Imperial Mausoleum Treasure

The sturdy and tall Seventh Brother looked down: "Yeah, it's really fucking the same!"

Then I couldn't help taking it over gently, looked at it carefully, laughed, and said disapprovingly: "This is just a fucking coincidence, quickly put it away!"

The Snake King Er Dan blinked his snake eyes, looked at it for a long time, and then carefully put it into the old coarse cloth bag.

The gorilla on one side pouted happily, and took out an old buffalo shape in red, yellow and green. He laughed happily, fiddled with the curved horns repeatedly, and was fascinated by this ancient Chinese quintessence, although this guy He's a vulgar person, he doesn't have many artistic cells, but he also knows a good thing.

As for Xuedizi, who is usually taciturn, Yazheng took out a gorgeous golden monkey shape in silence. Seeing the lively and naughty monkey looking cute and rascal, Xuedizi, who never laughed, tried to smile. Bundle.

However, the six monsters only saw his facial muscles twitch a few times, and the long centipede-like scar was even more terrifying, but they didn't laugh in the end.

The expression muscles on his face seem to have been abolished a long time ago, which is not as good as our daily companion Samoyed dog.

The careful angel Yao Meier noticed: Xue Dizi looked dignified, pale, without any color on his face, as if the last drop of blood had drained from his body, this is a man who can't laugh.

Afterwards, Seventh Brother took out a delicate little deer, holding its head up and its hooves up, looking back.Experienced, he often went to Liulichang and Baoguo Temple cultural relics market in old Beijing, and he had a lot of research on Tang Sancai.

Seventh Brother naturally discovered that this Tang Sancai fawn was made of plaster, and the fetus was white and delicate, without any weathering phenomenon, and there were few impurities. Only fakes.

"Damn it, there is a fake Tang Sancai in the crystal coffin of the empress, I don't know how it got in," Seventh Brother cursed fiercely, and then threw it casually, the Sancai deer seemed shocked Just like that, he hit his head against the wall and his body was smashed into pieces.

These god-like Tang Sancai are the essence of Tang Dynasty pottery. The production of Tang Sancai reached its peak in the early Tang Dynasty and the prosperous Tang Dynasty.

It is said that during the imperial period of the Tang Dynasty, ever since An Lushan recognized the young concubine Yang Gui as her godmother, Concubine Yang ordered someone to make an extra-large swaddle (specially wrapped in a baby's package) to enshrine the majestic Jiedu of An Lushan. Make it up like a baby, and let everyone throw it up in the palace for fun. This is a famous petting story in history.

Then what!This savage, shameless, rude and cunning guy keeps saying that "Hu'er only knows that he has a mother, but not a father"!Although he is about the same age as the "godmother" Concubine Yang, she still became a godson smoothly.

Therefore, Anlu Mountain, which has won the trust of Concubine Yang and the emperor, took the opportunity to cause an Anshi Rebellion that shocked the godmother Concubine Yang!Since then, with the gradual weakening of the Tang Dynasty and the rapid development of porcelain, the popularity of Tang Sancai has gradually declined.

Later, the so-called "Liao Sancai" and "Golden Sancai" were produced, but in terms of quantity, quality and artistry, they are far inferior to Tang Sancai.

At that time, Tang Sancai was exported abroad as early as the early years of the Tang Dynasty, and it was enthusiastically sought after and loved by foreign people, just like we like German BMW and Paris perfume today.

This kind of multi-color glazed pottery is famous all over the world for its colorful dripping glaze, bright and bright luster, graceful and exquisite shape, and has become a shining pearl among ancient Chinese pottery.

At this time, halfway to become a monk, good at playing with snakes, birds and insects, the snake king bastard with supernatural powers, shaking his long gourd head, asked curiously: "Brother Qiqiqiqi, what the hell is Tang Sancai?" ah?"

Seventh brother had a laugh, knocked him on the head like an old monk knocking on a wooden fish, and said: "Tang Sancai! It is a kind of pottery that prevailed in the Tang Dynasty. The basic glaze colors are yellow, brown, and green. Because the three colors are the basic The background color was so fucking popular in the Tang Dynasty. Later, people used to call this kind of pottery Tang Sancai, just like I am afraid of snakes, but you like to play with snakes and make mistakes, so you are called It's called the Snake King's Egg."

Snake King Erdan nodded the gourd head, tugged at the rattlesnake, and suddenly realized: "Ah, I finally understand nothing."

Brother Qi went on to say: "The birth of this kind of thing has a glorious history of more than 300 years. It absorbs the characteristics of traditional Chinese painting and sculpture, and adopts decorative patterns in the form of stacking and depicting, so the lines are rough and powerful. It's very popular with people."

At that time, Brother Qi was right. Until now, an exquisite Tang Sancai female figurine, still regarded as the quintessence of ancient China, stands upright in the glass window of the Palace Museum in Beijing for Chinese and foreign tourists to visit and appreciate.

When the "History of the Dragon" developed to the Spring and Autumn and Warring States Periods, a gratifying situation of contention among a hundred schools of thought naturally appeared; when the dragon culture developed to the modern era of the Tang Dynasty, culture and art had already flourished and flourished, and the Tang Sancai, a wonderful work, also began Shining out its extraordinary color, reached its heyday.

In fact, Sancai pottery began in the Southern and Northern Dynasties and flourished in the Tang Dynasty. It is famous for its vivid shapes, bright colors, and full of life.

In the great feudal empire era, Tang Sancai was mainly distributed in Chang'an, the capital of the country, and Luoyang on the south bank of the Yellow River. The one in Chang'an was called Xiyao, and the one in Luoyang was called Dongyao.

The material culture of the Tang Dynasty was extremely developed, and people were pampered and treated well, and they would all be buried with honor after death. Not only the high-ranking officials and nobles, but also the grassroots of the Li people would be like this, and an unstoppable wave of landing coconuts has formed.

Unexpectedly, Empress Qianlong many years later would also like Tang Sancai so much.

Snake King Erdan was holding a Tang tri-colored rabbit at this time, turned it upside down in his hand, and asked two times: "Seventh Brother, everyone said that you are well-informed, you know half of the sky, and you know everything on the ground. Let me ask you, do you know if this rabbit is male or female?"

The sturdy and handsome Seventh Brother looked at the Snake King Erdan like an animal and said, "I don't know if he is male or female. I only know that you are male."

The five monsters couldn't help laughing when they heard this!Angel Yaomeier blushed with a smile!Snake King Erdan also quacked like a goose and said with a smile: "Then how did the Tang Sancai be made?"

Seventh Brother laughed and said: "They say turn off the lights, plug in the door, open the treasure to make a little person, which is almost like making your kid."

The Snake King Er Dan was neither in a hurry nor annoyed, and still poised his neck and asked, "How did you make it? Huh?"

Seventh brother was in a good mood, so he said with a big thorn: "Tang Sancai, the manufacturing process is very complicated. First of all, the ore soil obtained should be selected, crushed, washed, settled, and dried, and then used in molds Make fetuses and burn them in a kiln.

In terms of raw materials, its carcass is made of white clay. After being fired in a kiln at a temperature of more than 1000 degrees, the fired plain body is cooled, and then various glazes are prepared and fired again in the kiln. After they come out, it's usually done, but some characters need to open their faces again. "

The Snake King Erdan hurriedly asked, "What do you mean by showing your face?" This time, he asked cleanly, without stuttering.

Seventh brother lit a big pipe, Meimei took a puff, and spit out a puff of green smoke like an old dragon king spraying clouds and mist, and said: "The so-called open face! It means that the character's head is It’s not glazed, so he has to go through the process of thrushing eyebrows, dotting lips, and painting hair, just like a little girl puts on makeup, and then this one of Tang Sancai is considered to be fucking finished.”

Snake King Erdan still asked curiously: "Why is this deer, no, no, not three colors, but many colors?"

Seventh brother is not a lady tour guide, he was finally annoyed by the question, he stared and raised his eyebrows and said, "Your mother's stinky bastard, I'm really annoying your mother, get out of your mother's ass."

at this time!The curiosity of the five monsters was also aroused, especially the angel Yaomeier, who brushed Hei Xiu's long hair like a waterfall, delicately shook Brother Seven's strong and thick arms, and said with an angelic smile: "Seventh brother, tell me, tell me, we all want to know about Sarah."

Actually!The "boys" on this earth!Tongtong is a kind of animal that doesn't like women's nagging, but likes women's cuteness and coquettishness!

Seeing that Yao Meier was acting like a spoiled child openly under the eyes of everyone, Seventh Brother wanted to ask one, two, three, and immediately changed his words: "Tang Sancai, after high-temperature fire in the kiln, the enamel changes color under high temperature, and it will flow into various forms. One color will also change and blend into different colors naturally, so the Tang Sancai you see is not just three colors."

Then, Seventh Brother hurriedly turned around, knocked the soot on the edge of the coffin, and said with his burly body on his back, "Little ones, let's stop messing around and get to work quickly."

Before the words were finished, the impetuous Monkey King Baboon had already pulled out the last Tang Sancai steed.

I saw that the shape of this horse is quite fat. It is said that it was brought as a tribute from the Western Regions at that time. Its hips are fatter and its neck is wider, which is different from our domestic horses today.

The seven monsters noticed!The shape of this horse is mainly static, but driven by the static, even though it is a standing horse.But through the depiction of the eyes of the horse, it is different.

The horse's eyes are carved into triangles, the eyes are wide open, and the horse's ears are attached, as if it is listening quietly, or hearing some wind and grass.

Through such detailed depictions, the inner spirit of Tang Ma and the inner "dragon and horse charm" are shown, which is enough to show the extraordinary craftsmanship of the craftsmen.

Just as the seven monsters were intoxicated by the magic of the last Tang Sancai horse, the rattlesnake of the Snake King Erdan suddenly came in the air, and the colorful snake head over seven inches shot into the open mouth of the Sancai horse, and the Monkey King Baboon suddenly shot Surprised, flashed, missed!The three-colored horse clanked and shattered to the ground.

Immediately, a ball rolled out of the horse's stomach - a large snow-white wax ball that was bigger than today's ping pong ball, gurgling... Rolling all the way to the bottom of Brother Qi's boat-like feet... .