I Teach Kendo in Tokyo
Vol 4 Chapter 83: Shenyin
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Although Kazuma wants to see what is being transferred by the General Affairs Department here, he has a very serious problem now, that is, how to leave the office without disturbing the small bosses in the office. .
The office is not big, the little boss is facing the door, his sight just perfectly blocked the only way out of the room.
Now the whole room has two blind spots, one is the area behind the head of the little boss, Kazuma is hiding here.
The other is the area hidden by the desk in front of the little boss, just to kneel down for a secretary.
Kneeling on a secretary, what the hell, my mind should be normal. Don't think about it all day because I'm only eighteen years old.
The eighteen-year-old freshman self-corrected his unclean thoughts.
But the situation of being trapped here has not changed.
And in this state, if someone raises their eyes a little when they enter the door, the situation will be very embarrassing.
Kazuma thought about it, and once wanted to directly use the falling kill to stun this guy.
But reality is not a game. If an intrusion is found, the police will intervene.
Criminal investigation technology has not yet been developed to the point where DNA can be traced with scattered hairs. However, if the police conduct a search, check witnesses and take fingerprints or something.
No matter how strong the Nanjo Consortium’s lawyers are, it is unlikely that Kazuma will be safe in that situation.
What's more, Kazuma will enter the Metropolitan Police Department in the future, and it cannot have a criminal record.
He could only resist the urge to press the head of the dog below on the table, and think of another way.
There is an anti-theft net in the window behind, give up. The air vent on the left hand side is too narrow, so Qingliu can try if she can get in.
After watching Kazuma for a while, I felt that there was only one option for the dog's head in front of Kazuma.
At this moment, the other party stood up uneasy and turned around.
Kazuma relied on the strength of his waist to forcibly lift his feet up, so the weight of his whole body was applied to the bars of the blinds.
The little boss looked out the window and muttered: "You won't be cut off by that Kiryu halfway..."
Kazuma didn't care so much at this time, he was focusing all his attention on his abdominal muscles.
Fortunately, he pays great attention to the training of his abdominal muscles during exercise, so he can barely maintain an L-shape.
Fitness jargon seems to fix what this is called, anyway, it is an advanced project.
Just as Kazuma was about to hold on, the little boss made up his mind: "I have to go and see. If that thing is lost, I can't afford it."
After speaking, he quickly left the office.
As soon as he walked away from his front foot, Kazuma jumped off, gasping for breath and rubbing his cramping belly vigorously.
——Sleep quickly at this opportunity!
As soon as Kazuma thought about it, I heard the sound of the little boss's shoes rubbing on the ground at the door-this guy turned around and was about to come back!
It's too late to go up to the roof, Kazuma has heard the sound of the other party twisting the doorknob.
Suddenly, he became wise, and dashed to the side of the door shaft, so that the door could just block him after opening the door.
The little boss muttered "What's my key?" he stepped through the door and went straight to the desk.
Kazuma walked out from behind the door, tiptoe and slipped away. When the little boss turned around, he would have nowhere to hide.
After slipping into the corridor, Kazuma strode towards the exit. Unexpectedly, the door in front slammed open. The two female staff took the little girl who had just placed the sandbox in the room and went out.
Kazuma slipped into the side door at the very moment.
He went in and smelled it before he found himself in the toilet.
A buddy was relaxing in front of the urinal while whistling, and shaking.
Kazuma looked at the situation and turned over the wall of the squat compartment next to it. The tops of these compartments are all connected.
Unexpectedly, there was someone in this cubicle. The guy in the pit was holding a newspaper and just turned to the page of betting on horses. A Panasonic portable radio was placed on the shelf next to it.
The earphones plugged into the radio were obviously leaking, and Kazuma could hear the horse racing live inside.
"Chong, Silent Suzuka! You are the best!" This buddy held the newspaper in one hand and the betting ticket in the other. "I'm putting this month's salary on you!"
Silent Suzuka should be the name of horse racing.
Speaking of it, when Senior Sister Gan was in the hot spring resort, she seemed to have said that the Longtan Rat in her family had retired, and this year's competition was a newly raised horse.
At this time, the horse betting brother issued a desperate scream: "Oh! Where did Zhou come from? I have never heard the name of this horse!"
Kazuma is astounding, is it possible that Senior Sister Gan’s house is actually that kind of super-large racecourse? How can the average horse farmer produce champion horses one by one.
Of course, it is also possible that the father of the middle school sister of Gansu is full of enthusiasm for drawing cards. If only drawing out a miracle, it will shake for ten consecutive years.
Kazuma looked outside with a probe and found that the pee had already gone, so he threw down the sighing gambler and went out of the wall.
This time he came to the corridor very usually.
From a distance, you can see that the little boss just turned into the fork in the corridor.
——He probably went to the General Affairs Division to supervise the transfer of "that thing".
What the **** is so mysterious.
Kazuma was full of curiosity and followed.
He came to the place where the little boss's figure disappeared, and found that the previously locked iron door was now wide open, so he touched it in.
Going in is an iron staircase that goes down, and after a dozen steps of Kazuma, I found myself in a garage.
The little boss is directing people to load a crate onto a truck.
It seems that this is the thing that must be transferred.
Kazuma hides among a pile of cargo boxes, waiting for an opportunity.
The little boss finally confirmed that he was safe, jumped from the truck's body, and clapped his hands: "Okay, you have a good journey."
The driver responded, then turned to enter the cab and started the car.
Kazuma spotted the opportunity, jumped up, rushed to the side of the car in three steps and made two steps, turning over the car.
There was no one in the wagon, only crates.
Kazuma lays in the car, clinging to the iron floor, preventing people outside from seeing itself.
The car started in this way and left the warehouse.
Kazuma let out a sigh of relief.
He was about to wait a little further away and jump off the car with the suitcase.
Mikako is still wandering in the facility, Kazuma can't leave her alone.
Kazuma sat up and began to look at the crate.
The nail was driven in a hurry, and it felt like I could pull it out with my fingers.
So he did.
The box was opened within a few seconds, and it was stuffed with straw.
Kazuma pulled a few times in the straw, and found a statue.
When he first touched the statue, he thought it might be the kind of statue with an indescribable octopus head. Only when he touched it, he found it was a pottery figurine.
The style seems to be from the Jomon period.
The pottery figurines in this shape were first seen in Kazuma in Tezuka Osamu's masterpiece "The Three-Eyed Prodigy".
In Fujiko Fujio's "Doraemon" long story "Nobita's Birth in Japan", people in the 23rd century used this thing as a subordinate.
"Welfare Technology is reselling ancient cultural relics?"
Kazuma muttered softly, and when I observed the pottery figurines carefully, I didn't think it looked like a cultural relic.
He reached out and touched the box again, only to find another one.
Kazuma holds two pottery figurines with question marks on their heads.
With sharp eyes, he quickly discovered that the two pottery figurines were exactly the same in detail, and even the patterns were the same as Nima.
The Japanese in the Jomon period had such a "craftsman spirit"-a shit, this was clearly made with the same set of molds!
Welfare Technology, shouldn't it be selling such fakes to customers?
That really needs to be transferred. After all, suspected of fraud, at least it is selling counterfeit products.
Speaking of it, it is said that the stimulant is actually vitamin C. Does this count as selling fake and shoddy products?
This thing has absolutely no value to steal. After making such a judgment, Kazuma put the thing back in the crate, and then pressed back the nail that had just been pulled out with bare hands.
Then he was about to wait for the car to the next traffic light, and got out of the car and flashed people.
At this time, the car turned a corner, and the sign at the intersection indicated that it was leading to the Guanmen Strait Undersea Tunnel.
This car is driving towards Honshu Island.
It's just a box of fake pottery figurines, don't you need to send it to Honshu Island?
Considering that the car would not stop until the exit after entering the tunnel, Kazuma decided to jump off the car decisively.
It just happened to be turning right now, and the speed of the car is not fast.
Nevertheless, when Kazuma landed, it still rolled a few times before standing up.
As soon as he stood up, he hid from the car behind him non-stop.
Fortunately, the car behind has just turned the corner and the speed is not fast.
The driver rolled down the window and protested to Kazuma: "Do you want to die!"
Kazuma bowed to the driver.
He is now accustomed to Japanese thinking: I have bowed, what else do you want?
Kazuma trot all the way up the sidewalk, which was relieved.
——Next meet with Mikako, and then go to Okusu Shrine to see the situation there.
But in this era without mobile phones, how can we rendezvous with Meijiazi?
Kazuma looked at his watch and found that it was too early to the time agreed with Mikako. Now if I rush to the agreed meeting point, I may not know how long I will have to wait.
Sure enough, it was better to stroll back to Welfare Technology's facilities to see the situation.
I was going in from the main entrance dignified, and I could numb the enemy.
Suddenly, Kazuma stopped.
Because he saw a Jomon-era pottery figurine standing in the middle of the sidewalk ahead-exactly the same as the one he had just seen in the crate on the car.
whatthef**k?
Kazuma rubbed his eyes and looked at it carefully. The pottery figurines were there, standing in the middle of the sidewalk like no one.
Damn it...
Tao Ou looked at Kazuma with those eyes that looked like two horizontal walnuts, which was a bit shocking.
Suddenly, Kazuma suddenly found that there were no cars on the road beside him. It was obvious that he had just been scolded by the car behind for jumping.
Within sight, the road was empty.
The traffic lights not far away are only red lights that go on and off regularly.
Damn it.
At this moment, Kazuma suddenly heard someone singing a nursery rhyme.
かごめかごめ (encircle in a circle)
Cage の中の鳥は (the bird in the cage)
いついつ出やる (When can I fly out of the birdcage)
夜明けの晩に (The night before dawn)
鹤と亀が滑った (The crane and the tortoise slipped)
后ろの頂だあれ? (Who is behind you?)
To be honest, this nursery rhyme usually has a creepy feeling when you sing it normally. Now, when facing such a pottery figurine, when I suddenly hear this nursery rhyme, there is already a layer of goose bumps behind Kazuma.
The sound of nursery rhymes came from behind Kazuma, always feeling that the guy was getting closer.
Kazuma suppresses the urge to look back.
The nursery rhyme began to sing a second time, Kazuma flashed, and found that the distance between the pottery figurines and him had become closer.
Obviously he did not move at all.
"That thing" behind humming nursery rhymes is also getting closer.
In addition, the singing of nursery rhymes has also changed, with a lot more "sounds of breath", which gives people a feeling of gust of wind and wind out of thin air.
Kazuma raised his head and glanced at the sun, but found that I don't know when the sky is already overcast, and the surrounding light looks like dusk has come early.
Kazuma clenched his fists-with a knife by his side, he could cut a future.
I don't know if the fist works well.
The nursery rhyme from behind began to sing a third time, and the pottery figurines in front shortened the distance again.
At this time, Kazuma suddenly remembered that Tamamo said that if you find yourself being dragged into an unusual space, you should sing that pass song.
So Kazuma took a deep breath and started singing.
Although he now has the name of a musician, his singing level is almost no.
But this time I can't care about so much.
The moment the first syllable was exited, the pottery figurines could be clearly seen shaking.
But the nursery rhyme of "Bird in the Cage" that came from behind became louder, as if it was going to overwhelm the sound of Kazuma.
--effective.
So Kazuma raised the volume, took out the style of singing songs during military training, and howled the nursery rhymes.
In the next moment, the pottery figurines, highways and traffic lights were all gone.
Kazuma is standing on the shore where I don't know where, and the surrounding flowers are full of other shore flowers.
Not far in front of him, a huge red torii stood in the flowing river.
Countless lanterns descend along the river and pass by the torii gate.
What the hell?
Kazuma stepped towards the torii, and then found that the water was very shallow.
The other shore flowers bloomed in his footsteps, as if a group of creatures were chasing his heels.
Then, Kazuma heard the singing.
Not "Bird in a Cage", but "Passing Song".
The cold and slender female voice was singing softly.
通りゃんせ通りゃんせ (Go through, go through)
ここは午府の细通じゃ (The trail of the underworld here)
He turned his face slightly and followed the reputation with the corner of his eye.
The ghost ghost was looking at him from a distance, as if waiting for him to join the ranks of Hyakki Yakou.
There are butterflies flying from a distance.
Kazuma followed the butterfly and turned to the front, only to find that the huge torii gate was gone, replaced by a "passage" composed of many torii gates.
The song continued to sing, if it is just and it is away:
通りゃんせ通りゃんせ (Go through, go through)
ここはどこの细道じゃ (Where is this trail?)
天神さまの细道じゃ (This is the trail of the gods)
ちょっと通して下しゃんせ (pass gently to the opposite side)
There is a figure in front ~www.readwn.com~ looks like a child.
Butterflies continue to move forward, Kazuma speeds up its pace.
Then he saw the shaking lantern.
The light of the lantern cut everything around it, digging out a reassuring round bright spot from the gloom.
A familiar figure stood in the middle of the bright spot.
She hummed a song and stretched out her hand.
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