Reborn as a great painter, with a system, you can be willful

The rain gradually lightened up.

Jiang Zhe held an umbrella and walked Chen Yan to the dormitory building.

"Do you want to change your clothes? It's too uncomfortable to wear wet clothes." Chen Yan said as she tried on Jiang Zhe's clothes.

Jiang Zhe said, "I'm fine, go change your clothes. I'll go to the studio first and wait for you in the cafeteria at noon."

"Okay." Chen Yan agreed.

Jiang Zhe held an umbrella and walked towards the teaching building. Carrying the painting box and holding the umbrella, his sleeves and trouser legs were wet by the rain, which was uncomfortable at first, but creating a satisfactory work made him happy and forget the discomfort.

Although the oil painting sketch just completed was evaluated as a masterpiece by the system, in the process of depicting the rainy scene, Jiang Zhe discovered a new way of expression.

This method of depicting rain scenes was discovered by accident. It is different from the methods used by predecessors. He has already thought that it can be expanded in this direction, and perhaps there will be more discoveries.

When I think about finding a new path, why would I care about a little discomfort? !
I entered the teaching building and swung my umbrella at the door. The rain was about to stop.

When I walked to the door of the studio, I heard the voices of Teacher Yan and other students talking inside. I guess many students were asking Teacher Yan questions.

Seeing Jiang Zhe appear at the door, Teacher Yan said, "Jiang Zhe, how is your work?"

“I have completed one.”

"Come on, put your work out, and let's take a look at it together."

Jiang Zhe placed his newly completed work next to the blackboard in the studio. There were already more than a dozen newly completed works here. These paintings were taken from different angles and in different styles.

Jiang Zhe's works were put up and many people came to see them.

Teacher Yan suggested that students watch from a farther distance.

Jiang Zhe began to observe the works of other students.

Some of these paintings were wrinkled, obviously they were completed in the rain, and some were probably finished after they finished the draft and returned to the studio. There were also some students in the studio, painting unfinished works.

While he was looking at the paintings, other students had already started commenting on them.

Jiang Zhe's work has subtle color changes, and the hazy effect of the rain is very vivid and natural. Some places seem a bit exaggerated at first glance, but they are appropriate when you look closely. Most importantly, the use of some techniques is random or innovative.

Several students were attracted by the effect and moved closer to see the specific brushstrokes. Teacher Yan had to remind them again not to get too close, as some strokes can only be seen beautifully from a certain distance.

Mou Xing said to Jiang Zhe, "I've seen panoramic landscapes you've painted before. They were magnificent, but this painting feels very delicate. It has the transparency of watercolor, but there's something else in the color that's enhancing the texture."

Jiang Zhe said: "It's mainly about using the contrast of thickness of colors."

Teacher Yan looked at it attentively for a while, and said to Jiang Zhe: "Let's not talk about the technique of your painting. The overall atmosphere is very good. It feels like standing in the rain and being immersed in the scene. It can make people who look at the painting calm down quickly and bring them into the atmosphere.

I just remembered that the first time I came to the Art Academy, it was also a rainy day.”

A classmate took his work to Teacher Yan for advice.

Teacher Yan used Jiang Zhe's paintings to explain to him.

“When sketching outdoors, you must first devote yourself wholeheartedly, immerse yourself in nature, carefully observe and perceive the subtle changes in nature, and condense the creative passion and inspiration that you have aroused into the picture.

It must not be disturbed by external factors such as rain, heat, etc.

In addition, some ordinary scenery often hides a simple atmosphere that cannot be ignored.

The biggest feature of Jiang Zhe's painting is that he uses simple scenery to express different charms. This is not only derived from the scenery he saw, but also from his feelings. "

Teacher Yan paused and looked around at the students.

Everybody was listening.

"If a landscape cannot move you and cannot inject emotion into the picture, it is even less likely that the audience will feel this emotion. So everyone should pay attention to this."

At this time, all the students in the class had returned.

Teacher Yan stood up and said to everyone, "It rained this morning, so everyone was disturbed and the sketching was not going well. In the afternoon, everyone must be well prepared and draw good works."

After lunch, Jiang Zhe returned to the car to rest. The rain had stopped, but the air was still humid.

Jiang Zhe looked at the scenery outside the window, thinking about how he should create in the afternoon.

In the afternoon, there will be occasional light rain.

Jiang Zhe continued his exploration in the morning and continued to depict the wet weather during or after the rain.

He became more and more adept at depicting landscapes under special lighting conditions.

On Saturday evening, Jiang Zhe was in his studio, flipping through books while listening to light music played on the speakers.

The mobile phone is placed in the nearest position.

Today is the spring auction of Time Auctions.

Jiang Zhe did not use the accumulated rewards for the auction.

He wanted to see what price his work could fetch without any reward.

I read books, practiced calligraphy, listened to music, and occasionally added water to my teacup, but no news came.

When he was refilling his teacup for the third time, his cell phone suddenly rang.

Jiang Zhe glanced at the caller ID on his phone and saw it was Manager Zhao’s number.

Press the answer button. "Hello, Manager Zhao?"

Manager Zhao's voice was filled with excitement.

Jiang Zhe guessed that it should be good news.

“…Really? That’s great!”

"…It's because you are experienced and operate properly!"

"Okay, got it." Jiang Zhe responded while listening to the phone with a smile on his face.

This work, which features dancers, was sold at a high price.

During the conversation, he looked up at the clock.

It is now 8:47 pm.

After ending the call, Jiang Zhe walked quickly around the studio a few times.

Slowly calming down, she felt that she should tell Wang Zhen first. Because Wang Zhen was busy with the provincial selection, she did not go to the Magic City for this auction.

Wang Zhen answered the phone almost immediately: "Jiang Zhe, is there any good news from Times Auctions? How much did it sell for?"

Jiang Zhe said: "31 yuan."

"Really? So high?! That's great!" Wang Zhen's voice suddenly became much louder.

"For you, this news is timely. With this auction result, your reputation will be improved. Secondly, when it comes to the provincial selection, many people will also consider it."

Jiang Zhe said: "The auction is just a price. I'm afraid the judges won't take this into consideration."

Wang Zhen said: "Don't underestimate yourself. Some people become judges because of their fame and qualifications. If they take their works to auction, the price they get will probably not be higher than yours."

The two chatted for a while and agreed to meet tomorrow.

Jiang Zhe calculated silently. The last auction had reached 30, but there was a system reward factor in it.

This time, he did not use the system's reward, and the price has exceeded 300,000. It can be seen that his fame has been growing. Of course, it is also possible that it is because his works were auctioned at Christie's.

This good news means that the funds in hand will increase again.

(End of this chapter)