This is My Holy Grail Battle

Life showing its final glory is my favorite thing to see, so any character can die suddenly on the spot.For example, the protagonist, not to mention winning, has never survived to the final battle.

Because there's no reason for the main character to make it to the final battle, he was just a mortal not too long ago.Although the growth is very fast, it is not enough.

He didn't know the final outcome of the Fourth World War, why Kotomine Kirei would become a saint;

It is also unknown whether Hercules and Artoria joined forces to defeat Apocalypse;

Similarly, he still doesn't know whether the souls of all the people in the world have been materialized by the third method.

He can only leave the battlefield with regret, because the dead cannot see the future.

Even because the main perspective is the main character, it leads to a situation where it is not known how the other servants died.

Just a notice telling you that you were killed in battle.Damn it, die, never ink, including the protagonist himself.

I get the feeling that a lot of you are looking forward to the moment when the main character dies because you are so active every time the main character dies.

He was the third Servant to die in the Fourth Holy Grail War in Fuyuki City, before him only Lancelot and Diarmuid.And both of them are plot kills, so he is the first follower to die if he is only counted as death in battle.

The fifth Holy Grail War did not see the final outcome.Medea also died in the Holy Grail War directly after the warmth, because Medea had no way to resist the Deaththorn Lance.And Kotomine Kirei, who had participated in the fourth battle, knew very well what the battle between servants was like.

So Kotomine Kirei once again participated in the Holy Grail War, and participated with a merciless attitude, he will have a huge advantage.

Lancer Cu Chulainn died in the battle with Apocalypse, and he also learned from Tosaka Rin.Just a sentence 'lancer is dead, the murderer is archer. '

Celtic Son of Light, the departure of such a great hero is so calm, but this is the battlefield, and death is sometimes so peaceful.

The protagonist has never experienced it, and if he knows it, it is impossible to be as shocked as seeing it with his own eyes.The answer I got could only be one sentence, from Tohsaka Rin, "Lancer is dead, the murderer is Archer."

It is for this reason that the doorman looks at death so lightly.Even before he died, he sipped the bamboo wine lightly, lamented his lack of practice, and left slowly while drinking alone under the moonlight.Even at the last moment of his life, he was still admiring the moon.

I have always maintained this style, which is completely out of tune with the style of all Shuke's books.

In this style of works, there are still people calling the Virgin Mary?Quan Shuke can be more cruel than me, who?Not to mention those who kill sisters to preach, they are not ruthless in nature.The protagonist is still alive, not in much pain, but I didn't even let the protagonist go.

From the protagonist to the character, the style that no one is immortal is called the Holy Mother, and I am also drunk.As a human being, I don't understand my fellow human beings very well.

It seems that not too many protagonists have died, and the warm characters have not died enough cruelty (I suppressed it when I wrote Medea, but I didn’t dare to write too cruel. Some plots were deleted.).I shouldn't suppress this emotion, I should vent it.

So in this volume, I will let you experience what cruelty is!What a pain! (Strike out) Of course, I won't just abuse for the sake of abuse.After all, I love every character, they will bloom their own brilliance.

The protagonist of this book is a pure and pure swordsman, as pure as an angel and as pure as a devil. (It's actually a bit similar to Illya.) He can betray the master without hesitation, and he doesn't mind if everyone in the world loses their feelings.

And the morality and three views left by other followers prevent him from doing meaningless bad things, and he is also very willing to help others without harming his own interests. (What about the lost traveler.)

What he cares about is not the courage of the hero, but the fact that the hero will be remembered by the world.As Merlin said, this nightmare uses a literal trap to make the protagonist want to be a hero.

In other words, what the protagonist pursues is the hero in his own understanding, not the hero in the common sense of the world.He was secretly changed by Merlin, but the hero creation also took effect.The protagonist's logic is:

A hero will be remembered by the world = live in everyone's heart = popularity = die and become a hero = live

Yes, alive in the Hall of Valor, a seat far away from the timeline.After becoming a dead person, the soul is remembered and stored in the Hall of Valor, that is also alive.He didn't object, on the contrary, he looked forward to it.

Because he understands the setting of the Hall of Valor... He actually doesn't want to be a hero, but wants to enter the Hall of Valor as a hero.What he was using was the reward he got after becoming a hero, that is, the immortal soul of a hero.

If he can win the Holy Grail War and use the Holy Grail to make a wish to live, or become an anti-hero, he can even degenerate into a nameless demon.If it weren't for Rin Tohsaka's restrictions in the five battles, he would have embarked on the road of destroying the world long ago, together with Bai A.

So that's why, Karna said he was like a hero and also like a devil.To be precise, he is a hero in himself, and this action may lead to a devilish ending.

For Saber, he thinks he is a devil and an angel.At the same time, this idea was passed on to 'Heath', maybe that's why, the command spells of this man-made man are black and white, right?Angels and demons, it's all the choice of the Holy Grail.

Some people say that only the protagonist is playing this volume, but in fact it is only because the perspective is only fixed on the protagonist.All descriptions and perspectives show the protagonist from the front or from the side.

Not a God perspective, but a limiting perspective.

The reason is simple, I don't need to describe too many other characters, because it is a fan.Since it is a fan, everyone is familiar with these characters, so I don't need to waste pen and ink, and I don't need to count the words.

That's why I feel too biased towards the main character, and it feels a bit overdone. I spent a little time describing the other supporting characters later on. Is this better?But in fact, almost all chapters point to the protagonist.

You are familiar with other servants and masters, and the original book should explain it clearly.And not counting the Master, there are sixteen servants alone, too many to write.And I don't actually have deep feelings for these servants, so it's hard to empathize with them.However, I seem to have found some ways to write group portraits in this volume, and I am about to try.

There is also the problem of the protagonist's shortcomings.I heard someone say: How can Saber not have a light cannon?

I want to say that the protagonist must not have a light cannon. I am not just referring to my book, I am referring to all Holy Grail fans.Once the light cannon appeared, nine out of ten books would collapse.

Whenever there is something similar to a light cannon in a fate fan fiction, then this means that the book is not far from collapse.Because this will cause the battle scene to become a "confrontation wave", and lose the most important part of the Holy Grail War, that is-the sword, light and sword.

Instead of this, it is better to give the protagonist an Indestructible Sword.Make the protagonist's hand-to-hand combat stronger, and at the same time not fall into the vicious circle of collapsed combat power.In order to ensure that hand-to-hand combat can be written, and to make the battle into a sword and sword instead of a battle of magic cannons, I took great pains.

This is the reason why Shuke has many books that started well and then collapsed.Of course, well-written battles are actually very troublesome, and it's true that you don't want to write them.

I have three optional treasures in the FA volume——

The first is the undestroyed lake, but considering that it is Lancelot's again, it can't be too coincidental or it can't be justified, so I blew it.And if you hold the indestructible lake light, there are not so many interesting things to write, after all, this sword will definitely be regarded as Lancelot.

The second consideration is Hanguang, this sword is also indestructible, and more importantly, it is convenient to cosplay King Arthur, because this sword is also an invisible sword.

The third consideration is Durandal.

In fact, Hanguang was first identified, but later I still felt that Durandal was more suitable.After all, it's not good to be too similar to Artoria, just distinguish it.Moreover, Durandal and FA rolls are more compatible, and Hanguang has too few fetters.

After experiencing several Holy Grail Wars, the protagonist is now considered a ceiling-level follower.The combat power is slightly lower than Yidian, but if the mana is sufficient, it is higher than Yidian.

In a state where the supply of magic power is very sufficient, the actual combat power is about a flash.Except for the lack of a powerful light cannon, it is almost perfect, whether it is attack or defense.And the light cannon-type treasure has no meaning to the protagonist, because Avalon.

Only a follower like the local Grand Duke or Wang Caiquan's serious flash can suppress the protagonist (super strong and deadly continuous fire output, not a simple burst, because no matter how powerful the light cannon is, it will be easily separated by Avalon. ).

If the magic power is enough, after building a powerful workshop, there is also the power to fight.After all, it is the temple that has arrived in the magic field, and it is the true inheritance of Hecate, the god of the underworld.