didn't take it to heart, she couldn't help being a little emotional when someone said that.
Zhang Yuanjun looked around, the staff were busy, and there was no one around them, so he said softly: "Although he is a senior, why should he teach you? If you think about it this way, anyone's skills are learned through blood and sweat. When we touch our red lips and white teeth, we want others to teach us. Is there such a good thing?"
Liu Yifei's current thinking is still a typical "student thinking", and she feels that if she is not ashamed to ask, others will tirelessly teach others.
But what Zhang Yuanjun said, and I don’t owe you anything, why should he teach you the skills?
But on the set, it is indeed a good learning opportunity.
Zhang Yuanjun taught her a method: "If he doesn't want to teach, you won't steal it?"
"Steal?" Liu Yifei asked suspiciously.
"Look at how other people act, you just think about it, you have to be cheeky and put your face on someone's cold ass?" Zhang Yuanjun stole many of his skills in this way.
In terms of acting skills, in fact, whether it is the three major colleges, or domestic and foreign, the training methods are not bad, but they are divided into different factions, except for British drama education.
Zhang Yuanjun and Liu Yifei are serious apprentices of Steiner's experience school, but the school also teaches method school and expression school.
When it comes to acting skills, the first is to be proficient in method, and the second is to have a deep comprehension. If you get one of the two, you will have good results.
method, the academy taught.
Comprehension, one look at the talent of the actor himself, good talent, one point is enough; second look at the encounters of the actor the day after tomorrow, with more experience and rich experience, he can comprehend life, comprehend drama, comprehend expression, and acting skills will naturally improve.
Gentlemen are not different, they are good at things.
How to fake things?
Zhang Yuanjun's point of view is: a good scholar is also good at stealing.
You have to watch what others do, "steal" other people's good things and turn them into your own.
If he doesn't teach, I can't watch it?
"That's why I say you still don't watch too much." Zhang Yuanjun criticized Liu Yifei.
"It's really disgusting for you to talk like that." It's obviously a classmate, obviously only 2 years older than me, but he looks like a good teacher, really annoying.
Zhang Yuanjun was speechless, and said with a smile: "You don't know what's good, tell you the truth, and you're putting on face for me like this."
"Okay, okay," Liu Yifei coaxed, "I won't show my face, Mr. Zhang, please continue."
"What did I say? Let me tell you. I've finished talking. It's all there. If I don't tell you, don't you understand?"
"Okay, okay, from today onwards, I will play movies and learn from other people's good performances. I will definitely live up to Teacher Zhang's earnest teaching."
"If you know how to write the four words 'Zhengzhu', I will count you as this." Zhang Yuanjun gave a thumbs up.
"You are so annoying, go away." Liu Yifei pushed Zhang Yuanjun away.
Except for Liu Yifei who fell into the water and was almost washed away, other wading scenes in "Sculpture of God" are not considered dangerous, and most of them are only shot in the shallows.
But the weather is cold, the water is cold, and there are too many water scenes, people are particularly prone to accidents.
Xiaolongnv and Guo Fu, two weak girls, fainted twice from the cold water. Sometimes the medical staff on the scene couldn't move their hands, and the car couldn't get in. Zhang Yuanjun carried them down the mountain for medical treatment.
These small visible accidents are relatively easy to deal with, but the difficulty lies in some invisible accidents.
For example, girls have problems with their menstrual period. At this time, it is too unkind to ask people to go into the freezing water.
But this kind of problem is not easy to communicate between the crew and the actors. Anyway, as far as Zhang Yuanjun knows, no actress has raised this issue with the crew. Every time they go into the water, the actors and actresses do not hesitate.
In addition to the menstrual period problem, there is also the invisible otitis media problem.
Unfortunately, when Zhang Yuanjun was in Jiuzhaigou, his right ear became inflamed because of soaking in too much water.
Zhang Yuanjun's symptoms are relatively mild and do not affect his daily life and work, but he always feels that there is something in his ear, which is just uncomfortable.
Fortunately, my assistant has experience in this area. I bought him two bags of normal saline to wash his ears at the pharmacy at the foot of the mountain, and then applied ointment for dermatitis and ringworm.
Xiao Zhao told him that otitis media is easy to relapse, and he often goes into the water for filming, so normal saline and dermatitis ointment should always be prepared.
This is why Zhang Yuanjun will treat Liu Yifei's otitis media now.
write something like this
(End of this chapter)
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