Inherit For Three Thousand Years

The loss of these works is the biggest regret of Mr. Xu's life.

When the Japanese army invaded Xinjiapo in 1941, Mr. Xu entrusted his friends with hundreds of works he painted in the three years of Singapore, Malaysia and India, as well as other antiques and rare books, and buried them in a dry well of Xinjiapo Chongwen School. Inside, there are 40 oil paintings that Mr. Xu himself considers the most precious. Then Mr. Xu took 1,000 works alone, boarded the last ship to India before the fall, and left Xinjiapo.

This time, it is the separation of people and paintings. The owner of the oil painting did not expect that he would lose these treasures forever.

Until now, only a few of the 40 oil paintings in the lost works have news again.

Xiao Yao unexpectedly found three of the fine oil paintings in this secret room at one time, which is indeed a great surprise.

In the other grids of the first row of the Bogu shelf are the works of Bada Shanren, Zhang Daqian, San Yu, Huang Binhong and others.

But none of these works are too precious, most of them are common ordinary works.

Only one work is stored in the last grid of the Bogu shelf in the first row.

Xiao Yao opened it and watched it. What surprised him was that this turned out to be "Five Kings Drunk Returning"!

No wonder this work occupies a grid alone. This work can be called a national treasure, and it is indeed worth occupying a grid.

Although there is a surprise in his heart, it is not the authentic one, and he has to carefully appraise it.

He first looked at the seal of the seal, and the seal: Ren Shi Ziming, Yueshan Taoist.

Chen Jiru's postscript: The Emperor Wen Huang of Tang Dynasty carved six horses in Zhaoling, his descendants were more horse-loving. The Daizong had Jiuhuaqiu, and the Dezong had the wisdom and the wishful. It is decorated with gold lep, charged with purple jade whip, and has one grade of material. Therefore, the pictures are circulated in the world, singing endlessly. This volume is written in Tang Dynasty. The inscription and the postscript have been cut off. Fortunately, Ma Shanger is safe, and Mr. Wang Linguo in Wuxi has been in the possession of it. His grandson Fuzhou Shoumanhong can protect it forever, playing with the truth, the posture is as raw as alive, the so-called writing The shape of a wedge is not in the water, but the shape of a stubble is from the sky. It is set by Cao Ba, that is, the public Lin generation failed to fight with him. Chen Jiru in the cloud is inscribed in the stubborn house.

There is also Wang Yongji's postscript: This volume is written by Mr. Meigong, who believes that its brushwork is not made by the modern Danqing family. Duyun: From the Tang Dynasty, there is no corroboration, the second seal of the end of the test, the first name is Ziming, and the Taoist of January Mountain. In his spare time, I occasionally read the miscellaneous decorations of Li Jiuyi and Zitaoxuan, which is known to be the water supervisor of the Yuan Dynasty. According to the miscellaneous words: Yuan Renrenfa, Ziming, Haoyueshan, Qinglong Town in Songjiang, the eighteenth middle school of the year, the Capital Water Supervisor, Kaijiang Gate, Fanshuiyi, Renfazhuzhi. Be good at drawing things, and try to paint the Wowa Tianma map by order. He has ten volumes of water conservancy books. Nowadays, people just call it Renshuijian, painting horses to cover the clouds with art. However, he is famous for painting horses, but the eyebrows did not go through the details, because they are attached here. Chongzhen Renshen (1632) February 7th, the owner of Wangchuan Pavilion.

Look at Jian Zang Yin: Shang Bin (Half Seal), Neutral (Half Seal), Li (Half Seal), Faithful and Jiu An (Half Seal), Xiangsi (Half Seal), Ke Guan (Half Seal), Descendants (Half Seal) Seal), Jiaolin Yuli's Books, Guanqi Dalue, Tangcun Approval, Hebei Tangcun, Anding, Jiaolin Secret Play, Cangyan, Cangyanzi, Geng Zhaozhongxin Gongshi in the Liangbie name Changbaishan Chang Collection of calligraphy and painting seals, Xingong Appraisal Collection (three times), Banguxuan Calligraphy and Painting Seal, Qianlong Imperial View Treasure, Qianlong Appreciation, Shiqu Baoji, Sanxitang Jingjian Seal, Yi descendants, Qianqing Palace Appreciation Treasure, Shiqu Dingjian, Re-edited Baoji, The treasure of Jiaqing Imperial Lantern, the treasure of Xuantong Imperial Lantern, Xuantong Appreciation, Wuyizhai Jingxi Jingxi, Hushitai Appreciation, Tianmushanren, Zungutang True Appreciation, Jinghong Pavilion.

After reading these carefully, we can confirm that this is indeed the authenticity of "Five Kings Drunk Returning".

"Five Kings Drunk Returning Picture" is a work of the Yuan Dynasty, and collectors since the end of the Ming Dynasty are very clear: Zhu Shangbin, Wang Linguo, Wang Yongji, Liang Qingbiao, Geng Zhaozhong, Geng Jiazuo (the print of Banguxuan calligraphy and painting is his Tibetan seal), Qianlong, Jiaqing, Puyi.

Among these collectors, Liang Qingbiao and Geng Zhaozhong in particular were recognized as the best-sighted collectors in the early Qing Dynasty.

The late Ming and early Qing was a truly prosperous period in the history of Chinese painting and calligraphy appraisal. It truly realized the diversification and popularization of collectors, making the collection of calligraphy and painting showing signs of unusual opening and fusion. Calligraphy and painting are scattered among the people, so that some private collectors, mainly bureaucrats, literati, merchants, etc., can have the opportunity of public collection of paintings and calligraphy.

After the rebellion of San Francisco, the issue of "the rule of culture" was taken seriously by Kangxi. In his spare time, he appointed some special social connoisseurs or court nobles to participate in the sorting of the classics of the palace, distinguish the paintings and calligraphy collected in the palace, and constantly The acquisition of scattered folk national treasures, among which Geng Zhaozhong, Xiong Cilu, Gao Shiqi, and Anqi are the most representative, making the collections in the early Qing Dynasty present the characteristics of collecting from private to public once again in history.

"Five Kings Drunk Returning Map" is an example from Geng Zhaozhong into the public collection of the Qing Neifu. Both "Sequel to Shiqu Baoji" and Volume 4 of "Shiqu's Essays" by Ruan Yuan have records of this painting.

The seal of the seal of the "Five Kings Drunk Returning" is exactly the "Eight Seals of Qianlong" from the "Sequel of Shiqu Baoji", and the position of the seal is in full compliance with the specification. The seal "Qian Qing Gong Jian Treasure" in the volume is also consistent with the collection points described in "Shiqu Baoji".

Xiao Yao didn't expect to see this national treasure painting from the Yuan Dynasty that has been lost in this secret room.

The 1911 Revolution overthrew the Manchu Qing government. Pu Yi, who was still living in the Forbidden City at the time, had a foreboding that he would not live in this huge palace for too long, so he arranged a way for him.

One day, a few people came to the place where the calligraphy and painting were stored, and they began to read these calligraphy and painting. They were sent by Pu Yi to select some valuable calligraphy and painting. A total of 1,200 calligraphy and paintings were selected by these people, and each calligraphy and painting were stamped with the words "Xuantong".

From the 12th to the 14th of the Republic of China, these paintings and calligraphy were taken out of the Forbidden City by Pu Yi in the name of rewarding Pu Jie. Most of them were hand-rolled albums.

In 1945, the Manchukuo was destroyed, and this batch of old Qing palace paintings and calligraphy that were scattered from Xiaobailou was called "Northeastern goods".

The "Four Catalogues of Lost Books, Calligraphy and Calligraphy in the Forbidden City", published during the Republic of China, clearly records: On November 4th in the 14th year of Xuantong (1922), this volume rewarded Pu Jie.

This national treasure-level work that was lost by Pu Yi appeared in this secret room and was able to see the sky again, but it is worthy of a pleasant surprise.

It is rare to see a national treasure painting, Xiao Yao appreciates it very carefully.