What's wrong with me promoting my girlfriend as a diva?

The night fell.

Qiao Sheng came to the hotel's buffet restaurant, where Qiao Rong had been waiting eagerly.

He and Lin Moxue agreed to meet at eight o'clock, but they didn't see him until almost half past eight, so they went in and prepared to eat first.

Not long after they sat down, Lin Moxue came late. Because she came in such a hurry, she didn't have time to change her costume.

"Humph, I knew you wouldn't wait for me, go back and start again."

As soon as she sat down, she saw that the program on the tablet on the table had already started for a while, forcing Qiao Sheng to start playing again.

"You are so shameless. We agreed to meet at 8 o'clock, but it's almost 9 o'clock now."

Qiao Sheng was a little speechless. He didn't expect that he would have to have another kind of dinner party when he came to Hengcheng Film and Television Base.

After Lin Moxue took some food casually, she sat down and complained.

"It's because we have to shoot the night scene. Director Ji is not here, so some people are lazy and have made several mistakes. It has been going on until now, otherwise I would have come back a long time ago."

"Just skip the opening. Hurry up. I have to go back to continue shooting after eating."

Filming is a bit troublesome. Sometimes you are busy or make mistakes, and you may not be able to take care of the meal.

Qiao Sheng was fine. He had the afternoon tea of ​​the crew in the afternoon. He was not very hungry, but Qiao Rong was so hungry that his eyes were shining.

The crew is also like a company. When the big boss, the director, is not here, naturally some people start to be lazy.

The show started again. Qiao Sheng had already seen this segment, so he simply focused on the food in front of him.

After the elimination and PK in the first two stages of "This is the Band", this episode ushered in a slightly easier points race.

There are two points games in total. The eight bands present took turns to perform on stage. According to the number of votes from high to low, they received points from eight to one.

That is, the first place got eight points and the eighth place got one point.

After the two points games, the last place was eliminated.

The band of Mi Zui has been eliminated, and the remaining bands in the show are all Chinese bands.

There is no thorn in the eye in the band viewing area. Everyone is in a good mood. When the camera cuts over, there is laughter.

After more than an hour of band bombardment, the Raptors came on stage.

The big screen rose, and the Raptors appeared in everyone's field of vision and brought everyone a surprise.

The person standing in the lead singer position changed again.

This time, the person standing at the front of the stage did not lead the band to do a bodybuilding shape.

Because that person is Shi Jing!

The moment the audience saw Shi Jing, they burst into enthusiastic shouts.

The Raptors are going to do something again!

Last time they changed the lead singer, they brought the super-burning "natural" and the cool and free "Uptown funk".

This time they changed the lead singer again, and I wonder what kind of wonderful performance they will bring.

After the scene quieted down, everyone held their breath in anticipation.

The song title appeared.

"Thousands of Flower Stamens, the Sorrow of the Loving Mother"

Lyrics: Lao Qiao

Composition: Lao Qiao

In the silence, the sound of high heels sounded in the accompaniment.

It seemed as if someone was wandering back and forth in the house.

Shi Jing picked up the microphone and spoke.

"In the afternoon, I was alone in the house.

(In the afternoon, I was alone at home)

The northwest rain soaked the clothes outside the window.

(The northwest rain soaked the clothes outside the window)

The people outside have not returned yet.

(The people outside have not returned yet)

I waited stupidly, holding an umbrella stupidly.

(I waited stupidly, holding an umbrella stupidly)"

Shi Jing's cold voice spread throughout the audience.

On the big screen, the Minnan lyrics and the translated words appeared together.

People who knew the pronunciation of Minnan realized that this was a Minnan song.

The number of barrages also surged at this moment.

"Ahhhhh, family members, who can understand how I, a native speaker of Minnan dialect, feel right now!"

"Hu Jian people, gather and count!"

"Hehehe, I heard that many Hu Jian people will show up at this time, and I am from Guangdong Province."

"I've waited and waited, and finally waited for the Minnan dialect song of the Menglong band!"

"I said Menglong must have a Minnan song!"

. . . . . . .

The lyrics of the song "Thousands of Flower Stamens and the Sorrow of the Loving Mother" are all in very authentic Minnan dialect. When the lyrics appeared, they immediately hit the hearts of many audiences who speak Minnan dialect as their mother tongue.

At the beginning of the song, it is like a story being told, describing the beginning of a story.

It was raining heavily, and I wanted to go out with an umbrella to find someone, but I had no idea where that person was, so I could only hold the umbrella stupidly,

Walking back and forth at the door of the house.

Even the clothes hung outside were soaked by the heavy rain, but I didn't remember to collect them.

I just worried out of habit that he would get wet.

The first paragraph of the short four sentences depicted such a scene.

Shi Jing continued to sing:

"For you, I almost wanted to get out of bed.

(Because of you, I couldn't sleep for many times)

The whole world is looking for your shadow.

(The whole world can't find your shadow)

Everyone will let you go.

(Maybe, I can forget you)

I am angry and annoyed, how can I be indifferent.

(I am so angry, how can I be indifferent)"

As soon as this verse came out, many people speculated about Lao Qiao's identity again. Lao Qiao must be from the Minnan dialect area!

Even if he is not, at least he grew up in such an area!

The audience had such speculation mainly because Lao Qiao's words in the lyrics were too Minnan dialect.

Among the professional music fans, a lyricist slapped his thigh hard when he saw the lyrics.

"Maybe, I can forget you." He kept repeating this sentence.

This lyric is very straightforward, but if you look deeper, it becomes particularly meaningful.

If I could forget you, I would have forgotten it completely long ago.

Adding the word "maybe" actually highlights that there are two forces pulling back and forth in my heart.

Forget it!

I can't forget it!

A slightly hesitant sentence reveals a firm inability to forget.

"Standing on tiptoe in the dark, watching the lights flicker.

(Watching the lights flicker all night long)

I stand on tiptoe waiting, taking pictures of the person who has gone.

(I am waiting here for the person who has disappeared)

Listening to the sounds in the house, each sound is screaming.

(Every sound in the room sounds like crying)

I walk around, missing the room on fire.

(I walk around, missing the room on fire)"

Singing this passage makes the missing more concrete.

I am waiting silently in the room alone, and there is no sound around. Where does the sound come from?

But I can clearly hear sounds everywhere, and the loudest one is the cry in my heart.

I can only walk around in the room with insomnia. My missing you is like a big fire burning in my heart, and then engulfing the whole room.

"Flowers that bloom, people who have no intention of returning.

(Flowers that will not bloom, people who will not return)

Beautiful you, thinking of you at that time, holding your flag.

(Thinking of beautiful you, you were holding a flag at that time)

Words on the roadside, rain on the street, flying.

(Words on the roadside and rain on the roadside are flying)

Times have changed, I am alone, I can't even ask the sky.

(Times have changed, I am alone, I can't even ask the sky)"

This part of the lyrics is one of Qiao Sheng's favorite parts of the whole song.

The jump of the lyrics creates a sense of beauty with a sense of space.

Just looking at each line of the lyrics, there is actually no connection between the front and the back.

Flowers and people, beautiful you and the flag you held at that time, words on the roadside and flying rain.

It seems unrelated, but in fact, there is a connection everywhere.

Because they are all things related to you, as long as I see and think of them, I will think of you who has disappeared.

"There is nothing in my hand, only the love I want to give you.

(There is nothing in my hand, only the love I want to give you)

The whereabouts of a flesh-and-blood person are unknown.

(The whereabouts of a flesh-and-blood person are unknown)"

This is a turning point, but the lyrics are still very delicate.

There is nothing in my hand, you left, I became penniless, only the love I want to give you.

But because you left, I can no longer give the love I held in my palm.

It is understandable that the person is missing, but adding the adjective "flesh-and-blood" here brings a bloody taste.

Next is one of Qiao Sheng's favorite clips, which is also the most widely circulated clip on the earth.

Shi Jing clenched the microphone in her hand, and her voice changed slightly.

"With yours, remember, and stay in my heart.

(With your memory, keep it in my heart)

Ride your white horse, and go the way you want to go.

(Ride your white horse, and go the way you want to go)

The wind blows, the flowers fall to the ground, light a stick of incense and pray.

(The wind blows, the flowers fall to the ground, light a stick of incense and pray)

Namo Guanshiyin Bodhisattva!"

Many people feel strongly connected when they hear riding a white horse.

All the lyrics are written by Lao Qiao, and the audience naturally thinks of the song "Riding a White Horse".

Riding a white horse through three passes, the person Wang Baochuan has been waiting for for eighteen years has returned, but what is there to wait for here?

People are destined to have no news.

And when Shi Jing roared out the lyrics "Namo Guanyin Bodhisattva" in an angry voice, the scene exploded.

Even for the audience who couldn't understand Hokkien, Shi Jing's roar sounded in their hearts like a thunder on the ground.

The person I was looking for disappeared, and it was useless to talk to anyone, so I lit a stick of incense and went to ask Guanyin Bodhisattva!

She did not blame the person who left, but supported him to ride the white horse and go his own way.

But when she prayed to God and asked questions, why did she do so with anger.

Are you blaming the Bodhisattva for not protecting the one you love?

This is not a prayer, what everyone hears is a complaint against the gods.

It was the only question I could ask when I was helpless.

Bodhisattva, we are so pious, why didn’t you protect us?

"If I tell you, this is a tragedy.

(If it were you, you would have expected this tragedy)

Do you dare to take care of me? Before you come to Yitou, you will pass away on the evil road.

(Will you take care of the bumpy road ahead of him)

In the dream, I watch you do what you want.

(I, in the dream, watch you walking slowly)

I'll take your dead soul and we'll work together to get it to that place.

(Holding your dead soul, one day we will go to a new place together)"

The protagonist sung in the song, even though her tone was filled with blame, she still chose to pray, hoping that the Bodhisattva would take more care of her lover in the future.

What way?

Huangquan Road! The road to hell!

And after she finished praying, she finally fell asleep. Maybe it was the mercy of the Bodhisattva, or maybe I missed you too much, but in my dream I finally saw the person I missed day and night.

Although the protagonist is still alive, she has already thought about death, and only by dying can she meet the person she misses again.

She even held her lover's hand to comfort her, saying that we would eventually be together in the future.

What are there to be afraid of ghosts? What you are afraid of is what many people dream of but cannot achieve.

"My withered love has its own path,

(My withered love is all the way.)

Thanks to you, my heart is at ease.

(With your silent heart)

Standing still in this dark age.

(In these dark times)

It's fate but not destiny, just think about it and tell it.

(We are not destined to each other and want to tell it)"

By this point, Shi Jing had already empathized with the entire song, as if she was the protagonist in the song.

This also echoes the previous lyrics, which said that the whole road was "rained" and filled with rumors.

And here, the whole road is filled with my withered love.

This does not refer to the protagonist alone, but to the entire road, there are people who have had the same experience as her.

The same withered love covers the entire street.

All of a sudden, the entire song's pattern was magnified.

In an era shrouded in darkness, love is so small and can be broken at the touch of a touch.