Gotta Go the Healing Route

"Every profession has a professional ethics that must be followed."

The professional ethics of a judge is to not favoritism and stand on the side of the law and justice.

The professional ethics of star actors is to promote and guide correct values.

The professional ethics of professional gamers is to play the game seriously and not to fake games.

The professional ethics of a novel author is to constantly update, not too supervised and not unfinished.

The most basic professional ethics of cartoonists is to maintain serialization and live up to the support and waiting of readers.Of course, being cut in half by the publishing house is another story.

But for cartoonists who have not been cut in half and are in the serialization stage, the most basic requirement is to deliver manuscripts on time.

In the previous life, Kazama Xi's career was also creative, and it also had something in common with cartoonists.

"I won't make it difficult for Mr. Kitaoka. If I serialize the work in your magazine, I will submit it on time and abide by the basic professional ethics of a manga artist."

"Of course, I will obey my uncle's request."

"I know that you will inevitably doubt, so let's speak with facts."

Kazama Xi stood up from the tatami and came to the desk.

There is a piece of clean white drawing paper on the table.

Kazama Xi sat down on the chair, then took out a paintbrush from the pen holder, and then looked back at the two people behind her.

"Mr. Kitaoka, please tell me a scene."

What Kazama Xi held in her hand was a manga artist's exclusive tool, the brush used to draw lines - the g-pen.

Seeing Kazama Xi pick up the paintbrush, Kitaoka Akira immediately understood Kazama Xi's meaning.

There is no evidence for words, so use actions to prove Kazama Xi's words.

Kazama Xi was going to create a cartoon on the spot.

After pondering for a moment, Kitaoka Akira opened his mouth and said:

"The characters are boys and girls."

"As for the background..."

Kitaoka Akira looked at Uma Ryuichi.

"Mr. Bear, tell me a background."

Hearing Kitaoka Akira calling him, Daxiong Longyi was slightly taken aback.After reacting, he looked up at Kazama Xi who was sitting on the chair, and suddenly fell silent.

After a while, Daxiong Longyi said, "Warehouse."

storehouse.

Hearing that Daikuma Ryuichi used this word as a background request, Kitaoka Kounari and Kazama Yu were taken aback.

The two most basic elements of a cartoon picture are characters and background.

The story of comics is derived from the positive two elements.

The character requirements mentioned by Akira Kitaoka are exactly the main characters of youth comics, boys and girls.

Kitaoka Akira did not make things difficult for Kazama Yuki, positioned the characters as inhuman monsters, and did not set specific characteristics of boys and girls.It can be said that this is the simplest subject matter.

Of course, the simplest questions are often the most basic skills.

The background is the stage where the story takes place, and it is the element that defines the story.The most common scenes are street, family, school.In the family, there are often stories about the warmth of family members, while in school, it is a story about youth.

All in all, the background defines the style and content of the story, which is more important than the characters to some extent.

storehouse.

This background is less common than everyday scenes.

What can happen in the warehouse, hostages and kidnappers?A story about a robbery.

According to the brain circuit of normal people, when this background is mentioned, they will think in this way.

But the characters are limited to boys and girls.

Warehouse, boy, girl.

Combining these three elements together, Kazama Xi's expression suddenly became a little weird.

Well, the book artist must be very good at this background.

"Mr. Big Bear really gave me a problem."

With a weird expression, Kazama Xi spoke slowly.

Kitaoka Akira also looked at Daxiong Ryuichi and remained silent.

Stared at by the editor-in-chief, Da Xionglong felt pressure for a moment.

In fact, originally he also wanted to talk about one of the most common backgrounds.But when he thought that the young man in front of him would be the competitor of his talented girl, Daxiong Longyi couldn't help but feel difficult, and revealed a background that had a certain conflict with the character.

"I just thought of this scene. Or, I'll change it." Daxiong Longyi said hastily.

But Feng Jianxi shook her head and said, "No need."

"Difficulty is the best. The difficulty of the exam is the real test of a person's level."

In fact, the warehouse, the boy, and the girl, these three elements form a comic sketch, which is no difficulty for Kazama Xi.

Because, in addition to these three elements being widely used in the book, there is also a famous painting handed down from generation to generation that also has the same three elements.

Thinking of this, Xi Kazama picked up the G-pen and lightly dipped the tip of the pen into the manga ink.

Before starting to write, Kazama Xi did not forget to look up and look out the window.

"Speaking of which, the moonlight tonight is so beautiful..."

Hearing this, Kitaoka Kosei and Daikuma Ryuichi both raised their heads and looked out the window.

But outside the window, there are dark clouds, and there is no moonlight at all.

PS: Just a reminder, Moon.

PS2: Thank you, probably a salted fish, Qiaoling Joestar, [Fu Hua], Shenli yyds, Zhi Kuang Nan She, Mistress of the Underworld, the sleazy traveler Yihu Shisan, Feng Molong, all the bosses for their rewards.

Chapter 42 Takeuchi Face

In the industry, although there are countless people who have become famous for their outstanding painting style and composition, there is only one painter who can run the world with a single face - Takashi Takeuchi.

Tim is the president of Xingyuesha, the creator of the famous image of saber in the acg field, and he is rampant in the world with a "Takeuchi face".

Most of the characters in the famous IP-type moon world cannot do without this face.

If it is subdivided, it can be divided into Saber face, Shiki face, Aoko face, princess face, and Shiro face.

In fact, it's not uncommon for anime characters to bump into faces in the industry.This is caused by certain clubs, studios, animation companies and even individuals who prefer a character modeling style.

In addition to Takeuchi face, there is also the Kyoto face of Kyoto Animation Company, which is famous for its fine works.

Crossing Key Club's classic masterpieces "Air", "Kanon", "Clannad" and "Rewrite", the barrel mother's face is characterized by a nose with big eyes, a small mouth and a small nose.

The classic cartoon face under Ghibli works.

Viewers can often recognize whose work it is through the shape of the face and composition.

Of course, it is not a good thing for animation and comic works to hit the face. Although it highlights a strong style, it often makes people feel aesthetically fatigued.

Facts have proved that even a distinctive painting style must progress with the development of the times.

For example, Hirai face is a well-known face in machine warfare works.

Although it performed well in "Gundam SEED" at the beginning, with the passage of time and the improvement of the painting technology in the industry, this face has become a place of criticism.

For example, the author of "Favna of the Sky", a machine war god, is also a villain-level figure.But the animation has never been popular.It may not be because of the monotonous Hirai face used in the character composition.

Fortunately, Takashi Takeuchi has made a qualitative leap in the painting style of "Fate/hollow ataraxia".The style is still the same, but the demeanor and lines of the characters have become stronger than before. At least the hair is not as lifeless as pickles.

Otherwise, please imagine that Takeuchi's face from [-] is placed in the current Xingyue works, then even Xingyue, an IP famous for its wonderful story setting and personality, may not be able to save it.

But now Takashi Takeuchi has also entered a dead end. Of course, he is the president of a company after all, and it would be difficult for him to spend a lot of energy on research and refine his style of painting.

But in Xingyuesha, which is full of talents, there are some people who can take over the banner of Takeuchi's style.

Koyama Hirokazu, one of Kazama Xi's favorite painters in his previous life.

He participated in the production of "Ten Nights of Moon Song" when he debuted in the industry for the first time, although at that time his paintings had many shortcomings such as the outline of the characters was relatively blunt, and the outline of the characters and the background had a very obvious sense of blocking.

But in the future, the style of painting will continue to improve.Except for the obvious sense of edges and corners, it is almost the same as the current Takeuchi's painting style. In recent years, his painting style has become more smooth and eye-catching, and it is quite stable, except for the saber face. The point of two sentences.

It is worth mentioning that in the kitchen power mobile game fgo, the card face of Miyamoto Musashi was created by Hirokazu Koyama.

The character painting style that Kazama Xi is going to use this time is Mr. Koyama Hirokazu.

The juvenile, the girl, and the warehouse, these three elements put together, in Feng Jianxi's previous life belonged to a world-famous painting, the source of all evil.

With her eyes closed, she was recalling the famous scene in Xingyue's work, but when Kazama Xi opened her eyes, she began to write.

Comics are different from illustrations, in terms of delicacy and details, they are definitely inferior to the illustrations created by artists in a week or even a month.

One of the benefits of black and white comics is that there is no need to color them.Black and white man's grasp of light is only reflected in black and white shadows, and there is no need to pay as much attention to the performance of various object materials as color illustrations.It is necessary to reflect the reflective and translucent effects of the material.

In terms of realism, black-and-white comics cannot compare with color illustrations, but this is also due to the difference in workload between the two.

The first thing Kazama Xi started to write was to make a draft of the storyboard.

The importance of the cartoon frame is self-evident; on the other hand, the use of lens language in the comic storyboard also plays a role in helping the plot advance and the atmosphere.

Simply drawing the famous scene is definitely not enough, Kazama Xi has to cut that picture.After the storyboard is completed, the formal creation of content can begin.

.............

The room was extremely quiet, only the rustling sound of the pen tip rubbing against the paper could be heard.

Sitting on the tatami floor of the room, Kitaoka Kounari and Okuma Ryuichi held their breath.

Akira Kitaoka sat cross-legged, with his arms around his shoulders, his eyes closed as if he was taking a nap, and he looked at ease.On the other hand, Daxiong Ryuichi leaned forward slightly, his eyes were on the editor-in-chief for a while, and then turned away, looking at Xi Kazama who was immersed in writing.

Different cartoonists take different amounts of time to create a page of comics.

Serial cartoonists generally have their own studios and assistants to help them. As long as they are responsible for drafting, their own assistants can do it for you.

If there is no assistant to help and the cartoonist completes it independently, if it is [-]% complete, it will take at least a few hours.