Reborn Game Pioneer
Chapter 333
Chapter 333
As for the picture quality, Ni Shui Han is still a little better. After all, it is the first game to use RTX ray tracing technology. The delicate sense of light and shadow makes the water surface, shadows and other details in the game more realistic. But this is not important. Anyway, with With the technology currently mastered by Chuxin, it can only be said that it is a piece of cake to beat these two games in terms of image quality.
Gu Feng still plans to use Tian Dao in the main world structure, mainly for two reasons.
One is the plot. After all, Tiandao is the work of Master Gu Long. The atmosphere of pleasure and hatred in the plot is very strong. In this regard, Tiandao’s entire world background, map, and plot are obviously better than the other two. This game is very atmospheric.
Another one is the feeling of impact. No matter how many years have passed, Gu Feng still clearly remembers the feeling of impact when he first played Beggars Gang.
Whether a game has a good impact is actually largely related to the action design. If the action itself does not seem to have a sense of impact, trying to make up for it with special effects will only be more fancy.
Ni Shuihan's skills are good-looking, and he is indeed handsome, but the poor impact makes the fighting scenes look like he is performing acrobatics. The whole set of moves looks similar to Soraka's level A. Soft and powerless.
In order to maximize the sense of impact as much as possible, Gu Feng still plans to use motion capture technology as much as possible in the game. Only a few skills such as Taibai's Huifeng Luoyan and Tianxiang's skills that require throwing an umbrella use some special technology. deal with.
In addition, there is another thing in Heavenly Sword that Gu Feng likes very much, and that is poetry.
Martial arts, martial arts, rivers and lakes, no poetry to supplement the pretentiousness, more or less tasteless.
A large number of poems are used in Tiandao, including continuations of ancient poems and original new ink poems. It can only be said that Tiandao has really grasped the understanding of the word "jianghu".
And most of the poems in Heavenly Sword are quite good, each word is placed in a specific place, highlighting a relevant point.
For example, in the introduction poem of the sect, Taibai's "The shooting star's white feather light comes out of the box, and the sword leaves no trace and the snow covers the mountain". In just two sentences, Taibai's swordsmanship is elegant and fast; "Guan Niu Dou", the heroic and free image appears on the paper; Tianxiang's "Competing to boast that there is no peer in the world, the independent fragrance is the best in the world", the fragrance of flowers is also fragrance to people, there is no peer in the world, the best in the world, only these fourteen words, the end of the road The people of the world yearn for the beautiful Tianxiang beauty.
For example, in the map chapter, in Hangzhou, "Thousands of winds cannot understand the state of the willows, and the bright moon can see the beauty of the long embankment. The meandering flower harbor locks the embroidered door, and the egrets are so startled that the smoke waves break." The picture of the beautiful West Lake willow embankment is immediately visible to the eyes. ; Jiuhua's "Water Pavilion is proud of hiding in the front mountain, and the peacock has left its soul and the swallow has returned. It dares to compete with the Yuntai for beauty, and the wonderful rain and lotus blossoms are in full bloom." , reflected in the stream, layers upon layers of beauty, just like the greenery of Jiuhua, this is Jiuhua; Yanyun's "long river sunset returns to the vast sea, the frost in the desert is cold in autumn. The mottled green blood washes the withered vines, and the yellow sand buries Wu "Hook", the northern land is surrounded by Yanyun, thousands of miles of yellow sand, and is boundless as far as the eye can see. Although it is the hometown of bitter cold in the extreme north, it has been a battleground for military strategists since ancient times. The majestic desert scenery and the cruelty of life and death on the battlefield are all reflected in the couplet of poems.
Even for the equipment, they thoughtfully wrote poems.For example, Taibai's sword roars in the cold river, "The long river is as cold as iron, and the new wind is as cold as needles. One sword and one white horse, and the flying giant steps on the snow mark"; Shenwei's iron-blooded desert, "The desert burns the stars, and the Gobi kills the yellow sheep. The pear blossom reflects the autumn water, and the solitary shadow sends away Long spear"; Zhenwu's light clouds do not rain, "the light clouds turn into rain, and the sword energy disturbs the clear sky. Xuan Min shoots the faint, drives the shadow to help the long wind".
Even if we don't talk about anything else, if we just throw out these poems, Huan Yu's so-called "Jiang Hu" will be reduced to rubbish.
The real Jianghu may be a scene of great thieves and heroes wreaking havoc on the world, and the common people are living in dire straits. However, in the impression that most people have accumulated over the years, the words most often associated with Jianghu are "chivalry", "love", "righteousness" and "hatred". "Four words.
From the writings of Jin Yong and Gu Long, people can see two kinds of rivers and lakes. Jin Yong's rivers and lakes in the world are "great chivalrous people who serve the country and the people", while Gu Long's rivers and lakes in the world are "drinking the strongest wine and falling in love". "The most beautiful person"; Jin Yong's Jianghu is more about national justice, he is moving a small stool to listen to his grandfather telling stories, Gu Long's Jianghu is more about the feelings of a prodigal, he is drinking wine and listening to his friends bragging...
There is no one right or wrong in the two kinds of rivers and lakes. One is focused on the nation and the other is focused on the individual family. One is admirable and the other is enviable.
As far as the Tianya Mingyue Sword is concerned, these two feelings of the world can actually be taken into account. The main plot and the dungeon can reflect more of the national righteousness, happiness and grudges, while holiday activities and some interesting side plots, experiences and so on, You can show more folk customs and try to make it more interesting.
In this regard, it is natural to learn more from the practice of learning from Nishuihan.
In the VR world, the expressiveness of the sense of impact and atmosphere must be more than one level higher than that of computers and mobile phones. Problems such as insufficient impact, poor atmosphere, plot or other aspects can easily cause players to mess up. If it appears, the impact on the game experience will definitely be scolded by players.
Then there is the problem of the game environment. This is a problem that must be dealt with seriously. Otherwise, once the player is playing often, they will be rushed over and killed for no reason. No one can stand it.
In addition, there are some designs that are definitely not used, such as the automatic pathfinding of Tiandao. Although this function is convenient to use, it will always give people a strong taste of web games and mobile games. Pathfinding is obviously quite entertaining; there is also the problem of dungeon sweeping, one-click sweeping sounds stupid, but if you don’t sweep and play the same scene repeatedly dozens of times, it seems stupid, so don’t do it In the case of dungeons, it is impossible to completely put equipment and materials in the wild, otherwise there will definitely be malicious occupation of the wild.
Gu Feng doesn't have a particularly good way to solve the problem of dungeons for the time being. Sweeping will definitely not work. If the drops of sweeps are fixed, then this matter will become a formality like daily sign-in. If the drops are random, then this matter will be a formality. Things will become like randomly drawing cards and trying your luck again.
Without a sweep, Gu Feng could only try his best to make some small optimizations to the dungeon design. For example, the dungeon map should be generated in the form of a half-meat pigeon or a full-meat pigeon, and some random events that would appear with a low probability would be added to the dungeon. Some more precious things can be dropped during random events, thereby increasing players' sense of anticipation every time they enter the dungeon.
In short, Gu Feng's purpose is definitely to create a real world for the players to satisfy their fantasies as much as possible. They can ride horses, hike mountains and rivers, drink fine wine, appreciate beauties, kill bullies, kill enemy bandits, farm fields, play with chickens and dogs... …
(End of this chapter)
As for the picture quality, Ni Shui Han is still a little better. After all, it is the first game to use RTX ray tracing technology. The delicate sense of light and shadow makes the water surface, shadows and other details in the game more realistic. But this is not important. Anyway, with With the technology currently mastered by Chuxin, it can only be said that it is a piece of cake to beat these two games in terms of image quality.
Gu Feng still plans to use Tian Dao in the main world structure, mainly for two reasons.
One is the plot. After all, Tiandao is the work of Master Gu Long. The atmosphere of pleasure and hatred in the plot is very strong. In this regard, Tiandao’s entire world background, map, and plot are obviously better than the other two. This game is very atmospheric.
Another one is the feeling of impact. No matter how many years have passed, Gu Feng still clearly remembers the feeling of impact when he first played Beggars Gang.
Whether a game has a good impact is actually largely related to the action design. If the action itself does not seem to have a sense of impact, trying to make up for it with special effects will only be more fancy.
Ni Shuihan's skills are good-looking, and he is indeed handsome, but the poor impact makes the fighting scenes look like he is performing acrobatics. The whole set of moves looks similar to Soraka's level A. Soft and powerless.
In order to maximize the sense of impact as much as possible, Gu Feng still plans to use motion capture technology as much as possible in the game. Only a few skills such as Taibai's Huifeng Luoyan and Tianxiang's skills that require throwing an umbrella use some special technology. deal with.
In addition, there is another thing in Heavenly Sword that Gu Feng likes very much, and that is poetry.
Martial arts, martial arts, rivers and lakes, no poetry to supplement the pretentiousness, more or less tasteless.
A large number of poems are used in Tiandao, including continuations of ancient poems and original new ink poems. It can only be said that Tiandao has really grasped the understanding of the word "jianghu".
And most of the poems in Heavenly Sword are quite good, each word is placed in a specific place, highlighting a relevant point.
For example, in the introduction poem of the sect, Taibai's "The shooting star's white feather light comes out of the box, and the sword leaves no trace and the snow covers the mountain". In just two sentences, Taibai's swordsmanship is elegant and fast; "Guan Niu Dou", the heroic and free image appears on the paper; Tianxiang's "Competing to boast that there is no peer in the world, the independent fragrance is the best in the world", the fragrance of flowers is also fragrance to people, there is no peer in the world, the best in the world, only these fourteen words, the end of the road The people of the world yearn for the beautiful Tianxiang beauty.
For example, in the map chapter, in Hangzhou, "Thousands of winds cannot understand the state of the willows, and the bright moon can see the beauty of the long embankment. The meandering flower harbor locks the embroidered door, and the egrets are so startled that the smoke waves break." The picture of the beautiful West Lake willow embankment is immediately visible to the eyes. ; Jiuhua's "Water Pavilion is proud of hiding in the front mountain, and the peacock has left its soul and the swallow has returned. It dares to compete with the Yuntai for beauty, and the wonderful rain and lotus blossoms are in full bloom." , reflected in the stream, layers upon layers of beauty, just like the greenery of Jiuhua, this is Jiuhua; Yanyun's "long river sunset returns to the vast sea, the frost in the desert is cold in autumn. The mottled green blood washes the withered vines, and the yellow sand buries Wu "Hook", the northern land is surrounded by Yanyun, thousands of miles of yellow sand, and is boundless as far as the eye can see. Although it is the hometown of bitter cold in the extreme north, it has been a battleground for military strategists since ancient times. The majestic desert scenery and the cruelty of life and death on the battlefield are all reflected in the couplet of poems.
Even for the equipment, they thoughtfully wrote poems.For example, Taibai's sword roars in the cold river, "The long river is as cold as iron, and the new wind is as cold as needles. One sword and one white horse, and the flying giant steps on the snow mark"; Shenwei's iron-blooded desert, "The desert burns the stars, and the Gobi kills the yellow sheep. The pear blossom reflects the autumn water, and the solitary shadow sends away Long spear"; Zhenwu's light clouds do not rain, "the light clouds turn into rain, and the sword energy disturbs the clear sky. Xuan Min shoots the faint, drives the shadow to help the long wind".
Even if we don't talk about anything else, if we just throw out these poems, Huan Yu's so-called "Jiang Hu" will be reduced to rubbish.
The real Jianghu may be a scene of great thieves and heroes wreaking havoc on the world, and the common people are living in dire straits. However, in the impression that most people have accumulated over the years, the words most often associated with Jianghu are "chivalry", "love", "righteousness" and "hatred". "Four words.
From the writings of Jin Yong and Gu Long, people can see two kinds of rivers and lakes. Jin Yong's rivers and lakes in the world are "great chivalrous people who serve the country and the people", while Gu Long's rivers and lakes in the world are "drinking the strongest wine and falling in love". "The most beautiful person"; Jin Yong's Jianghu is more about national justice, he is moving a small stool to listen to his grandfather telling stories, Gu Long's Jianghu is more about the feelings of a prodigal, he is drinking wine and listening to his friends bragging...
There is no one right or wrong in the two kinds of rivers and lakes. One is focused on the nation and the other is focused on the individual family. One is admirable and the other is enviable.
As far as the Tianya Mingyue Sword is concerned, these two feelings of the world can actually be taken into account. The main plot and the dungeon can reflect more of the national righteousness, happiness and grudges, while holiday activities and some interesting side plots, experiences and so on, You can show more folk customs and try to make it more interesting.
In this regard, it is natural to learn more from the practice of learning from Nishuihan.
In the VR world, the expressiveness of the sense of impact and atmosphere must be more than one level higher than that of computers and mobile phones. Problems such as insufficient impact, poor atmosphere, plot or other aspects can easily cause players to mess up. If it appears, the impact on the game experience will definitely be scolded by players.
Then there is the problem of the game environment. This is a problem that must be dealt with seriously. Otherwise, once the player is playing often, they will be rushed over and killed for no reason. No one can stand it.
In addition, there are some designs that are definitely not used, such as the automatic pathfinding of Tiandao. Although this function is convenient to use, it will always give people a strong taste of web games and mobile games. Pathfinding is obviously quite entertaining; there is also the problem of dungeon sweeping, one-click sweeping sounds stupid, but if you don’t sweep and play the same scene repeatedly dozens of times, it seems stupid, so don’t do it In the case of dungeons, it is impossible to completely put equipment and materials in the wild, otherwise there will definitely be malicious occupation of the wild.
Gu Feng doesn't have a particularly good way to solve the problem of dungeons for the time being. Sweeping will definitely not work. If the drops of sweeps are fixed, then this matter will become a formality like daily sign-in. If the drops are random, then this matter will be a formality. Things will become like randomly drawing cards and trying your luck again.
Without a sweep, Gu Feng could only try his best to make some small optimizations to the dungeon design. For example, the dungeon map should be generated in the form of a half-meat pigeon or a full-meat pigeon, and some random events that would appear with a low probability would be added to the dungeon. Some more precious things can be dropped during random events, thereby increasing players' sense of anticipation every time they enter the dungeon.
In short, Gu Feng's purpose is definitely to create a real world for the players to satisfy their fantasies as much as possible. They can ride horses, hike mountains and rivers, drink fine wine, appreciate beauties, kill bullies, kill enemy bandits, farm fields, play with chickens and dogs... …
(End of this chapter)
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