Inherit For Three Thousand Years

"Five Kings Drunk Returning" the horse modeling, horse eyes, horse hooves, horse hair, horse tail, horse forehead, horse ornaments and rendering methods, hairspring crocheting lines and characters' clothing processing methods, face opening, rendering, clothing patterns Gule are consistent with Ren Renfa's "Two Horses", "Exercising Pictures", "Nine Horses" and "Three Horses".

In the composition, the composition is tiled, without background foil, and more of the heritage of the Tang Dynasty is preserved.

The lines are drawn using ancient hairspring techniques, the outlines are fine and round, like spring silkworm silk, the beginning and the end of the pen, the bone method is used everywhere.

The rendering method used in the Tang Dynasty "Wu Jiaxiang" also known as "Wu Zhuang". Rendering with light colors, such as the tulle texture of the hat, pommel horse hair color, and the clothing of the characters, are all rendered on the basis of paying attention to the unity of the atmosphere of the entire picture, seeking gradients in the same chromaticity, so that the entire work has a strong The sense of movement of the pommel horse can feel the characters' clothing pattern showing the effect of "the sky is flying, the wall is full of wind". This is the so-called "Wu Dai as the wind".

Ren Renfa, the author of this painting, is not only a high-ranking official in the Yuan Dynasty, but his achievements in painting are also eye-catching.

Ren Renfa is a character described in the "Twenty-Four History", the "Minister of Water Resources" in the Yuan Dynasty, and a senior official at the ministerial level in the Yuan Dynasty.

Emperor Qianlong collected 9 works of Ren Renfa, all of which are recorded in "Shiqu Baoji", 8 of which are in museums all over the world, but this "Five Kings Drunk Return" is the most beautiful in Song and Yuan calligraphy in the world Both are very important works, very rare, and unique works.

The price of this painting was definitely much higher than that of Mr. Xu's "Blood and Fire" decades ago. Although it may not be necessary now, the title of national treasure is beyond doubt.

This painting is 750 years old, and its historical significance is inestimable.

Most of the Bogu racks in the second row are Western oil paintings, and there are also many fine works.

If distinguished by price, Xiao Yao’s highest valuation is Picasso’s "Girl and the White Pigeon".

This painting is Picasso's fine work, and the auction price is at least 70 million US dollars. If competition is fierce, it is possible to exceed 100 million US dollars.

Having seen the calligraphy and paintings on the two rows of Bogu shelves in front of him, Xiao Yao then looked at the objects placed on the Bogu shelves on the left.

On the first row of Bogu racks on the left, all porcelain is placed.

The small porcelain bowls placed on the first Dubaoge are rare porcelain treasures.

The small bowl has a luxurious mouth, a deep arc wall, and a short circle foot. The whole body is moisturized with white glaze, and the inside of the vessel is usually without lines.

A plum tree is written on the bowl with exquisite brushwork and fine brushwork. Its branches are staggered and vigorous, winding and growing, sometimes turning suddenly, but always complementing the bowl shape. The stamens and buds are outlined with fine brush and light ink, highlighting its elegance and elegance. There are a few clusters of dwarf bamboos underneath. The branches and leaves are drawn with double hooks and thin brushes. They are dense and not chaotic, and the order is in order, which fully demonstrates the artist's extraordinary skills.

On the other side of the bowl, there are two five-character verses in running script, with a gentle and elegant brushwork. The beginning of the sentence is printed with a gold-red material seal, and the end of the sentence is printed at the end.

Plum and bamboo are the favorite subjects of poets and painters. These two plants are not afraid of severe cold and have the characteristics of perseverance. The plum blossoms every year in the cold season of spring, with fine stamens and full of leafless branches. The faint fragrance indicates the beginning of the new year, and everything is revived. Bamboo evergreen is a rare greenery in dry mountains and cold water. Among them, the characteristic of being vacant and upright has become the expectation of gentlemen's self-encouragement.

As a result, both plants became a symbol of not humiliating and fearing power, and were praised by poets and painters.

The problem drawn on the bowl is very pleasing. In addition, the painter's skill and skill are so great that even Xiao Yao can't put it down.

Xiao Yao first checked the seal of the seal. On the bottom of the bowl is the Song type script of "Yongzheng Years".

The poem on the wall of the bowl: See the shadow in the moon, and smell the fragrance in Mochi. Seal: Fengcai, longevity, fragrance.

This should be undoubtedly the Yongzheng enamel color of Qing Dynasty!

In the minds of porcelain collectors, the Yongzheng enamel bowl is a rare treasure. Among these gorgeous and beautiful porcelains, there is a variety like plum blossoms that bloom in the cold, lonely and self-reliant, with unique style, and the most beautiful and elegant-that is the ink enamel recorded in the archives of the Qing palace.

The term ink and wash originally refers to painting on paper or silk in shades of different shades of ink. Because the white porcelain painting has ochre enamel, it has a poetic and artistic meaning, so it is used here as a false description.

The top grade of enamel, commonly known as "Guyuexuan", is praised for combining the three quintessence of poetry, calligraphy and painting, and ink and wash enamel can best show the realm of three quintessence.

Yongzheng enamel enamels are rare and rarely appear in auctions. The Yongzheng ink enamel bowls have never been publicly auctioned. The rareness and preciousness of this bowl can be imagined.

Although this small slap-sized bowl looks inconspicuous, Xiao Yao estimates that the market price is at least 70 million yuan.

There was also a small bowl on the second Duobaoge. At a glance, Xiao Yao felt that this should be a multicolored golden bowl carved with egg white glaze in the Yuan Dynasty.

This five-color flower-golden multicolored bowl is about 8 cm high, with a diameter of about 17 or 18 cm, and a foot diameter of about 5 cm. Open mouth, deep abdomen, short circle feet, no glaze inside the bottom feet, and a water chestnut-like protrusion in the bottom center. The tire color is white, the glaze color is clear, and the inside and outside are full of glaze. It is a typical Shufu kiln type. The inner edge of the bowl is decorated with honeysuckle patterns and dark patterns. The interior of the bowl is persimmon pedicles with a Sanskrit text; the outer edge of the bowl is curved and decorated with dark water ripples, and the lower part of the outer abdomen is decorated with lotus petal patterns and eight treasure patterns. The bowl is decorated with purple, blue, malachite green, and enamel glaze, with gold pieces embedded in it.

In the history of China, the rise of Mongolia and the establishment of the Yuan Dynasty made China a unified country on an unprecedented scale since the Han and Tang Dynasties. The integration of the people of various nationalities in the country, the socio-economic development has been rapid, the transportation is developed, the trade exchanges are frequent, and the handicraft production is in the front. It was inherited and developed on the basis of North Korea. The craftsmanship of blue and white porcelain in the Yuan Dynasty is a new achievement in this period, and it occupies an important position in the history of ceramics. The five-color flower 戗 gold multicolored bowl is a wonderful flower of ceramic craftsmanship.

"Colorful Flower" is limited to documentary records, and has never seen the spread of physical objects in history. Since the world has never known or seen porcelain of this kind of craftsmanship, there is nothing to mention in the "History of Chinese Ceramics" published in 1982.

In the early 1990s, the National Cultural Logistics Communication Coordination Center found traces of five-color Huajian gold porcelain overseas. Immediately, experts from the Magic Capital Museum and the Palace Museum were arranged to go overseas for appraisal and inspection, and only then did the research results of the colorful flowers and gold come out.

So, what is the five-color Huajian gold and multicolored porcelain?