Life in Tokyo starting as a child star

Chapter 37 Is this a genius or a freak?

To be honest, acting is not a necessary condition for Yotsuya Masayoshi.

All he needs is the image of Kitumi Minoru as a subservient servant.

Thus, a new image of Natsuko was constructed in the mind, and used as a reference to revise the script.

Therefore, even if Kitumi Minoru's acting skills are not that outstanding, he can still accept it.

But if you can.

Yotsuya Masayoshi still hopes that the other party can show acting skills that match the protagonist.

Because "Kidnapped Natsuko" also includes many sub-war healing films that I have collaborated with Honma Toshihiko before.

Many places in it are actually microcosms of his real childhood.

Although it is not as exaggerated as in "The Kidnapped Natsuko", he did experience some of these things in his childhood.

His father Yotsuya Keito was an ordinary worker. He had studied kendo and was deeply influenced by the meaning of "bushido" contained in it.

He was strict and couldn't bear to see his son's cowardly behavior.

Especially for the eldest son Yotsuya Masayoshi.

As long as Yotsuya Masayoshi shows a weak look, he will be asked, "Are you a woman?" ’ ‘What’s that expression on your face? What can your tears do? ’ either hit or scolded.

On one occasion, Yotsuya Masayoshi was particularly impressed.

On a cold winter day, after his father beat him with an oak stick, he was forced to stand in the empty courtyard of his home to hone his "Showa manly spirit."

On a cold winter day, the wind blows.

He would curl up and resist with trembling teeth.

He couldn't remember exactly what happened after that day.

I just remember it was snowing behind me.

The snow is very white.

Mother's embrace is very warm.

Therefore, Masayoshi Yotsuya at that time hated his father extremely.

Just like Natsuko in "The Kidnapped Natsuko", she hopes someone will kidnap her and take her away from that home.

In reality, he did not have the courage to escape from his home.

So he gave Xia Zi the courage to escape from that home in his writing.

Therefore, as the creator of the script and someone who has experienced this, Masayoshi Yotsuya hopes that Kitami Minoru can show his acting skills.

Think of this.

Masayoshi Yotsuya casually opened the script and glanced at one of the scenes.

That was a scene where Natsu Zi was beaten and scolded out of the house, and her mother locked the door and didn't want to talk to Natsu Zi.

He spoke without emotion.

"What a loser! You are just like your father! They are both the culprits who messed up my life! Get out of here!"

Yotsuya Masayoshi spat out his words, and then subconsciously looked up.

Then

He was stunned.

I saw Beicheng Minori's small body staggering, as if being pushed forward by some invisible person.

It was like a switch had been flipped.

The generous and generous self-confidence of being a servant just now faded away, and Natsuko's childlike face showed confusion and confusion.

He raised his head and looked around in a panic and confusion, and his big eyes became moist, as if he had been locked out of the room by his biological mother on a deep winter night when the moon could not be seen.

"Mommy mommy"

Natsuko called softly through the door.

But not beating.

He was so humble, so humble that he was afraid of disturbing the neighbors, let alone his mother.

On a winter night, under the dim lights on the street corner, a cold wind seemed to be blowing.

He let out a soft 'ah' sound, and his curled up little body trembled slightly with the wind.

Under the light, Beicheng Mi's little face, hidden under her short hair, was trembling.

But there was nothing he could do.

I could only stick to the corner and call my mother softly.

Under the cold light, his lonely profile is endearing.

It's obviously not winter here.

This is not a street filled with cold wind.

However, Masayoshi Yotsuya subconsciously pulled up his collar as if he felt the 'cold'.

He was inexplicably confused.

It was as if the whole person was transported to that winter.

The one who was beaten and scolded by his father.

He was shivering, but he didn't dare to call out in winter.

The mother secretly put him into the house. She had no choice but to use her body temperature to warm the winter in his frozen heart.

The snow is heavy.

So big that his father couldn't hear his soft calls.

It was so loud that he couldn't hear his mother's soft words of comfort.

Yotsuya Masayoshi suddenly felt his nose sore.

So he continued to play along softly:

"In that case, Natsuko, come with me! I will kidnap you, and you will be my hostage."

Masayoshi Yotsuya extended an invitation to his former childhood self.

An invitation was extended to those who did not have the courage to escape.

Then--

"Well! Then big brother, just take me away!"

The loneliness just now was wiped away from his face.

Kitaki Minoru smiled.

He gently but firmly grasped the hand of Yotsuya Masayoshi who subconsciously extended his hand.

My childhood self accepted the invitation.

The sun shines just right, making the room seem a little brighter.

Time is frozen.

The child's smile is quiet.

It's like light is flowing out quietly.

Yotsuya Masayoshi said nothing.

But he clearly felt it.

My tired heart, which had been burdened by my father for a long time, seemed to be healed by this smile.

He was satisfied, so he turned his head to look at Honma Feiyan and sighed.

"As expected of Honma, this kid is really amazing, he is so outstanding."

As he spoke, he shook his head.

"It seems that I misunderstood you. At first I thought it was Shimizu who took you to some shady shops, so you deleted Akiyama Shion from the character list and replaced him with his."

yes.

He really didn't expect Kitumi Minoru to perform so well.

As a result, he is still thinking about it now.

No wonder Honma Feiyan acted so confident before.

Was this what he expected?

Alas, as expected, in terms of director's ability, he is indeed not as good as Honma Hihiko.

Yotsuya Masayoshi sighed here and there.

Honma Feiyan over there also came back to his senses at this moment.

Listening to Yotsuya Masayoshi's sigh.

The corners of his mouth twitched.

What a ghost!

Although he had already predicted Kitumi Minoru's performance in advance, and felt that there would be no problem with the other party's acting skills.

But this time the other party said so.

Honma Feiyan could only show an awkward and polite expression to Yotsuya Masayoshi, saying, "Look, it really is like this".

But

Isn't this expressiveness a bit exaggerated?

Especially Kitami Minoru's "smile" at the end - it may be included in some magazine's "Top Ten Shots" or on the cover of a magazine or something.

So clean.

It really gives people a very healing feeling!

And put aside this feeling of ‘laughing’.

The acting is also a bit too great.

Is the other party making progress without knowing it?

Honma Feiyan scratched his hair.

At this time, he realized that the words used by Qingshui Shan to describe this precocious child were not particularly exaggerated.

genius?

Freak?

This seemed a bit problematic at first.

Now it seems like there really isn't much of a problem.?

Honma Feiyan was a little unsure.

This was also after he had come into contact with many slaves.

This is the first time I have this feeling of uncertainty.