Reborn as a great painter, with a system, you can be willful

Chapter 306: Unexpected Visitors, End of Sketching
The teacher who was giving the lecture left the podium, holding the microphone, and came to where Jiang Zhe and the other three were painting.

He first chose Yao Jian, who had the fastest painting speed.

"Look at this painter. He starts with the gray tones of the entire picture to create the characters. The process of depiction is also to gradually expand and enrich the tones from gray..."

The teacher explained the painting methods of the four people, trying to combine them with the lectures.

Yao Jian is holding a small brush and quickly applying a second layer of paint on the canvas, so that the color of the characters can transition with the background. The background of the characters in the painting is light gray-blue, giving off a cold feeling.

This kind of painting method is not common, so the teacher giving the lecture only gave a brief explanation and then looked at Lin Yi.

Lin Yi is using a medium-sized oil painting brush to re-outline the character's facial contours.

The position in which she held the brush was close to the end of the oil brush.

With just one stroke, she drew a dark outline from the right ear to the chin. Without stopping, she gently lifted her hand upwards and then drew the outline from the chin to the left ear.

This outline is thick and wide, like a symmetrical V shape.

Without changing the brush, she continued to adjust the colors and depict the transition from the outline to the face.

The teacher at the lecture became speechless after explaining a few sentences. The way these people painted was different from his own. Sometimes he wanted to explain more, but was afraid of saying something wrong and being laughed at.

After explaining He Chi's painting steps, he walked over to Jiang Zhe.

At this moment, Jiang Zhe is depicting the model's face in an orderly manner according to his own rhythm. Although the rhythm is not fast, because of the overall consideration, each stroke strives to be concise and accurate.

At this moment, the model's face, arms, and clothes in the picture are only half painted, but the shape and structure are already apparent.

Jiang Zhe painted the light and shade and structure of the face almost in one go, and then began to paint the background.

He didn't want to draw a flat background, so he arranged a background with depth for the characters based on the real lobby space.

Some colors of the background can also be used on clothes.

Every time he painted a stroke, he would consider whether the paint on the brush could be used somewhere else.

The background color was quickly applied, and Jiang Zhe changed to a slightly smaller oil brush and began to adjust the details starting from the eyes.

The model in his painting has her head slightly turned to the right, but her eyes are looking at the audience, which makes people feel relaxed.

Jiang Zhe became cautious when adjusting the dark part of the face. Some light colors here are used to express reflections, and every stroke has a role and cannot be ignored.

"Please look everyone, the brushwork used by the painter will produce special brushstrokes. These brushstrokes look simple, but if you observe from a distance, you can see the three-dimensionality and structure." The teacher has explained the methods of the four people.

He stopped lecturing so that the students could concentrate on observing.

After watching for a while, many students began to move around to find the demonstration they most wanted to see.

At the beginning of the observation, the audience of the four people was about the same. However, as the portrayal deepened, Jiang Zhe attracted more and more students.

Professor Qin and Wang Zhen were finally relieved when they saw that Jiang Zhe's performance was stable and even got better with each painting.

After Jiang Zhe finished painting some details, he dipped his brush into the turpentine oil bottle to dilute it, and then wiped the color off the brush on the newspaper.

With a small amount of color left on the brush, move on to painting the hair color.

The model had long, fluffy hair that was combed to the sides.

When Jiang Zhe was portraying the character, he also made some changes to the hairstyle. The fluffy feeling of the hair requires the generalization of colors and some detailed portrayal.

He used broad, general brushstrokes to paint the blocks of hair, and then focused on depicting a few strands of long hair. The effect of the brushstrokes was revealed at this time.

After 40 minutes, the basic effects of the characters had already appeared in the paintings of Jiang Zhe and others.

Lin Yi chose to use a dark background to set off the characters, and the character modeling is slightly exaggerated.

Yao Jian uses gray-blue tones to set off the characters, giving the picture a modern feel.

He Chi used a warm background. The three of them chose a single background, only Jiang Zhe used a deep space as the background.

Although the process is cumbersome, the effect is outstanding, allowing people to feel the rhythm of the space and the changes in warm and cold colors.

An hour passed.

Jiang Zhe has already painted the character's face and arms, and began to quickly create the effect of a white shirt.

A white shirt not only shows the structure of the character, but also makes the character's face more radiant.

Just as several people were concentrating on painting, the door of the hall was pushed open again.

The person in charge of the Cultural Palace led a few people into the hall.

Seeing the guests, the people who served as judges for Jiang Zhe and his three companions stood up to greet them.

Among the visitors, a middle-aged man with dark skin saw these people stand up and gestured to them to keep quiet and continue watching.

Most of the judges sat down, but there were still one or two who were particularly willing to show off and rushed forward to greet enthusiastically.

Several people patrolled the hall and left quickly.

Jiang Zhe noticed that Sister Liao was also among this group of people.

Because he was painting and couldn't be distracted, he took a look and continued painting.

Director Li and the person in charge of the Cultural Palace saw the guests off together.

The dark-skinned man walked out of the hall and said to the person in charge of the Cultural Palace: "This activity has become the brand of the Cultural Palace. We should continue it.

I heard that these four painters are competing? Please inform us when the results are out. We would also like to know. "

"We will definitely implement your instructions." said the person in charge of the Cultural Palace.

After several distinguished guests discussed it, two of them stayed to continue the inspection while the others left by car.

A message soon spread among the judges.

The competition among Jiang Zhe and his four companions was supervised by relevant departments.

Several judges who were worried about something did not rush to make adjustments when they found out something had changed. Someone quietly sent a text message on his mobile phone.

Jiang Zhe began to adjust the character's eyes and fingers.

He wanted to express the woman's enthusiastic and sunny personality, so there should be a hint of smile in her eyes. The shape of her fingers can also show the person's personality traits and occupational traces.

Based on his idea, Jiang Zhe beautified the eyes and hands to a certain extent.

After completing a few important details, he examined the picture.

This work has achieved the effect he wanted. Although it is not perfect, he has done his best within the limited time.

He quietly used the system to review it, and his sketches were rated as excellent.

Although it did not receive evaluation as an excellent product, Jiang Zhe felt that it was good enough to win the competition.

"Time is limited, so our demonstration for today is over." The teacher who gave the lecture announced the end of sketching.

Jiang Zhe and his companions began to pack up their tools.

Although they were competitors, after completing the sketching, they did not rush to leave, but communicated with each other politely.

After observing the sketches of the other three people, Jiang Zhe was full of confidence in winning the competition.

(End of this chapter)