At the planned Tacax Village, I lived in a tent with artisans from a wooden cage shop.

"Takakus Village? What's a takaku?

The manager of the shop in the wooden cage asks strangely.

It's my last life's name.

"Hmm."

Oh, you don't believe me. I can't help it.

Both the craftsmen and the manager looked surprised at the name of the village that took my last name, but they didn't ask me deeply because it wasn't a word with any other weird meaning.

Well, of course there's a reason I'm bothering to live in a tent on a planned spot.

It is the construction of a public building that will serve as a temporary residence for the villagers of the moment.

Twenty emigration hopefuls have already been gathered by Richay and Melmie's voice, but emigration has been kept waiting until the completion of the public and private buildings.

I just want to rush the completion of the public and private buildings for them, too, who are waiting for me.

"So the design was done by Amane by way of example"

"Yeah, it's the first building in the village to remember. I'm impressed."

In budgetary terms.

Twenty pieces with jade coins at any rate. A bad private house throws enough money to build twenty houses.

If it were only wood, it would have never cost us so much to get the world tree building materials fairly inexpensively, but this time it is a public and private building, the landmark of the village for the time being. I'm in trouble if you don't keep me for decades.

Due to the fact that only a large number of facilities will be accessible to people and the durability of the materials is required, it is necessary to use a composite material on the floor that utilizes the liquefied yarn of the bird eater spider, which is a demonic worm, at a high cost.

Again, it was helpful because the Comatsu Chamber of Commerce wholesaled it cheaply in anticipation of future deals.

"Shall we get started?"

"Right. If you bring it, you'll live in a tent."

The work begins with the twelve of Melmie, the manager of the store with ten more craftsmen.

Decades of this road and other adorable, two hundred clouds, ten years of craftsmanship. The speed of construction of a wooden cage factory, the majority of which are people, has something to keep an eye on.

I wonder if the wood of the world tree was instantly processed and erected, and at the next moment another wood is available.

"- Mr. Amane, I'm up for your luggage delivery."

When I was called from the side and turned my gaze, building materials from the Comatsu Chamber of Commerce had arrived. It is a composite material utilizing the liquefied yarn of the bird eater spider that has been ordered.

I'll leave the scene to the manager and go in to inspect the goods.

I took the composite while Richay, who came with me, was checking the details.

Bird Eater Spider is a demon bug that nests with yarn and preys on birds as its name suggests. There is an organ in the body that stores the yarn before it is put outside, which contains an object in which the ingredients of the yarn have liquefied.

This liquefied yarn, with its solidifying properties when exposed to air, is highly water-repellent, durable, abrasion-resistant and resilient.

It looks like rubber as it is and is not suitable for building materials, but it is widely used as a composite material for applying to the floor, adding sawdust, etc.

This liquefied yarn was also applied to the floor for a cushioned coating when asked to rebuild the orphanage of Richay origin in Yoinsley.

Pay the price, and Richay squeaks.

"I always thought it would be expensive."

"I can't help it because it's a demon bug material."

It has a very useful property, but because it is a material derived from a demonic worm, the value does not stick to the balls.

Ordered from the Comatsu Chamber of Commerce are composite materials mixed with bones such as crushed birds and charcoal. Floor coverings are characterized by moderate stiffness and anti-slip sound resistance and are lightweight, and are also commonly used in public facilities such as the Yoinsley library.

Apparently, there is sparse black of charcoal in the smooth white without the gloss of liquefied yarn and bone. It is a shade reminiscent of granite, but it has no shine and gives a soft impression whether it is due to the properties of the liquefied yarn.

Touch with your hand to examine the hardness and measure the approximate percentage of ingredient content. From the feel, there doesn't seem to be that much difference in ingredient content. Good hardness.

For the record, Jichako and Jaynes, who taught me their knowledge and skills as a demon bug hunter, said that liquefied yarn adds about 10% moisture and then solidifies it to soften the breasts. At one time, he was hunting all over Bird Eater Spider for supreme tit softness, and Jicha said what he discovered was a 10% three-minute moisture content. Amane's preference would be different from that of Nong, so she told me to keep it to the point of reference.

To the extent that they are hunted for such a crappy motive, the story is that a demon worm called Bird Eater Spider lives all over the place. I have no other intention.

Receive building materials and bring them into the temporary tent to avoid getting wet.

"How is the construction progressing?

Ask the manager of the workshop in the wooden cage, who was being replaced by the site supervisor.

I also checked a little on the side during the pick-up of the building materials, but you should ask just in case.

"About half of the ground floor part is done. We're going to move on to the rest."

The public hall is scheduled to be an L-shaped building, which ended in a building with a warehouse and toilet.

The warehouse is scheduled to be a common warehouse for the village, where agricultural tools and the like will be placed. Others will throw in the banquet hall chairs and collisions in another building of the public hall they are going to build.

Replace the site supervisor with the store manager. The manager is the manager and has work to do.

"Amane-chi, look at the elevation!

Show Melmie the elevation view that jumped in.

Simply put, it's an L-shaped public and private building, but the toilet and entrance sections on the ground floor stick out to give off the building irregularities, are plugged in roofs, and there are windows out. You'd be scared if you didn't check the elevational view of the building from all directions every time.

"Ho. Beho-do."

"Are you convinced?

"Roger that. I knew there were windows in the stairwell."

"It's because of the light. It will be inserted so that the smell of the cooking area does not enter."

"Okay, okay. I'll come back and work for you."

I go back to the elevation when I see Melmie disappear behind the building.

"Mr. Amane, have you received the armor on the floor of the warehouse?

"Not yet. Go to the ballroom for support."

Copy that, sir.

Instruct the craftsman at the workshop in the wooden cage and see Richay standing next to him.

"Have you heard anything from the Komatsu Chamber of Commerce about Komatsu?

"Beaunt's armor has plenty in stock, but WaxAnt's armor could take a while to procure. He said it wouldn't work for the price because he had a handover."

Can't you get a hold of the warehouse floor for a while?

A nail material is an object that treats warthworm crusts such as wax ants and beaants as building materials, and has the characteristic of being hard, tough and lightweight. They may also be used in place of floor stones.

It seems that the common warehouse has decided to use armor rather than wood because of the possibility of placing heavy luggage.

I don't have any particular problems right now because it's not a ready to use device.

"You're gonna get out of your tent life tonight, and you're gonna be able to sleep in the public hallway under construction,"

"Well, I can't tell if I'm happy."

I think the floors, walls and ceilings are tighter than tent life, so I guess it's okay to say it's better.

"Amane!"

Melmie is calling me as I wave.

Melmie, who stopped in front of me and Richay, pointed to the back of the public house under construction.

"The manager's calling, go"

Because I'm at work, I'm not surprised Melmie calls my adoptive father the manager, but I care about the word, go.

"Is Melmie not coming?

"Amane's the only one I need. Instead, I said don't come. Something serious."

As Melmie's name is "I", I think I'd better get ready to go.

"Richay, tell everyone to take a lunch break. I'm going to the manager."

"Scream if anything happens."

Even though my stepdaughter Melmie lives in my village, she leaves the manager's house. "I knew my daughter wouldn't do it! Do you have stories like that?"

I don't think he told me to take Melmie to the village because he's the manager.

"Your adoptive father's cock is always straight to the right, so be careful"

"You're not convincing when Melmie says..."

"Because I'm not the one eating the dandruff, am I?

Speaking of which, I've seen a few times that I'm lightly fistboned by the craftsmen at the factory, but I've never seen Melmie get mad.

I don't know, Melmie doesn't get pissed off because the guidelines are good.

I'll leave Richay and Melmie to the back of the public house where the manager is waiting.

"Oh, you're here."

The manager was slowly lowering his hips in front of a large plate. Thirty centimetres long, one hundred and fifty centimetres across, and about ten centimetres thick, is a wooden plate made of world wood.

"I'm going to make a village, and I'm going to show it to you."

That said, the manager started typing fleas into the wooden planks.

Large wooden plates, which were not even drafted, are instantly carved out of the edge, and watermark carvings are shaped.

Its watermark sculpture, in which a set of male and female seeds sprout, become trees, and the process leading up to the creation of branches of the synagogue, represents from the introductory part to the middle of the myth of this world.

"There will be two entrances and exits in the ballroom of this public hall. Decorate this one of you."

The manager sticks out a watermark sculpture to me that he's just able to.

Such a stunning watermark carving, if I bought it, the balls would fly.

"My budget..."

"I didn't say anything wild. I told you it was a scenario. I'll give you that."

Uh, okay? Are you serious?

There are two entrances and exits, but which one shall we decorate? I figured it was on the entrance side of the public hall itself.

The manager laughs when he sees me receiving the watermark sculpture.

"Okay, you got it?

"... Huh?

"Do me a favor"

I got something bad.

Nevertheless, I wouldn't ask for an unscrupulous favor because it's about the manager.

"What is it?

"You're quick to get to the belly. I appreciate that, but he's not cute."

What am I supposed to do?

The manager pointed to the watermark sculpture I had received.

"As I said, there are two entrances and exits. But there's only one watermark carving. I want Melmie to do the other one."

"To Melmie?

I think Melmie's technology is of a high standard. It's just that Melmie has a hard time being vulnerable to jobs where taste other than these technologies is questioned.

The manager shot me through with a sharp eye.

"When Amane decides that Mermie has worn an arm that is no less than that watermark sculpture I made, she asks Mermie to do it again."

"So you only drew halfway through the myth."

I guess that means that it's Melmie's hand. It is the work of two generations of parents and children.

The manager nodded in arms.

"That's the thing. I don't know if it'll take a hundred years or two, but I want you to wait."

"Okay."

"... really, you're getting hungry fast. Essentially, you're asking me to keep the public hall unfinished and wait for Melmie to grow up?

"But you expect Melmie to give up as a craftsman? Even I know Melmie's trying to be shady."

"I know, I know, I know."

The sighing manager stood up and squawked as he walked out to the front of the public and private buildings.

"Thank you..."

Construction was completed in thirty days, although there were some other delays, such as rain weather postponement, in addition to armoured materials.

Enter the public and private hall that has just been completed.

Once inside through the entrance porch supported by a Dorian-style pillar, you exit into the entrance hall. The entrance hall, which was a blowout to the second floor, looked up and saw the hallway upstairs.

If you enter the entrance hall and proceed through the front hallway, you will find a common warehouse and toilet, if you proceed through the hallway on the right, you will find a banquet hall, a cooking and food pantry, a staircase to the second floor and a security room.

Try entering a common warehouse. The white armored floor made from the crust of the wax ant was dull reflecting the light inserting through the window. There is no warehouse-like gloom. I just didn't feel comfortable enough either. It would be a reflection to be brought to life in the future.

Leave the common warehouse and go to the security room. Take off your shoes and go up to the raised wood floor. The security guard room, which is about eight tatami in size, assumes that the accommodation will be between two and three people. On the left is the wall that divides the common warehouse and on the right is the wall that divides the stairs to the second floor. There was a window toward the hallway so that we could see who was walking down the hallway.

The ballroom is large enough to accommodate 20 to 30 people. This is where you take off your shoes and go up, and you can also use partitions to sort them.

The inner walls are divided into lower and upper white wallpapers with mosaic patterns like parquetry. Though the ballroom, the mosaic alone was too annoying to look at.

For the time being, it will be a dining space for villagers staying in public and private buildings, but it will be a dining space used by merchants and other guests, as well as a miscellaneous fish sleeping room for large-scale guests such as demon bug hunters and craftsmen, until the villages can be accommodated if the buildings are enriched.

I went up the stairs upstairs and saw an attic directly above me. The sunlight falls from the windows provided on the walls connected to the apex section.

I wanted to make it this sight, but I took the shape of a plug roof for it. At the end of the hallway, just below the roof, there is a large window, which is responsible for lighting and ventilation.

Most of the rooms upstairs. In all, eighteen rooms existed and were built directly above the ballroom and common warehouse on the ground floor part.

Finally, look down the entrance hall and front door on the ground floor from the blowout to see what you can do.

"I knew a wooden cage engineer would do a good job,"

"Has Amane come to flatter you too?"

The manager slaps the haters and strokes my head around. I meant it.

"Now the village of Amane is in full swing. Melmie, please."

"For some time now, I'm sure you'll be able to take care of the wooden cage engineers by building homes for people who want to migrate."

"Hey, I'm gonna hang out with you."

Talking to the manager, Richay came.

Amane, there's a letter for you.

"Letter?"

Receive a letter from Richay. The sender is an orphanage in Joynesley. It's Richay's home.

Letters had been received many times before, but the addresses had been unified at Amane's office. But this time it's addressed to me personally for some reason.

"You mean a private message?

"Maybe you don't want me to see you."

I cut the seal on the spot because it won't start until I see what's in it for now. Richay and the manager, distracted, take a half step away.

In addition to the expectations and encouragement of creating a village, the letter contained information about Richay.

There was a place where I had a low self-esteem and I didn't want to do a big job. After Richay started working with me, it started to change, and I finally had the pleasure of building a village and the gratitude for me at the end.

It's called the manager, it's called the bishop of the orphan dean, and you all seem to be a solid father, even if there's no blood connection.

"Did it say anything good?

Richay snaps her neck as she looks at me wondering when she's laughing at the letter.

I think it's a good thing.

I returned the words and folded the letter.

Anyway, this is what happened at the end of the sentence.

- I'm ashamed, so don't show it to Richay.

Your adoptive fathers seem to like to be there in the shadows.

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