Reborn as a great painter, with a system, you can be willful

Chapter 221, Task Selection, Panoramic Landscape Painting, Application

Professor Qin picked up the cup, smelled the tea, and said, "I don't have much experience to share with you on this matter, I can only say that you should do your best.

You have also participated in several activities with the association and know how fierce the competition is. It would be best if you can be selected, but if you can't, just think of it as learning.

However, you should be very satisfied to have this opportunity at such a young age. Experience can only be gained through trial and error. Many people may learn painting for a lifetime and may not have such an opportunity to train themselves.

Take this opportunity to make more friends, it will be good for you."

"I understand." Jiang Zhe replied.

Professor Qin took a sip of tea and asked: "When will we concentrate on creating?"

Jiang Zhe said: "Three days later, we will report the topic and the required materials, and then we will know where to concentrate on the creation. The time is probably from the end of January to February."

Professor Qin said, "Okay. I will report your situation to the school. As long as it does not delay your final exams, I will try to make it easier for you. This will also bring honor to the school. This time, you and Teacher Xiao Hu won the award, and the school will definitely commend you."

"Thank you, teacher."

That night, Jiang Zhe returned to his studio and immediately turned on the system.

Ever since receiving the award, he wanted to see if the mission had been accomplished, but he never had the chance at school.

Find the branch task and see on the task page that your work - Passenger Terminal has been selected and decorated in the Marina Hall, and the conditions for completing the task have been met.

You have two choices, one, submit the task now and get the reward.

Second, wait for the results of the concentrated creation and the selection result of another work. This choice may receive a higher level of reward.

Jiang Zhe considered that option 2 would require waiting, but there would be no loss and he might even gain more, so he immediately chose to continue waiting.

He shut down his system and began to prepare for concentrated creation.

This matter is related to the system task and is also an important appearance of mine, so it must be taken seriously.

He considered various aspects of what type of work he wanted to create, and began to collect materials on different and similar themes. In the end, he decided that he might need to use panoramic landscapes and landscapes with grand scenes, so he began to look up classics of this type of work.

Panoramic landscape painting matured in the 2.5th century as aesthetics continued to change. For example, Giovanni Battista Luscheri and others began to use paper with an aspect ratio of more than 1: (similar to the ratio of widescreen movies).

Paintings of this proportion are suitable for expressing a wide perspective.

Jiang Zhe found several wonderful panoramic paintings by Luscheri, among which Luscheri's "View of the Bay of Naples" depicts the view from Pizzofalcone to Cape Posillipo looking southwest.

He also found a work by Constable, Wivenhoe Park, Essex, and a work by William Turner, Petworth Park: Tillington Church in the Distance. Both of these works are classics of vast scenes and also show wide-angle effects.

In addition, Theodore Rousseau's more rigorous realistic painting style in his work "Panorama of Ile-de-France" also inspired Jiang Zhe, and such works can also be painted in a subtle and vivid way.

Of course, this kind of work cannot be borrowed rigidly.

In Jiang Zhe's opinion, this panoramic painting provides a way of thinking, but the horizon that often appears in the picture may not be used in his own paintings. Because of the proportion and composition, the natural arcs in these paintings enhance the effect of the ultra-wide-angle lens, but give people the impression that the ultra-wide angle causes distortion of the real scene.

He once again viewed and referred to the works of the Hudson River School and some oil paintings depicting urban landscapes, and slowly formed some ideas.

With panoramic and grand spatial composition, try to use delicate brushstrokes, and bright colors to create a new urban landscape, which not only meets the requirements of the theme, but also does not weaken its artistry, while lowering the threshold for appreciation.

Jiang Zhe picked up the paintbrush and began to write and draw in the sketchbook...

The next day during class, Jiang Zhe passed by the school's bulletin board and saw a congratulatory message posted inside, praising the teachers and students who were selected in the Art Association's New Year's Painting Exhibition.

Many students majoring in oil painting congratulated Jiang Zhe when they met him.

When Chen Yan saw the good news, she took Jiang Zhe out for dinner that night to celebrate.

On the way back to school, she asked Jiang Zhe about his holiday plans.

Jiang Zhe told Chen Yan that he had to participate in intensive creation and might not have time to go out and play.

Chen Yan pouted: "I still want to go out with you."

Jiang Zhe patted his back and said, "I'll try to find time to play with you."

Although Chen Yan felt regretful, she also knew what was more important to Jiang Zhe, so she would not cause him any trouble over this matter.

At the end of the semester, most courses have already started reviewing, and there is only one course that does not require an exam, which is the literature course.

The course this semester is about modern literature. The teacher is a middle-aged woman with a very good temperament.

In class, the teacher put down the book.

“Dear students, this course does not use regular exams. The final grade is determined by the essay.

We have learned a lot of excellent articles this semester. Since we have to write, we should write seriously. Besides, I think writing one article is boring and not satisfying at all. How about we write two articles? "

The teacher looked at the students in the lecture hall with a smile on her face. She asked in a relaxed tone, her expression showing her love for literature.

The students began to discuss quietly. Most, or the vast majority, thought that they could pass the exam by writing one article, but unexpectedly, the teacher suddenly got interested and asked them to write two articles! ! Jiang Zhe clearly heard a student complaining in the back: "You love literature, why don't you write it yourself? Why do you have to make us write it..."

"Everyone who has attended her lectures knows that she admires the author of A Farewell to Cambridge. She becomes very excited when she talks about him..."

"If everyone agrees, then let's write two essays!" The teacher was happy that the students loved literature as much as he did. "One essay of reflections, and another essay of argumentation..."

Jiang Zhe reluctantly wrote down the request and clearly heard someone next to him smile bitterly.

Many students have to review before the exam and now have to write two more essays. However, they cannot submit the assignments assigned by the teacher late.

The literature class ended and other courses also came to an end, and the students began to review intensively.

On the third day of the Artists Association meeting, Jiang Zhe came to the Artists Association’s workplace.

Several staff members already knew him.

"Jiang Zhe is here to report the topic?"

"Yes, which office should I go to?" Jiang Zhe asked.

"Go to Director Gao's office. He's in charge."

"Thank you!" Jiang Zhe thought to himself, this person is in charge of so many things.

He followed the instructions, found the office, knocked on the door, and saw several people chatting inside.

Director Gao and a staff member, Zhang Shixin and Jin Yuming, and Lao Ma who is good at Chinese painting.

"Oh, Jiang Zhe is here." "Welcome." Several people greeted Jiang Zhe with a smile.

Jiang Zhe responded politely.

"Director Gao, I'm here to report the topic."

"Okay." Director Gao took out two forms. "Fill in your personal information, and in the second half, fill in an overview of your creation. Just give a brief description."

Jiang Zhe took the form and saw that the upper part of the first form was the personal information column, and the lower part was the title of the topic and the drawing materials that needed to be provided.

Most of the second sheet is blank, and the last two rows are audit columns for departments at all levels.

After understanding the requirements, Jiang Zhe started filling out the form.

He had already thought of the creative direction, so he filled it out very quickly.

In his concise statement, he intended to combine the form of urban landscape to express Binhai's profound historical and cultural heritage and the rapid urban development. The name of the work is Binhai Golden Autumn or Chaoyang.

He reviewed it himself and felt there was no problem, so he handed the form to Director Gao.

Director Gao took the form and said, "Okay, let me take a look. Oh, good handwriting! This small regular script is beautiful!"

Jiang Zhe found that Director Gao read very quickly, probably just checking to see if the sentences were fluent.

Director Gao paused and said to Jiang Zhe, "I have a small question. Are the materials you applied for enough? You see, there is only one set of the canvas you requested. What if the painting is damaged? So, you need at least two sets. In addition, do these pens need to be customized? What materials are they made of? Please write in more detail and provide more quantities. What brand of paint do you use? You can attach a table with more details."

"The amount you applied for may not be enough." Zhang Shixin took over the topic with a smile: "Jiang Zhe is here for the first time and doesn't know the process. When applying, you have to consider various unexpected situations. If it's not enough, it will be very troublesome to apply again."

"Yes." Director Gao nodded.

Zhang Shixin suggested: "Take our material list for reference. We also create oil paintings, and the size of the works is the same."

"Thank you!" Jiang Zhe took the form and looked at it, secretly impressed. A certain brand of oil brushes (different models, different hair materials), various color oils, varnishes. All the pigments are imported brands.

Jiang Zhe had an estimate of the material consumption, but the quantity reported by Zhang Shixin was more than twice his own.

"You are very thoughtful." He also figured it out. If he reported less, wouldn't it seem that others wanted more?

He filled out the application materials again based on his own situation.

At this time, Lao Ma also finished filling out the form and handed it to Director Gao.

He said to Jiang Zhe and others, "When you create oil paintings, the waste is high. Creating Chinese paintings is much easier."

Zhang Shixin retorted: “Traditional Chinese painting consumes a lot of money.

Large-sized rice paper needs to be customized and mounted in advance. The brushes need to be customized, the ink sticks need to be high-quality, the pigments need to be traditional mineral colors, and all kinds of stationery are not cheap. "

Director Gao has completed the review and stamped the form.

He said to them, "We will work together in our sketching base, which is the hotel in the scenic area. Although it is not a star hotel, the conditions are very good and it is very convenient for everyone to work. The food and accommodation standards are arranged according to high standards. Take a look, do you have any other requirements?"

(End of this chapter)