May Be the Fake Gintama

First of all, in terms of data, here is only the starting point data, because there seems to be no one hundred collections in the bookstore.

It was released on January 1st. I remember clearly. At that time, the total collection was just over 700, and there were only 700 collections after running naked for two months. At that time, I felt that this book was nothing to save.

The first order is probably between 70 and 90. I don't know how much it is. The first order collection ratio should be greater than ten to one.

After a month, the collection has risen to 1900. In just one month, the collection has almost doubled as much as the previous two months. I feel quite satisfied.

As of eight o'clock tonight, our high set is 256, and our average set is 158. This result is very satisfying, and it can be seen that the subscription has been increasing. (Maybe after the full attendance period is over, the benefits can be increased to 500 yuan. Okay, I admit I'm thinking about farts.)

The subscription ratio has been maintained at 13 to 1. This result is already considered very good. After all, I am a very contented person.

That's probably what I have to say in terms of data. Of course, I hope everyone can continue to support it.

Next, I’m talking about the plot part. You should be able to find everything that I haven’t left in a chapter. Basically, the daily part of the plot has been modified as much as I can magically. At least new elements have been added. Too much alike. However, this has also resulted in each daily short story being much longer than the previous ones. It's really not water...

Gintama is different from other works. It is basically all dialogues. If you have chased the comics, you will definitely have a deep understanding. Other comics have a dialog box per frame, or a dialog box per frame.

But Gintama...a screen is full of dialog boxes! ! !

Gintama relies on dialogue to drive the plot, which everyone should feel. This web article is also the same. It's basically all dialogue. There is very little description of the scenes and characters. This is no way. If you really describe the environment carefully, then I will have to go up to ten chapters for a daily article. .

Also, some people may think that there is too much nonsense... Uh... Regarding this point, this is also the style of Gintama, and it really can't be abandoned.

Then talk about some controversial plots in the early period of this web article.

The first is about the first volume, the encounter between Yin Shi Jiangcheng and Songyang. In the theater version of the Red Sakura chapter, after Songyang met Yin Shi, he directly brought him back to the classroom of Matsushita Village School. Among the students in the classroom were Takasugi and Katsura.

But in the Gintama feature film, Songyang first met Silver, and then he created the Matsushita Village School. Then I met Takasugi and Katsura.

I wrote the plot here completely for the main story of Gintama, and did not follow the movie Red Sakura chapter. There is no need to entangle this point.

The second is that in the original work, Sakamoto set out to go to the universe after the War against Barbarians ended. I have advanced it here, and arranged for Sakamoto to go to the universe when the War against Barbarians was about to end. In fact, this is also a hint, with Jiang Cheng joining, the entire war against barbarians is even more tragic than the original book.

Even the Heavenly Daoists set a trap when Jiang Cheng was weak when dealing with Fu Jiang Cheng. This is also an affirmation of Jiang Cheng's combat power.

The last point is that, in the original work, the leader of the Siri Wilde congregation engraved the seal on his face after divorcing the anchor Yuno. I am also ahead of schedule. This is indeed my problem. Because I didn’t read the part of the original book too carefully. In the old days, the love and killing between the two brothers was just like Uchiha and Senju in Naruto next door. I jumped over...

But this little bug is not a big problem, you can just find a reason to confuse... (this sentence is crossed out). I will seriously find a reason to explain it! After all, there is not only one such thing as a charm. It can be said that at that time, the charm on Daoman’s face was a charm passed down by the ancestor of the Shiriye family to enhance the charm of men... After all, the anchor Yuno and Daoman have never had that What, so Daoman wants to be able to do that, so... Hey, I'm such a genius.

Then the last point is the question of adding love elements to make Yue Yong the heroine. This... hey, how to say it, this is really a plot need! It is not that I deliberately prevented the two of them from developing in that direction. After all, everyone can see that Yueyong is basically talking more and more, especially in the Unicorn Fairy, and even joking with Jiang Cheng.

This is also another reflection of the changes Jiang Cheng brought to Yoshihara and the changes that Yoshihara brought to everyone. What Jiang Cheng wanted to do was not only poke a hole in Yoshiwara's ceiling, but also wanted to make a little change, and finally bring everyone to [Outside] so that they would no longer be any different from the people in [Outside].

The perfect protagonist does not exist, this is what Gintama told us. In fact, Jiang Cheng is not. He has shortcomings and even some minor flaws in his personality. But I think this is good for him~www.readwn.com~ In fact, everyone in Gintama is like this, but when faced with important choices, he can make the most correct choice, which makes us cry out. . This is the charm of Gintama.

In fact, in the final analysis, Jiang Cheng does not meet the three elements of jump. In fact, just like madao, madao is also a role that does not meet the three elements of jump at all. It can even be said to be a negative example of the three elements of jump.

In this case, the daily chapter may not be able to see it, if you can keep up to the end, I believe you will understand.

The creation of such a protagonist is also to fit Gintama, after all, Gintama's style has always been like this. But as I wrote and wrote, I found that the character in the pen came alive, and some words were written out naturally without me even thinking about it, as if he really existed and would really say that. This feeling is very moving. (I'm probably about to evolve into a gorilla...)

Regarding the heroine or something, everyone shouldn't care too much. Even if you really want to consider it, you have to wait for the finale. If everyone wants a heroine by then, I will seriously consider it.

The above are just a few of the most tangled areas.

In the end, in fact, in the previous article, I left a few foreshadowings that are important to the main line. I don't know if you have found it. If you find it, don't tell it. If you don't find it, you can wait for the follow-up plot.

I really look forward to it. When everyone sees the ending, they will have a surprised expression [the original plot at that time was paving the way for this]. This should be the happiest thing for writers.

Barabara said so, it's all nonsense.

In short, I hope everyone will continue to support!

And, thank you for your continued support!

the above.

.