Journey to the West: I Am Entertaining in the Great Tang

At this moment, an abrupt shout sounded: "Who asked you to participate in the competition in this form? I protest! This male and female duet competition method is invalid!"

Hearing the ineffective roar of this kind of game, the audience was so shocked that their mouths grew, as if they could lay a big egg!

Who openly believes in the stage of the good voice of the Three Realms? This is too much to put Mr. Qin Hao in his eyes.

The monk Pianji and Princess Gao Yang on the stage were immersed in the music and confided in their hearts.

Suddenly interrupted by this sound, both of them were taken aback.

Looking at the sound with the audience, the one who stopped the anger turned out to be-Guanshiyin Bodhisattva!

I saw that she was usually kind and kind and could not see her, instead she was full of anger.

To be honest, the people really didn't see her being so angry.

"Amitabha Buddha! This is a competition, how the two benefactors actually sang such a silver tune in public!"

Avalokitesvara Bodhisattva was really furious, and he rebuked him without a word.

In her opinion, the monk debate about going back to the vulgar, whether it is against the Buddha or his master, is all within Buddhism.

However, he blatantly wore lay clothes and sang such songs with princess Gao Yang frivolously!

The key point is that he is a Buddhist translator, and many people know him!

A disciple of Buddhism sang love songs to women in lay clothes!

What kind of system is this spreading out!

Where is the face of Buddhism?

What to do with prestige!

Avalokitesvara Bodhisattva became more and more angry as he thought about it, and finally broke out.

The whole audience was stunned by her roar, and when she raised her head again, the eyes of the people around her were locked on her.

This···

Guan Shiyin also felt a bit too much, but it was already like this, she could only bite the bullet and said:

"The contestant clearly should be Princess Gao Yang. There is no reason to let others participate!"

I have to say that Guanyin Bodhisattva's words make sense.

When Qin Hao saw this scene, he immediately ordered the invisible host to announce that this scene was indeed invalid, and asked Princess Gao Yang to prepare again and perform again.

The interrupted arguing monk originally wanted to theorize with Avalokitesvara Bodhisattva, but when he heard the host's voice, he had to give up.

Looking affectionately at Princess Gaoyang, he walked down the stage in a daze.

Princess Gao Yang also went to change her clothes, and after making a cup of tea, she came back.

Under the colorful lights, she was wearing a golden yellow dress with tassel jade around her waist. Two large sleeves were sewn on the back of the dress.

The form she adopted this time was singing and dancing.

The song "White Fox" tells a tragic love story between a white fox and a scholar.

The story is described like this:

A scholar accidentally found a white fox injured by an arrow when he was studying seriously, so the scholar rescued the fox.

For the grace of the past life, this fox, after cultivating for thousands of years and turning into a human form, served as a maid beside the scholar just to repay his favor.

At this moment, it was time for the scholar who Baihu repayed his favor to go to Beijing to rush the exam, and the scholar had to leave Baihu.

The scholar was successfully admitted to the top prize, but he was named a consort by the emperor, and he became a kiss to the princess.

The white fox also chose to leave for love, and the scholar really liked the white fox, and after the white fox left, he also died of depression.

People are always mortal, and the white fox and the scholar agree to be a husband and wife in the next life. The white fox exhausts its mana and reincarnates the scholar. In the next life, the scholar is named on the gold list.

After all, the white fox came a step late, watching the scholar and others enter the bridal chamber, the white fox secretly left.

When he loved him, he was impoverished, tossed for thousands of years, but what was waiting for him was painful completion.

Princess Gao Yang’s singing is sad and sad. She compares herself to a thousand-year-old white fox. After being injured, she was saved by a scholar, so she fell in love with the scholar, transformed into a human form, accompanied by day and night, but the scholar was a human...

This song is a rare masterpiece in the song, and its words, music, and singing are a perfect match.

Especially the poignant words and the melodious songs are not only nice, but the artistic conception is also very difficult.

Princess Gao Yang used a magnetic voice to tell the audience that a white fox who chose to give up and leave for the fulfillment of love without regrets chose to give up and leave with her magnetic voice.

Thousands of years of practice, thousands of years of loneliness, and the poignant helplessness of love, the princess Gao Yang, who is just in touch, expresses the artistic conception of the song with her unique charm.

The audience did not expect Princess Gao Yang to sing and dance by herself.

Although the rhythm and dancing posture are soothing, but this is very demanding for the singer's breath.

There has always been the term long sleeve dance, which is a general description of the dance characteristics of sleeve dance.

The sleeve dance of classical dance is mainly refined from the traditional Chinese opera.

The appearance of water sleeves as costume props in dances is not only an enlargement of the physical extension space, but also an extension of emotional transmission.

Princess Gao Yang has practiced singing and dancing since she was a child, and her dazzling pair of sleeves is even more impressive.

I am a fox who has practiced for thousands of years, and I have practiced for thousands of years of loneliness. In the dead of night, some people could hear me crying, and some people could see me dancing in the dim lights.

I am a fox that has been waiting for a thousand years, and I am lonely for a thousand years. Who in the billowing red dust has planted the poison of love again, and who in the vast sea of ​​people has drunk the poison of love again.

When I loved you, you were as poor as you were studying hard, and when you left you, you were titled in the bridal chamber.

Can you dance another dance for you? I am the white fox that you released thousands of years ago. Look at the fluttering and fluttering garments, each and every one will become nothingness.

In the singing, the audience looked at the constantly fluttering skirts on the stage and really enjoyed a visual and auditory feast!

She used her singing to give everyone a thousand-year-old complex, and used this melodious and slightly sad song to compose a secluded song, showing a picture of life.

The audience listened intently to the song, and carried forward all sorts of tenderness.

Bathing in love, gently touching the loneliness in my heart, just to write the thousand years of lovesickness into today's bright.

If feigning love, like a stream melodiously passing by: a thousand years of hope, transformed into the only result today.

The shining color always sings with the incomplete beauty: the sharp edge of love shoots through the cold ending-on the Sanshengshi, continuing to love and talk about the future.

"Please let me dance another dance for you, I am the white fox you released thousands of years ago..."

The quiet song before dawn sings the longness of love; the stare in the dark is just to treasure you forever.

Thousands of prayers, in exchange for a look back in this life: take your affection away, show the way for "me" in the dark; leave my love behind --- please remember that I have been in your world .

Love is in this life, a choice without regrets; love is in the next life, and we will spend it together in the next life...