My Cartoonist Guide

Shang Haozhi turned around, but saw two people push the door in.

A thin body, messy hair, looks gentle, wearing a light-colored suit jacket with a thin dark gray sweater inside. The other has short, broken hair, a face with Chinese characters, expressionless, and is wearing a black coat.

These two people should be the deputy editor-in-chief and team leader Murakami mentioned earlier.

Shang Haozhi and Wang Wenhong stood up and shook hands with the two who came in, and the four of them sat down again.

The three Murakami carefully read the setting of "Steel Refining", but the two who had just entered had nothing to do and could only wait quietly.

This is more than ten minutes.

Yasuda took the lead to sit up straight and pushed away the set. The two people who had just entered took the set.

Nearly ten minutes later, Murakami also handed the two people who had just entered, and then took the set from them.

The first few words can only see the author's ability to control the previous plot, and the follow-up direction of the story still depends on the introduction of the character.

A good story is driven by people, and readers will read it more naturally. If events are used to promote the plot, the creator will deliberately create conditions in order to achieve a certain event, and the plot will appear stiff.

Therefore, from the subsequent fate of the characters, we should be able to see the direction of the entire comic.

Murakami looked at the experiences of dozens of characters that appeared, and roughly scratched the relationship among them.

At first glance, the relationship between the characters is not as close as imagined, and the protagonist is not the focus of all events.

This also means that the plot is likely to have other branches, and the author uses these branches to connect the protagonist with other tasks.

Just look at the character introduction, the protagonist has his own main line, which is to restore himself and his younger brother. Skar is for revenge, and the cyborg also has its own purpose.

These intricate networks of relationships, but there are intersections.

In order for the protagonist to recover his body, he needs the sage stone. Skar wants to destroy the national alchemist because his brother was killed by the national alchemist.

There is no personal conflict between the protagonist and Skar, but Skar kills the national alchemist indiscriminately. As the "Fullmetal Alchemist" Edward is naturally his enemy.

The purpose of the cyborgs is temporarily unknown, but their existence has caused a large number of deaths of the Ishuba people. Therefore, as an Ishuba, there is hatred between the Skar and the cyborgs.

If these plots can be smoothed out and clearly expressed through brushes, this comic may not be unpredictable.

Kotani sat up straight and rubbed his eyes.

"How about the setting?" Murakami asked.

"Do you see it for yourself?" Kotani pushed the setting to Murakami. "It is conservatively estimated that it is better than 90% of the settings in "Shoun Leap"."

Murakami's brows raised slightly, and it was beyond his expectation that Otani could give such a high evaluation.

The setting of "Steel Refining" exceeds 90% of the works of "Young Leap"? Doesn't it mean that this one may also be a pillar comic?

Murakami's attitude towards "Steel Refining" was immediately much more cautious.

"That..." Murakami glanced at the other three people. They were all looking down at the setting. Knowing that there would be no results in a short time, their eyes fell on Shang Haozhi, "Editor-in-chief Shang, what are your conditions? ?"

"The conditions? The same as before. Your club owns the income from the 11 districts of comics, and we draw a commission from it." Shang Haozhi took a deep breath and slowed down his tone. "By the way, Teacher Shen also has his conditions."

"what?"

Murakami frowned slightly, and the cartoonist made a condition, which is really rare.

However, thinking about it from another perspective, if there is such an author in "Young Leap", he would probably also consider it seriously.

"He determined the length of the comics, magazines should not interfere; animation production companies, at least the level of orochi... This is a rigid condition." Shang Haozhi explained.

"How hard is it?"

"These two conditions are the prerequisites for cooperation. If you agree to cooperate, it is equivalent to agreeing to these two conditions."

"You gave him too much power." Murakami frowned.

Shang Haozhi smiled slightly, "A magazine agency must have a trump card. Other cartoonists can also negotiate terms with me, but they must show their corresponding strength. Moreover, China is more than just a "ComicFuture" magazine. Just like there are many excellent comic magazines in District 11."

Murakami was taken aback, Shang Haozhi obviously had something in his words, especially the last sentence.

District 11 is more than an excellent magazine from "Young Leap"...what does it mean? Is he still ready?

Murakami's eyes fell involuntarily on the set of characters, and the other editors also raised their heads, looking at Shang Haozhi in surprise.

For a time, the three people became the focus of everyone.

Wang Wenhong suddenly felt a dry mouth, glanced at the translator on one side, and saw that he was equally nervous, only Shang Haozhi was always smiling, as if he was confident in his chest.

"That's it..." Murakami took the lead and rubbed his nose. "I really want to give you an answer, but today's time is too short. Let us talk about it again. We will tell the decision tomorrow or the day after tomorrow. How are you?"

Shang Haozhi heard the translation and nodded slightly, "At that time, will I contact you or..."

"I'll get in touch with you... as soon as possible." Murakami glanced at the other four people, but saw that they hurriedly looked at the setting of "Steel Refining", and could only smile reluctantly, "Wait a moment, wait for them to finish watching."

"We are not in a hurry."

"Where will the three go to eat later?" Murakami asked again.

"We can find any place."

"There is a good Huaxia restaurant nearby. How about we go there for dinner?" Murakami suggested.

"Still wait until this matter is over?" Shang Haozhi refused ~www.readwn.com~Murakami nodded slightly, "Then two more days."

After more than half an hour, several editors handed over the setting of "Steel Refining" to Shang Haozhi.

Comics and novels are not the same as general merchandise. They are extremely reproducible, and the content of the copy is exactly the same as the original.

The settings and sums that Shang Haozhi brought this time are almost the main content of the early stage of "Steelmaking". Once it leaks, "Steelmaking" basically has no secrets. Therefore, Shang Haozhi has to be careful and cautious.

Wang Wenhong followed Shang Haozhi out of the building, and the pressure disappeared a lot.

Shang Haozhi glanced at Wang Wenhong, the corners of his mouth curled up, "You, you still need to exercise again. Teacher Shen has told you the bottom line, you should have confidence."

"Isn't this abroad? I'm afraid of embarrassing Teacher Shen." Wang Wenhong touched his nose and smirked.

"What is there to be afraid of? Originally, I didn't have enough confidence. But after listening to Teacher Shen's reminder, I suddenly gained confidence."

"why?"

"Ms. Shen also made a few comments when he painted "The Soul of Chess", right?"

"Yes."

"That's it. Whether you have the right to determine the length of the comic or choose an animation production company, the goal is for the quality of the entire comic. For this reason, he even gave up the 11th district market, which shows that he cares about the comic. This is similar to his attitude towards "Soul of Goss". Whether a comic is a big hit is certainly related to the market, but it also depends on how much confidence the author has in the comic. If "Shoun Leap" gives up, they will definitely regret it."

Shang Haozhi sighed, turned around and glanced at the building of "Young Leap".

I hope your decision will not disappoint me and Teacher Shen.

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