Imperial Mausoleum Treasure

It is said that the famous tomb robbers in the late Qing Dynasty and the Republic of China broke into the tomb of Empress Qianlong and found a large number of crystal treasures.

Some of these uniquely shaped crystals are like landscapes, some are like people, some are like oracle bone inscriptions, and some are like animals and plants.The various scenes formed by this kind of inclusions have been preserved hundreds of millions of years ago, and are rarely affected by the natural environment. They are really living fossils.

These amazing crystals not only amazed the Seven Tomb Raiders, but also shocked the royal nobles and cultural celebrities of all ages.

You are like "the cool toad is rising in the pavilion, and the curtain is rolling the smoked wind to reflect the crystal".It is the sincere admiration of ancient poets and poets for strange crystals.

This transparent gemstone in the world of natural treasures has always been the holy object of "Chu Sao Han Fu, Tang Poems and Song Ci, Lang Lang Yuan Songs", like his mother's famous "Shan Hai Jing", which simply deified the crystal.And "Han Feizi" among the hundreds of scholars, the crystal is spiritualized.

Tell me, how could the Seven Tomb Raiders not be overjoyed when they saw this superb crystal treasure, as happy as a little house sparrow in the afternoon.

They happily scoured out two layers of crystal treasure balls, and a handicraft with different shapes and colorful colors appeared underneath.

The eyes of the seven ghosts of the tomb robbers are all very good. If you take the driver's license test today and recognize a signal light, there will be absolutely no problem.

However, the Tang Sancai in various colors such as light yellow, ocher yellow, light green, dark green, sky blue, maroon, and eggplant purple in the crystal coffin still dazzled them and made them feel at a loss as to what to do.

But in general, each Tang Sancai has only three colors on its body, and most of them are yellow, ocher and green.

These ceramics are coated with colored glaze, and chemical changes have taken place during the baking process. Because the colored glazes are different in shade and infiltrated with each other, they are mottled, the colors are naturally coordinated, and the patterns are smooth, with strong Tang Dynasty characteristics.

They are sleeping in the crystal coffin crowded together, and the bright colors and the crystal coffin reflect each other, showing the magnificent artistic charm.

Among these treasures, there are many figures, animals, dishes, water vessels, wine vessels and so on.It can be described as grandiose.

Among them is a Tang Sancai statue of a robed businessman riding a dromedary. The shape is very realistic, as if he was traveling in the Western Regions.

Seventh Brother carefully took it out with both hands, held it up high, and seemed to feel that people and camels were trekking hard in the desert, depending on each other.

This single-humped hump is carrying silk and musical instruments on its back, and it is neighing with its head up. The red-bearded and blue-eyed camel rider, wearing a fitted narrow-sleeved shirt and a unique flip-brimmed hat, reproduces the life of the Hu people in Central Asia. The image is reminiscent of the long-distance business travel life when camels walked on the "Silk Road".

In particular, the tall shape of the dromedary and the resolute and heavy-loaded expression are worthy of the sacred title of the desert ship. It seems to carry the wind and sand of the ancient silk road, and the melodious sound of the camel's bell flutters.

"Damn it, this Tang Sancai is really a historical masterpiece. No wonder the emperors and generals of all dynasties like this strange thing. I really want to ride a camel to the Western Regions!" Seventh Brother said happily.

The most wonderful thing is that Tang Sancai, a national treasure-level cultural relic, can portray different personalities and characteristics according to the social status and level of the characters.

When Seventh Brother put the camel man into the bag and took out a noble lady shape, Hua Dan yelled: "Let me see," and snatched it away.

I saw the lady's sexy face plump and moist, dignified and serene, looking like a happy middle-aged man, with a round bun on her head and gorgeous colorful clothes, she looked like a nobleman The ladies lived in the world center comparable to New York at that time - Chang'an, the Eastern Land of Tang Dynasty.

Inside the crystal coffin, there are many horse servants loved by the people of the Tang Dynasty. Some are galloping, some are standing still, and some are screaming, all showing various lifelike postures.

As for the shape of the characters, there are women, civil servants, military generals, Hu figurines, and heavenly kings. Known as a model of ancient art.

Although the angel Yaomeier is not greedy for jewelry itself, she is still very interested in the cultural content of art and cultural relics. She bent down, smiling like two flowers, and carefully held out a three-color horse.

I saw that the horse was tall and muscular, mighty and handsome, with a rounded and plump body, looking strong and vigorous, and it was raising its hooves and roaring, as if it was full of great anticipation for the long journey ahead!

This is very consistent with the characteristics of the art of the Tang Dynasty who like plumpness, fullness, bodybuilding, and broadness. Whether it is a human or an animal, the aesthetic taste of the Tang people at that time was based on "tall and plump, white, sexy and beautiful!"

In the Tang Dynasty, which lasted for hundreds of years, especially the plump Concubine Yang Gui (Yang Yuhuan), who loved to eat so-called money meat (donkey penis stewed and cut into slices, with a pee eye in the middle) , resembling ancient bronze coins, so it got this good name. This thing is commonly known as the donkey saint, which has the effect of nourishing qi and blood. Concubine Yang, a charming little girl, was born with qi deficiency and needed two maids to help her when she was alive) and the best lady of lychee My children, I don't know how many horses have been exhausted to death.That was the real beauty of Datang at that time.

Because Hua Dan is lustful, she doesn't even look at the various Tang tri-color styles. She specially took out a tri-color beauty, mainly in red, yellow and green. .

This lecherous Huadan is like getting a real version of the beauty, look and look, touch and touch the uneven body of this ancient beauty, the saliva almost flowed out, the eyes are blurred, must not think of good things Son.

The angel Yaomeier saw Hua Dan's humble look, not only gave him a contemptuous look, but turned to the other side of the crystal coffin.

In this crystal coffin, there are very rich reserves of Tang Sancai, as well as many figurines of musicians and beautiful birds and insects.

The world-famous Tang Sancai is really rich and colorful in shape, and it is divided into three categories: animals, living utensils, and figures, among which animals are the majority.

Tang Sancai characters and animals have a moderate proportion, natural shape, smooth lines, and lively.Among the figurines of the figures, the women are tall in a bun, wide-sleeved, graceful, leisurely and elegant, and very plump, which fully satisfies the lustful and perverted psychology of Hua Dan.

After a while, Huadan's old coarse cloth bag contained three Tang Sancai beauties, and he kept searching, as if he really already had three wives and four concubines, with a smirk of adultery and contentment on his face.

The monkey king baboon is impatient and has a bad temper, and he likes to be rough. Naturally, he picked out a warrior. This warrior held a sharp sword. He looked muscular and glaring. He looked like he was about to start a duel.

The warrior's fetus is white with light red and light yellow.The fetal soil is very fine, solid, and contains mineral impurities, so it has a texture and looks rough.

Since it was unearthed from the tomb, it has been passed down from generation to generation since it was formed, until it was buried with Empress Qianlong. After more than a thousand years, the exposed body of the statue has been weathered.But it is still not comparable to today's crappy Tang Sancai fakes.

At this time, Er Dan, the Snake King, blinked his small snake-like eyes, took out a lifelike musician, shook his long gourd head, and stammered, "Brother Qiqiqiqiqi, look at this musician!" Huang Sui'er's flute with a green body, why is it the same as your flute?"