Hikigu's Godslayer Story

Oh you ask what if someone accidentally stumbles in here?Simple, haven't you seen the membrane method?Since it is so wrong, it must be a magician. Since it is a magician, then kill him.

You say a gun can't kill a magician?There are guns over there, please do it yourself.

This is what Hikigu saw.

Military personnel armed to the teeth and sorcerers in cloaks playing deep, completely occupied this section of the Nile River. The Nine Gods intercepted the water of the Nile River that was supposed to pass here, and introduced another channel. After all, this is the Lower Egypt is a delta. The Nile River has always changed here. The Nine Gods only sentenced the river to death in advance.

In a word, since the rewards are considerable, there is no reason not to work hard.

This made Hikigu feel that his method was right, and the Nine Gods Group couldn't match the power of the Dark Karate Group, let alone the committee.

Since becoming a godslayer, Hikigu has realized what it means to use it easily in the Nine Gods.

This made him secretly make a plan in his heart - in the future, you can go to the Nine Gods for big and small matters related to the mysterious side, and you can also go to the Nine Gods for major matters that have nothing to do with the mysterious side.

Oh you ask where is the committee?I'm sorry, this guy's value is only in contacting You Shi for Bikigu, other than that, he's a duck egg.

When Hikigu entered the camp accompanied by Hasaqi, he could feel the enthusiasm of the Nine Gods along the way.

On the surface, this seems strange, obviously than Qigu killed the god they worshiped, but considering the origin of the Nine Gods, it is normal.

Deception is because of worship, deception is also a form of worship, and usurpation is a million times greater than deception - since a major event in ancient times, this has become an absolutely stable view of the ancient Egyptian wizarding world.

Since then, the Egyptian wizards have practiced absolute egoism towards the gods, and the concept of treating gods as fathers like Continental did in their eyes was purely insane.

brat!Have you ever thought about your father?

Virgin Mary?Still giving birth to a son?Born in my Egyptian Empire try?If I don't play more than [-] poses, I am an Egyptian loser!

What?You said that little bitch learned Isis?In this way, you help me to ask Osiris... Oh, are you afraid of pain?Don't worry, I'll find a master for you, it won't hurt at all!

No matter what the people of the Nine Gods thought, Hikigu walked to the edge of the pit step by step under their fanatical gaze.

The last time he walked in a hurry, and the river was not led away, he didn't have a particularly intuitive feeling about what the pit was like.

But now the river in it has long been emptied, revealing the whole picture.

The pothole is nearly [-] meters deep, and its widest point is in the middle, reaching hundreds of meters.

It's not enough to say the giant pit, but it's not small.

Hikigu looked at it for a while, then turned back.

Then it was time to make the amulet, and he had a hunch that it would come in handy.

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PS: hooah hooah!

I did it!I have a double update!That's what it feels like!It's the feeling of being overwhelmed!

Today, I am a man who can watch three shifts!

come come come!Get moving!Twist up!

Chapter [-] Traversal is actually an active skill

In one room, Hikigu was sitting cross-legged, and a tangible thing was being shaped between his hands.

The way Hikigu makes amulets is now much more "intelligent" than when he had to carefully sculpt and infuse power in the beginning.

With the help of the wind and the sun, he directly acts on the raw materials to make them with powerful natural forces.

Many of these Egyptian amulets do not meet the definition of "beautiful" on an artistic level to modern people.

The aesthetics of the real ancient Egyptians are actually quite different from those of modern people. Their understanding of beauty is "useful is beauty".

The definition of art in ancient Egypt is a bit sleazy. It must reflect the characteristics of being invisible to the naked eye, but it is witchcraft to be able to do this.

This leads to the fact that plastic art is not for beauty and entertainment in the first place.

This makes the amulet of the ancient Egyptians the decisive factor in the essence of witchcraft, not the art itself.

On the left side of where Bikigu sat cross-legged, there were piles of amulets that he had already made. In the eyes of modern people, these amulets had no aesthetics. They were shaped like pillows, scepters, axes, flies, hedgehogs, etc., and even human ones. The shapes of limbs and organs are more than not beautiful. At first glance, they seem very strange, but the meanings represented by these shapes are very beautiful in the eyes of ancient Egyptians.

For example, scepters and axes symbolize strength, dogs are alert and alert, flies and frogs represent reproduction, and amulets in the shape of limbs and organs are used to keep limbs agile and organs intact.

Seriously, if Bikigu had not returned to ancient Egypt, he would not have known that there were so many routines.

Of course, the most powerful is the amulet of idols, but in this regard, Hikigu can only make Osiris.

As for Seth, sorry...His business is not here.

This is the last one in Hikigu's hands.

This tangible thing was quickly shaped - a sun-disk-like amulet.

The strength of the sun disc was one of the highest in ancient Egypt. In the eyes of the ancient Egyptians, light was beauty, and the essence of the beauty of gods was brilliance.

However, for the sun or something, Mr. Hikigu said that he can adjust any style.

Putting the sun disc aside, Hikigu stood up, stretched, and moved a bit. Then he picked out the amulets, picked out the ones that he found useful, and then went out. .

The wizard who had been waiting at the door saw him coming out and hurriedly made a kneeling gesture.

Hikigu let him salute - stop it as a gesture of kindness?It doesn't exist. He made so many amulets, not to mention kneeling and kowtowing.

After the wizard completed the salute, Hikigu opened the door, pointed to the piles of amulets inside, said "take it back and play" and walked towards the big pit.