I loaded the ghost talk game

Chapter 502 Units to measure the strength of ghost stories

[The catalog of different visits has been updated. ]

[Ghost Story Name: Embalming]

[Rating: Grade D]

Judging from the information provided by "Ghost Story", the female evil spirit covered in iron chains is named Yanshou, and has a D-level rating.

For the current Kamiyagawa, it is not a problem.

Wu Tiangou had already dragged the coffin to a ride just now.

Although Tengu is the weakest among Kamiyazashishishigami, this "weakness" is relative to other Aragami.

In any case, Tengu is also a C-level upstream strength that is not mixed with water.

Sure enough, within a few minutes, the half-bird Ainu boy appeared again. When he appeared, he was holding the head of the corpse in one hand, and dragging the chained, headless corpse with the other.

Kamiyagawa: "Let it go... put it down, Wutengu. Let's not talk about it."

Wu Tengu obediently put down the corpse's head.

Then Inugami appeared and rushed towards the dissipating wreckage.

Gouzi didn't have time to take the lead tonight, but his good brother Tengu thoughtfully left the body for embalming.

Immediately, there was a penetrating sound of gnawing in the messy living room.

It has been a while since Inugami has eaten the flesh and blood of elite monsters, but the D-level strange talk is just a snack for him, not a big meal.

After finishing the battlefield, there was no valuable spoils, nothing more than a little soul crystal and a piece of blood.

Afterwards, people from the countermeasure room came with medical staff, and Miyake Kota was sent to an ambulance.

Afterwards, Kamiya didn't stay at the scene any longer, and took Miyake Chiaki back to Arakawa's home in the ghost car.

He is not taking people forcibly, it is all for doing good deeds and accumulating virtue.

Miyake Chiaki, who is already a ghost, just fought against Yanshou in order to save his brother, lost to the enemy and was injured, and he has not yet regained consciousness. Fortunately, the kind-hearted Kamiyagawa lit a small requiem candle for him, and he should be able to wake up after taking it home for recuperation.

The hospital can take care of the injured humans, but it depends on Kamiyagawa to take care of the injured ghosts.

He is very experienced.

...

Two days later.

In the living room of Kamiya's house.

The emaciated Chiaki Miyake sat upright: "So, what happened in Akita County is almost like this, Kamiya... my lord."

Because of being cured by the incense of the small requiem candle, the ghost talker who was a writer and playwright woke up this morning.

The injury has not completely healed, but it is not a serious problem.

After Miyake Chiaki woke up, Kamiyagawa met him.

Before Miyake lost consciousness in the battle with the embalmer that day, he saw the scene where Wu Tengu broke through the window.

So as long as Tengu was called out, he easily accepted the fact that Kamiyagawa saved their brother, and expressed his sincere gratitude.

During the meeting, Chiaki Miyake gave a rough account of what happened to him when he was buried in Akita Prefecture during his lifetime.

What he told his brother Kota Miyake that day was basically all the truth, but there were some follow-ups missing.

And the real thing follows--

Chiaki Miyake returned to Tokyo, and when he really realized that it was too late to be entangled by the coffin, he was directly killed in the apartment in Minato District.

"After being killed, I became the coffin of the coffin."

Chiaki Miyake said this with a slightly weird expression.

He wasn't quite used to telling his own death as a story.

As for the so-called "coffin", it is estimated that the relationship between Inugami and Bai'er that Shengu met before last year is somewhat similar.

Those who were killed by embalming, or whose corpses were collected by her in a coffin, would turn into ghost stories and attach themselves to her existence.

"After becoming a coffin, I have been staying in my apartment in the port area. The coffin is wandering around my house, and she has been admiring the coffin she made for me in those days."

"Later, because of the reorganization of my original studio, the new personnel department called me a lot. In order to avoid the danger of those people coming to my house, I took the opportunity to avoid the embalming, and then declined the signing of the contract. .”

"After that, my elder brother..."

When Miyake Kota appeared in front of his younger brother's apartment, he didn't know why he aroused the interest of the collection.

The ominous spirit locked it as a new prey.

In order to save his brother, Chiaki Miyake finally forcibly broke away from the control of the coffin, and went to remind his brother to seek refuge in a shrine.

After that, Yanshou took another "coffin" Jieyou to intercept and kill the Miyake brothers, and Kamiya and his party arrived at a critical moment to save the two brothers who were already a man and a ghost.

After listening to Chiaki Miyake's description, Kamiya nodded: "That's it, you are forced to get rid of the control of Yanshou to save your brother. I have to say that both of you brothers are very powerful."

"That, or it may be that the control over me is not very strong." The former writer added, "It seems that now she has been eliminated by you, Mr. Shengu, but I still exist."

"Well, there's some truth to that, but it's nice, isn't it? You're free."

There was an elusive smile on Shengu's face, and he briefly reviewed the situation of the embalming in his heart——

The story of the coffin slope female craftsman told by Chiaki Miyake should be the origin of the collection.

But after all, it is a folk tale from a long time ago, and it is difficult to verify whether it is true or not.

Maybe something like this actually happened.

Or maybe the story is half true, half false.

Maybe there was a female craftsman on Coffin Slope who was beaten to death by her colleagues, but the reason why other coffin craftsmen beat her to death was simply because her craftsmanship was so good that she snatched everyone's orders, which led to jealousy and hatred.

As for things like killing neighbors with curses, they are just fabricated by other people in order to justify their own reasons for killing.

Afterwards, real events were mixed with false fictions and handed down together.

Kamiya now has good research and insights into folklore. As far as he knows, many folk tales and anecdotes are composed of half-truths and half-false.

Of course.

It is also possible that the whole story of the coffin maker is just a horror story circulated by the elders of Rockwood Mountain, and there is no real event corresponding to it.

But no matter which of these three situations is specific, whether it is the real ghost of the deceased or the spread of public opinion on the story, it is enough to support the birth of the strange talk of "wrapping".

What's more, the killing of Kaisuke by Kaitan Yushou seems to have not been noticed by the official spirit exorcist at Iwaki Mountain in Akita Prefecture.

And considering that the time when the former writer hit the spirit happened to be the time when the earthquake catfish was active in various places before, the wild god that brought the earthquake almost attracted the attention of some capable spiritual masters from all over the place during this period...

It can only be said that Miyake is indeed a bit too unlucky.

Because Kamiya looked as if he was thinking about something, Chiaki Miyake didn't dare to disturb him, and just sat like walking on eggshells.

In fact, from the beginning of the conversation to the present, or from the first moment he walked into this living room, the former writer has been trembling.

He didn't even dare to raise his head, at most he quickly glanced at the surrounding situation from the corner of his eye.

If it weren't for being a ghost, he would probably be in a cold sweat by now.

This is all because the environment in this living room is really horrible!

Except for Kamiyagawa, who is sitting in the owner's seat with a relaxed expression, the whole room is filled with all kinds of ghosts and ghosts.

The horrible aura that makes the hairs stand on end and the teeth tremble is rampant here.

"Master Kamiya, what is the background?"

Miyake thought this way, and once again looked around from the corner of his eye.

It can be seen that at a position close to him, there are five figures in modern clothes sitting randomly, and none of the five "people" have heads on their necks.

The torso of one of the men, holding the blood-stained head of a yellow-haired man. The head had a strange smile on its face, and was thrown back and forth between the hands like a ball by the headless torso.

The heads of the remaining four people hung in the air like balloons, floating up and down, staring straight at themselves with their eyes open.

This look looks scarier than embalming, or Chiaki Miyake turning himself into a coffin!

There was also a girl with a purple and white undergarment sitting quietly beside the young spiritual master.

The girl's posture is very quiet and dignified, and there are two strangely shaped masks floating around her waist.

Maeaki Miyake didn't dare to focus on that girl, maybe it was out of his instinct to survive. He had an intuition that as long as he looked directly at this masked girl, he would be overwhelmed by unspeakable fear and oppression. In an attack, it is possible to lose consciousness all of a sudden.

And on the west wall, some monsters in the shape of birds and beasts stayed with a child with a whale's tail.

Because he is a professional writer, Miyake usually accumulates some useless knowledge intentionally or unintentionally.

He can roughly guess what these monsters in the form of birds and beasts are——

For example, that ferocious and mighty huge black dog might be a dog god or something.

That pig-like, elephant-like beast with a dreamy feeling might be the legendary nightmare-eating tapir.

These two seemed to be too powerful to understand. Like the undergarment girl, they both belonged to the existence that as long as you focus on them, you can't help but tremble in your soul.

Covered with a simple and mysterious mask, the one with the black wings folded on his back is Wu Tengu with superb martial arts skills. This has been introduced before.

As for the blue-haired, exceptionally beautiful child, Chiaki Miyake couldn't tell whether the child was a boy or a girl for a split second.

The child's beauty is the kind of beauty that does not distinguish between genders.

The other party seemed to be a little shy of strangers, with a big wet tail curled up the whole time, hiding behind the tengu boy. Then he blinked his blue eyes and carefully looked at the situation in the living room.

But what was the boy afraid of?

Miyake has a feeling that this child with a whale tail is very likely to be much better than the collection.

During the days when he was a coffin, he basically stayed by the coffin's side, and he could feel the strong coldness and resentment in that female ominous spirit.

That kind of breath should be a symbol of strength.

And this child has a very strong ocean atmosphere, which is much stronger than the feeling that he received for Miyake.

In other words, there is no level of existence between the two.

Maybe...

This seemingly timid child, while crying and saying how scary, can deal with the embalming as easily as Wu Tengu?

Mr. Writer was frightened by his own idea.

"It's hard to imagine what this is..."

In the corner of the room a little farther away, there was a vermilion car parked.

A glamorous, graceful and luxurious Mihime in kimono was sitting on the carriage with her long legs crossed.

This kimono beauty seemed to not care about Mae Akira Miyake at all, and she looked at Kamiyagawa steadily throughout the whole process.

It was a very calm look, as if staying out of the way.

Like the audience in the stands.

She seemed to be watching the every move of the head of the family.

As for why she did this, Chiaki Miyake, who has just arrived, of course has no way of knowing.

Mr. Writer didn't even notice that Miki in kimono on the van was looking at that Kamiya-sama.

Miyake didn't dare to look at the opponent's face at all.

Because the aura carried by this person is not inferior to that of Yishou!

What exactly is going on?

According to Chiaki Miyake's cognition when he just died, Yanshou should be a very powerful and terrifying ominous spirit!

But in the home of this Lord Kamiya, his savior, strange stories of this level can be seen everywhere.

Mr. Writer looked around in fear, and finally found a corner farthest from the conversation area.

There... gathered a group of very cute children, some of the most harmless existences in the entire room just from the outside——

Like a red and white kimono, with auspicious red light around her body, a little girl with a doll head.

A gown in a light yellow dress, carrying a sunny baby, a little girl the size of a palm.

A big mouse that looks like a furry chinchilla with a tub on its head.

Also, a piece of... a crayon?

In addition, a pretty girl with short hair, about fifteen or sixteen years old, who didn't seem to be a ghost, was sitting in the middle with a petite white wolf with a terrifying aura in her arms.

Mr. Miyake's peripheral vision also did not dare to stay there for too long.

The children in that corner looked harmless to humans and animals, but there was still an aura in them that was not inferior to Shishou, or even stronger than Shishou's.

For example, the little girl in the red and white kimono, for example, the small half of the red crayon...

Hell, why does a piece of crayon carry a stronger smell of strange talk than embarrassment?

Anyway, the writer, unconsciously, has completely regarded the collection as a unit to measure the strength of ghost stories.

Also, that lively looking human girl who seems to be JK.

Because she was a living person, Mr. Miyake couldn't tell the strength of her breath.

But sitting with this room full of evil spirits and monsters, and still whispering to each other, can a human being be a normal human being?

Even that big furry rat.

Such a shape, no matter how you think about it, it will not be too powerful.

But when Mr. Miyake woke up in the basement of Kamiya's house just now, he saw this mouse directing a heroic white dragon to wipe the ceiling!

The impact of that scene was really strong.

Whether it's a gray rat commanding a dragon, or a heroic dragon sweeping the ceiling...

So, it seems that this mouse is a kind of cleaner in Lord Kamiya's house?

But even this cleaner...

Miyake was very certain in his heart that even this big mouse, as long as it wanted to, could easily wipe out its own "coffin" by raising its paw!

So the current situation, using the animation and novel plots that Mr. Writer is used to to describe, is probably——

Embalmed a Boss belonging to Novice Village.

She has all the characteristics of the early boss, very strong, full of pressure, and seems completely invincible.

And the home of Lord Kamiya is the den of the world's most powerful demon king!

There are demons dancing here, and the boss of Novice Village is not worth mentioning here.

As soon as I came out of Novice Village, I came to the mansion of the Ultimate Demon King.

What kind of unreasonable plot development is this...

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