Gotta Go the Healing Route

Because it was a temporary problem, Kitaoka Akira did not have high requirements for the completion of a page of manga, and there was no need to do layering and dialogue insertion.But even if this is the case, according to the creative speed of the cartoonist, it must take more than an hour.

Do you really want to sit here for an hour?

Big Bear Ryuichi thought so.

However, looking at the current appearance of the editor-in-chief Akira Kitaoka, it seems that he is really planning to sit here until the evening of Kazama to complete the creation.

Thinking of this, Big Xiong Longyi couldn't help but sighed softly.

"Editor-in-Chief, I'll go over and check the situation."

Unable to achieve samadhi like that of Kitaoka Kounari, Uma Ryuichi stood up from the tatami and said to Kitaoka Kounari in a very small voice.

Akira Kitaoka did not speak.

Seeing that Akira Kitaoka acquiesced, Okuma Ryuichi turned around and walked slowly to Kazama Xi's desk.

As an editor, Daxiong Ryuichi also knew that the creator should not be disturbed when he was creating, so he basically didn't make any sound when he came to Kazama Xi's side.

And Feng Jianxi didn't seem to notice that there was a person standing beside him, and the brush in his hand was gently sketching on the white paper.

Daxiong Ryuichi put his eyes on the drawing paper, and finally his eyes widened.

On the tatami, Kitaoka Akira slowly opened his eyes, looking at Kazama Xi standing beside him, Uma Ryuichi, who was motionless like a sculpture, could not help frowning slightly.

PS: I usually only read comments every few days. I usually don’t delete comments, but I must delete those that phishing.

Chapter 43 Famous Paintings of the Moon

In Daxiong Ryuichi's sight, on the clean white drawing paper on the table, the complex black pen and ink has already outlined a complete line on it.

A very classic two-stage trisection mirror, the top break is divided into two grids.And the next paragraph is the complete segmentation.

Obviously, the purpose of the review is to show the scenes of the girl, the boy, and the warehouse through three pictures.

And in the two sub-frames in the upper section, the pictures in them have been completed.

' so fast? Big Xionglong stared at it with wide eyes, extremely surprised in his heart.

From Kazama Xi's writing to now, I'm afraid it hasn't even been 10 minutes, but Kazama Xi has already completed two divisions.

The first frame is a close-up of the character's face: the handsome young man with short hair is shocked at the moment, as if he saw something unbelievable.

The depiction of the boy's face continues the exquisite lines of the posthumous text, and the expressions of the characters are extremely vivid and lifelike.

The next grid is a simple depiction of the environment.

A series of tools, such as pliers, screwdrivers, etc., were scattered on the floor of the warehouse, and a gorgeous magic circle was blooming with light.Although there is no color, Kazama Xi uses shadows to describe the state of light when it is shining.

The magic circle in the warehouse.

The boy was extremely surprised, as if he saw the expression of something incredible.

Big Bear Longyi had to admit that just relying on these two divisions had completely aroused his curiosity.

Daxiong Ryuichi moved his eyes down, looking at the section below, which is also the part that Kazama Yuki is currently painting.

"This...."

Big Xiong Longyi couldn't help making a sound, but fortunately, this exclamation did not alarm Feng Jianxi.Kazama Xi seemed to have completely sunk into the painting, and the strokes of the pen drew lines neatly.

At this time, a hand was placed on the body of Big Bear Longyi.Akira Kitaoka, who was just sitting on the tatami with his eyes closed, came to the desk at this moment.

Seemingly seeing the surprise on Okuma Ryuichi's face, Kitaoka Akira also turned his attention to the drawing paper that Yu Kazama was creating.

Sweeping past the two grids in the upper section, Akira Kitaoka nodded, but he was also dazed and his pupils constricted when he saw the lower section of the calligraphy and painting.

It's not such an amazing picture. In fact, because of the degree of completion, the storyboard in the lower segment can only see the background of the warehouse and the boy sitting on the ground with his back against the cabinet.

What really surprised Kitaoka Kounari and Okuma Ryuichi was not the pictures of Kazama Yu, but Kazama Yu's creative process itself.

Generally speaking, no matter whether it is comics or illustrations, when you start to create with a pen, you will follow several processes.

The first is the structure diagram of the object, the movement of the characters, the location of the object, and a frame in mind before starting to write.Generally speaking, use a matchstick or an ellipse model to describe the overall image, so that you can avoid the situation where you don't know what to do when you draw the head.

After conceiving the dynamics of the characters, it is time to outline the frame with a pencil, determine the proportions, and draw the "naked" image of the characters.Then add clothes and other things to deal with details.Finally, draw the lines and color them.

The most difficult step is the first step, and the character composition frame is the most difficult to deal with.Because this is a process of sketching the imagination in the mind into reality.

But in Kazama Xi's pen, the composition of the characters is not at all stagnant. After making a simple outline with a pencil, Kazama Xi directly used the g-pen to draw the lines.

That is to say, Kazama Xi skipped the most complicated step of drafting and finalizing, and proceeded directly to the final imaging.

As manga editors, Kitaoka Kounari and Okuma Ryuichi are well aware of the consequences of doing this: Without the assistance of a draft, drawing lines is like walking a tightrope, and if you are not careful, you will fall short and lose everything.

However, Kazama Xi's strokes didn't pause at all, just like the most precise printer, every stroke, every stroke was just right.

The strokes of the pen dance wildly, like flowing clouds and flowing water, but following the lines without hesitation, the outline of the girl is gradually outlined.

Amazing skills...

There was only one adjective in the minds of Kitaoka Akira and Okuma Ryuichi.

The two of them didn't even notice the passage of time, they just stood motionless by the desk, and immersed themselves in that world with Kaze Jianxi's brushstrokes.

And with Feng Jianxi's last stroke, there was a pause.The manga on this page is also finished.

Kitaoka Kounari and Daikuma Ryuichi woke up like a dream, and their tense bodies relaxed.

"Finish...."

Kazama Xi gently uttered these two words, and then put down the pen.

His golden fingers can completely describe the pictures in his imagination and memory according to his ideas.But this kind of reading and writing is more exhausting.

Seeing Kazama Xi put down the pen, Kitaoka Akira and Dakuma Ryuichi standing beside the desk didn't speak, but silently looked at the picture displayed on the drawing paper:

In a warehouse built with wooden structures.

The teenager in school uniform sat on the ground with his hands on the ground, leaning against the cabinet, his knees slightly bent.And in front of him was a magic circle that was shining with light.

Standing in the magic circle is a beautiful girl wearing knight armor.

Faint moonlight poured into the warehouse from the windows, shining on the boy and the knight girl.

The encounter between the boy and the knight girl.

Her hair was coiled up, and the face of the knight girl was resolute and full of heroism.

The boy with broken hair was full of surprise, as if he had been struck by lightning, he stared blankly at the girl in front of him.

The eyes of the two met in this way.

The eyes met, as if it was a joke of cause and effect, but also like a predestined destiny.

"Servant, Saber."

"Follow the call and come here. Excuse me, are you my Master?"

"The beautiful girl who suddenly appeared like a dream said so to the boy."

Looking at Kitaoka Akira and Daikuma Ryuichi whose eyes seemed to be stuck by that page of drawing, the corners of Kazama Yuki's mouth turned slightly.

In order to exaggerate the atmosphere, I did not forget to add a narration.

"The boy can't speak. Is it because he was at a loss because of the sudden incident?"

"Do not..."

Feng Jianxi shook her head slightly.

"That's not the case. The boy just lost all his words because the girl in front of him was too beautiful."

As Kazama Xi's voice fell, Kitaoka Akira also slowly closed his eyes.

"How about it, Kitaoka-san, Okuma-san."

"This [Painting of the Moon] of mine..."

PS: This chapter is really short, I admit it.

PS2: Thanks to the empty city beauty core, blue eyes and white marriage, AWSL., 42/3426, [-], Noedrye, [Fu Hua], Lilith is heaven! , the little traveler Yihu Thirteen, and my own tip, thank you boss!

Chapter 44Edit

perfect.

Closing his eyes, recalling Kazama Yuki's drawing in his mind, Kitaoka Akira said in admiration.

If this is an exam, then the draft in front of him is a full-score paper with no flaws.

Boys, girls, and warehouses, these three elements are perfectly combined on the drawing paper.

Although there are only three pictures, they can arouse people's endless reverie:

Due to some accident, the boy triggered the magic circle in the warehouse and summoned the knight girl.

The character painting style is precise and delicate, continuing the exquisite and beautiful style of "After the Death".Whether it is cumbersome hair or human body proportions, it can be expressed very finely, and in many details such as clothing, there are outrageous folds.And the composition is also natural, the movements and expressions of the characters are all portrayed extremely well. Although there is no text dialogue, it leaves a beautiful blank space.

The structure of the two characters, the boy and the girl, is also ingenious. [-] [-] [-]"[-]

It stands to reason that the element of knight generally corresponds to men.But Kazama Xi once again constructed the identity of a knight in the image of a girl.

This is a bold innovation. Indeed, if it is replaced by a painting of a young knight and a student girl, this scene will not have the same taste.

Then there is the painting about the background. Yu Kazama uses blurring to express the spatial perspective relationship, fully highlighting the image of the girl.

In terms of light, only the shadow of the pencil is used to create a hazy effect of moonlight.

The storyboard is smooth and sophisticated.

The painting style is exquisite and beautiful.

The warehouse, girl, and boy are three elements that are difficult to combine, cleverly combined with settings such as magic circle, summoning, and knight, reflecting Kazama Xi's response ability, imagination, and creativity.

The most important point is...

Kitaoka Akira opened his eyes and looked at the wall clock on the wall beside him.

Less than half an hour.

It has been less than half an hour since Kazama Xi began to write to the completion of the drawing.

Within half an hour, the 15-year-old boy completed the process of conception, storyboarding, composition, and line drawing.