Azeroth Monster Manual

First of all, I would like to thank all the readers who have paid to read this book. Although the results of this book are still very poor, it has grown from 100 average orders to nearly 200. I am still very pleased, which proves that my efforts have not been in vain.

Secondly, I would like to talk about the recent plot trend. I have received many comments and private messages, some malicious and some sincerely offering suggestions. In any case, I am very grateful (the ones that are too harsh have been deleted).

This book is first published on 𝕥 𝕨 𝕜 𝕒 𝕟 . 𝕔 𝕠 𝕞 on the entire network.

I won't say much about the 70-year-old professor's opening. Most of the dissatisfied readers are complaining about the character's personality. I can only say that benevolence sees benevolence and wisdom sees wisdom. I have already explained it before, so I won't waste any more words.

Another point is the issue of public classes. Some chapter reviews and private messages say that the topic of the public class is too general and simple? The things taught in the public class are very empty. In fact, I have also considered this aspect a lot. Should I write these monster illustrations in great detail (the monster illustrations on nga are very detailed and numerous).

Because my initial setting was to use the public class as an introduction to lead to the main plot line later, or as a foreshadowing in a general direction, so I did not consider whether to add some more detailed data to the plot (mainly because I was afraid of being said to be padding the word count, after all, a monster's background introduction and attribute introduction, adding all kinds of things together, would be several hundred words, and writing a few monster illustrations would be able to pad several chapters).

Of course, the monsters involved in the public class are basically insignificant or icing on the cake. I will introduce the truly meaningful monster illustrations in detail.

I will make a compromise in this regard. If there is still a plot in this area in the future, I will consider adding some ink to the public class.

Another point I want to emphasize is that the main line of this book has never been chaotic.

The most important and central point is the research and development of monsters. The content of the main line is highly consistent with the title of the book.

The general story background of the monsters will not be drastically changed or fabricated, but I will cut in from different angles and will not be as monotonous as the badly written fanfiction.

In this, I will add various black technologies (monster illustration development), such as Jin Kela, such as the monster illustration that will eradicate magic hazards and magic addiction in the future (temporarily kept secret and not spoiled).

The recent plot is the Troll War. At this time, some readers may say, didn't you say that you didn't deviate from the main line? Then why do you want to clear the trolls?

If you clear all the trolls, won't you lose a boost to resist the legion in the future?

There are also those who are very dissatisfied with the chapters of the Troll War, thinking that I am simply padding the word count.

I can actually understand these. As a reader, everyone likes to see the climax, but the climax does not come for no reason. Without the previous foreshadowing and brewing, the so-called climax is just the author's self-indulgence. No book can have a climax every three chapters. Even if there is, I guess the readers won't like it. All I can do is write these foreshadowing chapters more interestingly and add some scenes that the readers like to see.

As for the content of the Troll War, I think it is still necessary to spoil it a little. Besides the magic net, what else is there in Hinterlands? Besides the magic essence, what else is there in the trolls?

I can only say that all the protagonist's actions have a very strong purpose and are not random.

Just got home, wasted half an hour, I won't say more, I'll hurry up and code.