The yellow-haired villain in Feng Aotian's novel also wants happiness

Palm.

Fly.

Spit acid.

Palm.

Fly.

Spit acid.

And so on.

"Master!"

Seeing his master being played with by a man like a broken sandbag, An became even more anxious and manipulated the metal to attack even more desperately.

"Haha, Master, why are you so excited? Is Mr. Muen the person you like?

No, Master, you can only accept my love!"

Eluka laughed happily. Even if countless limbs were crushed by steel, it could not shake her happiness.

"Originally, I planned to let Mr. Muen accept my love, but now it seems that it would be better to let him be beaten to death by Ade.

Hey, Master, why don't you surrender? As long as you surrender, I may consider letting you go."

"You are dreaming!"

An gritted her teeth and retorted, taking a deep breath and forcing herself to calm down.

The cultivation of a perfect maid always allows her to better control her emotions.

At this critical moment, a calm mind can always find something wrong faster.

So, An, who was thinking about how to let the young master escape, soon found a clue.

——Why, the young master was beaten by the man for a long time, except for vomiting yesterday's dinner, he seemed to be fine?

...

"Ahem, so that's it, I understand."

Mu En leaned on the monster's huge body, vomited the last bit of food in his stomach, looked at the man in front of him helplessly, and smiled bitterly:

"Even if you want to deceive Eluka, can you change the way? This feeling of almost vomiting your stomach is really uncomfortable."

The man remained silent.

He just stared at Mu En silently.

Nothing can be seen in his lifeless eyes.

Just like a puppet.

But.

Who said that puppets have no heart.

"Save her."

The man spoke in front of Mu En for the first time.

His voice was hoarse, as if he had just returned from hell.

"Okay."

Mu En was not surprised at all and nodded seriously.

"I will set her free."

Not caring about the difference between "freedom" and "salvation", or rather, the man already knew that for Eluka at this moment, "freedom" equals "salvation".

The man reached out again and grabbed Mu En's shoulder.

This time, Mu En did not resist.

Let the iron-like hand pinch him painfully, then pick him up like a chicken and throw him out.

At this moment, Mu En was not far away from Eluka.

But the man still tried his best.

So, he flew very fast!

"Ah?"

Eluka finally reacted.

Then the happiness disappeared in an instant.

She was betrayed.

Betrayed by the person she loved most!

"Why? Why!"

Eluka screamed miserably:

"Ade, you want to betray me?

Why? You have obviously thrown yourself into my arms and shared my love, why doesn't the power of the God of Love work on you?

Why?!"

In the extreme anger of being betrayed, the whole body of the monster trembled violently.

Hundreds of faces wailed in pain at the same time, and countless words of love, like the cry of ghosts in the middle of the night, almost pierced the eardrum.

The deformed flesh began to wriggle in an unprecedentedly active state, and countless strange limbs could not wait for the epidermis to split, and violently broke through the skin, and blood splattered.

Then those limbs were wrapped in foul-smelling blood, completely ignoring An who seized the opportunity to attack with all his strength, and all rushed to the betrayer and Mu En on the other side.

The man did not resist, allowing himself to be caught, entangled, wrapped, and gradually devoured by the deformed limbs.

He was about to merge with Eluka again. This time, he would no longer be treated specially, but would become one of the hundreds of faces.

His eyes were still dull, but in the deepest part, something seemed to be flashing.

Just like before.

Why betray you?

Is there any need to ask?

Because I love you, Eluka.

I am sorry for being deceived.

I am also sorry for not being able to stop you.

But in the end, at least I, a useless man, can be a little useful.

At the end of being completely devoured.

The man raised his only remaining hand.

Then his five fingers were slightly bent, like the claws of a beast.

In an instant, there was a thunderous roar!

The invisible wave spread rapidly with the palm as the center.

But the target was not his body, but the deformed limbs that followed Mu En.

…

This is …

My last love.

…

Eluka's roar came to an abrupt end.

Because a figure, overcoming many obstacles, finally came in front of her.

"Hey, Eluka."

Mu En stepped on the squirming flesh and blood, looking down at the still cute face.

Like greeting an acquaintance, he said softly:

"Good afternoon, have you eaten?"

"The roasted whole lamb you treated me to last time was delicious."

ps Sorry for being late, today I will present two updates together.

Remarks on the release

It's on the shelves.

First of all, I would like to thank all the readers for their love and the editors for their support.

I can’t get here without you.

Actually, there is nothing much to say about the release, so let me talk about the book itself.

First of all, this book, especially the plot at the beginning, is indeed very wrong, with certain logical flaws, which is also criticized by many readers.

In fact, when I first started writing, I didn't think there was any logical problem, because my logic is very simple.

The protagonist travels through time.

He knows that he is a yellow-haired man who is bound to fail, while the original protagonist is the ultimate Feng Aotian who can kill in this evil god worldview.

The protagonist feels that he can't win, so he plays badly (want to apologize to the original protagonist and be his own duke's son at ease)

Then the black book appears and gives him a prophetic dream of being cut into pieces in the future.

Therefore, the protagonist thinks that there will be such a more tragic ending because he changed the plot recklessly (the correction power of the world).

So compared to being cut into pieces, the protagonist chose to follow the original plot, that is, he failed to drug Cecilia and was reduced to a civilian.

But unexpectedly, by mistake, it was successful.

Well, from this point of view, is the logic more reasonable?

But maybe I wanted to make this logic go too far, explained too much, and each reader had a different understanding, which made many people feel that this plot was too stupid and "poisonous".

In the end, it was because I didn't have enough control over the plot, which made many readers have a bad reading experience. I apologize to you first.

The second problem is the problem of my writing at the beginning.

Because in the setting, the protagonist is an ordinary person who traveled to the yellow-haired villain. He will not take the initiative to compete with the original protagonist for luck like the kingly Long Aotian.

He just wants to "live" and "be happy".

So when some conflicts occur, I used a lot of psychological descriptions to reflect the protagonist's struggle.

Because compared to Long Aotian who is against the sky and the earth, I prefer the protagonist who is obviously afraid in his heart, but can overcome the fear and make a choice that warms people's hearts.

But too much psychological description not only makes the image of the protagonist a little fragmented, but also makes him look a little "weak."

Anyway, I think no reader will like the male protagonist in the plot of Cecilia.

I apologize to all my readers again, and thank you for your support until now even though I have such a big problem.

Of course, since I have found the problem, I have to correct it.

In fact, starting from the maid plot, especially the Eluka plot, except for complaining, I no longer have too many psychological descriptions of the protagonist, and shape people through "behavior" rather than "thoughts". Does it look better this way?

All the problems are due to my lack of control over the plot and writing style. If readers still think there are any problems, they can raise them in the back of this floor, and I will go through them one by one.

Having said the problem, let's talk about the plot of this book.

First of all, every heroine in this book will not be given for nothing.

Including An, she has the highest favorability, so she is placed first, but she also needs the plot to correct her "deformed" love.

So every heroine will have a long-term strategy process, and this strategy process is the "main line" of this book.

As for the question many readers have asked, why there is no interaction with other heroines... I just want to say that I really can't find a point to insert other heroines in the plot of the first volume, and the continuity of the plot cannot be sacrificed because of these interactions.

But starting from the second volume, as new scenes unfold, the protagonist will have very interesting interactions with almost every heroine, so stay tuned.